I don't know why I don't read Deaver more often. Although he, by far, isn't my favorite author he is amoung the, oh, say, top 5 and I've yet to be disappointed by anything of his that I've read. When I picked up A Maiden's Grave for a few dollars I fully expected to have a 'meh' attitude about it, going on the synopsis-but I figured, hey, it should be entertaining enough and if not I'm only out a few dollars. I was pleasantly surprised to often find myself unwilling to put it down because it was, 'getting to the good part'.
Imagine being Deaf, responsible for a small gaggle of Deaf girls and being taken hostage. Now, imagine trying to hold it together and protect those girls while you wait in terror for what fate has in store for you. Welcome to Melanie's world. Melanie, who considers herself weak and ineffective. Now, I have to say here that I hate weak women in literature. They make me just want to slap them and yell, "Grow a pair of balls, already!" In the beginning I thought Mrs. Hawstrawn was going to be the tough one, so I was surprised when she broke so easily. Timid little Melanie turns out to be one 'kick ass chick', risking her life over and over again to save the lives of the girls all the while enduring the hostage takers' rage, which was often centered on her.
Deaver weaves a suspenseful tale; one full of characters you really grow to like, even finding yourself a bit disgusted with yourself because you find one of the hostage takers to be quite charasmatic. There are more than a few surprise 'whammies' tucked in here, tucked in there that I was bonking myself in the forehead for not seeing coming. Then again, some of them were whammies right out of the blue that I don't think anyone would see coming. Then there were the times that I just knew what the next twist would be only to be surprised to be proven wrong. Them thar' be the makin's of a good story.
A school bus carrying eight deaf school-girls and their teachers brakes suddenly on a flat Kansas highway. They should never have stopped. Waiting for them are three heartless men just escaped from prison--each with nothing to lose. And now, with the girls as their hostages, they have everything to gain.
They make their stand in an abandoned slaughterhouse, and it is there that Lou Handy, a murderer and the convicts' ringleader, announces his terms; to kill one captive an hour unless his demands are met. What follows is a twelve-hour siege of noose-tight tension--and a war of nerves between Handy and the FBI's senior hostage negotiator, Arthur Potter.
Bespectacled and quiet, Potter may not look like a match for the vicious Handy. But behind his world-weary eyes is a steely nerve sharpened over a lifetime of tough stands at the barricades. Trying to beat the inexorable clock, Potter struggles to grow close to Lou Handy, to become him, and finds himself walking the dangerous line between good and evil, cop and criminal. Is Handy a desperate escapee? Or a wild-card psychopath killing for kicks? Or is he simply a brilliant poker player, upping the bloody ante for reasons of his own? All Potter knows for sure is that Handy will gamble those girls' lives away in a hertbeat if it suits him.
While Potter negotiates from a hundred yards away, inside the macabre slaughterhouse one of the hostages--a deaf teacher named Melanie Charrol--vows that Handy won't win his sadistic game of cat-and-mouse. Together, Potter, a man of words, and Melanie, a woman of silence, will fight to keep the convicts from murdering the innocent girls one by one.
With riveting realism, Jeffery Deaver portrays the perverse blood brothership that develops between Potter and Handy, the inner workings of the FBI's hostange rescue team, and the would-be Rambos' turf wars that threaten to undermine Potter's exquisitely orchestrated strategy.
The clock never stops ticking and anything could happen in A Maiden's Grave, which builds to a heart-stopping climax that will literally take your breath away.