In THE ART OF LOISH, one rediscovers the familiar combinations of color and shading and character modeling that makes van Baarle's work so recognizable.
In van Baarle's art, one encounters the floaty and floral emotive denominations that remind one of the dynamism of art nouveau as well as the polished and inimitable contrivances of color theory native to experimental digital artistry. To a point, her art is easy to fall in love with. For the sake of this artist, one then resumes an array of portrait illustrations with gorgeous soft-shading, intense and faraway gazes, and too-long necks. One also observes conceptual sketches whose breadth and variation of style envelopes and supersedes much of what is expected.
A contrasting view may hold that intuition gains considerable sway in van Baarle's art, to great success and obvious detriment. The artist is high on stylization (colors, textures, other additive elements) but weaker on form (composition, shapes, and proportion).
Art books of this sort have a tendency to articulate a way of working in the absence of obvious limitations. THE ART OF LOISH is a lovely glimpse over the shoulder of a skilled professional. But a follow-up, a dozen years from now, will likely prove more insightful.