I was a bit wary of this retelling, seeing as many reviews claim it's of the Christina fiction variety. No shade towards this sub genre (see my Destiny trilogy review), but it's not generally my jam. And while this is on the lighter side romance wise, I'm so happy I didn't listen to the naysayers. This was dark, nearly forest Gothic in its settings and even some situations, but got to the gooey lighter side by its final act.
Pros
-Action oriented
*We're thrown right into the plot, literally moving from page one (Liesel, her father, and soon-to-deceased mother are in the midst of moving to Ward, a nearly sunless village in the dead of night) and it never really lets up, except when we hear the howling.
*Most authors don't know how to keep readers engaged at such a break-neck pace, but I never felt lost, rather I was more immersed in the story. I wanted to run through the trees towards the sunlight alongside Liesel and Kurt and dance with him at the festival. It felt very fast, but not rushed.
-Olden fairy/folk tale vibe
*This could go hand in hand with the pacing, seeing as older fairy tales had to move quickly and get in the all important plot. But this was most noticeable in the little things: the warnings Liesel is given to avoid danger (men) in the world and forest, Kurt and Liesel meeting each day to read a tale from her grandma's book, and of course true love breaking Kurt's werewolf curse. Especially that last one: Liesel's willingness to marry Kurt for who he is not who he's "supposed" to be felt very Hans Christian Anderson to me.
-Something Dark Dares to Enter
*I know I just sang goodness's praises, but don't be fooled: this gets downright bleak at times.
1.Liesel's mother passes away mere moments after arriving to town, a town that promised a skilled healer.
2.Her father becomes a neglectful drunk, leaving poor Liesel to fend for herself in their drafty cabin in the midst of a brutal winter storm, during which she was subjected to awful hunger pains since he'd been feeding himself on tavern dishes and been to drunk to pick up their grain rations. The man even forgets her birthday for three months! He dies at the hands of a werewolf, and honestly good riddance. Kurt rightfully points out how sad it is that Liesel praised her father for doing the bare minimum.
3.The setting and season were dark and cold: flowers don't grow anywhere but the werewolves home, the town's sans sunlight, and winter winds are so brutal that fires can't stay lit in the home hearth. This would've been the ideal read for last week's winter wrath.
4.The way Liesel's attack and its aftermath are written is nearly akin to sexual assault: she's minding her own business, walking through the woods when a wolf pins her down, literally pushing its paws into her back while biting her hand. And when townsfolk notice her mark, they shun her, similar to the unfortunate way people treat sexual assault victims, as if they're a blight on society. Not sure if the author meant to do this or not.
-Kurt's a complete cinnamon roll!
*Although Liesel's bite marks her as a pure blood and Kurt's eventual wife, he doesn't pressure her marry him or stick around, in fact he's instrumental in getting her out of Ward, into Tag, where she thrives, save for missing him.
*He even keeps her promise albeit with twist: Liesel understands early on that Kurt wants a world beyond his home and makes him promise that when they're old enough, they'll run away together and see the world. Although they try many ways to break the curse and as a pure blood it's "her responsibility", and even though unlike most bitten pairs he genuinely loves her, on the day of their wedding, he lets her go, ensuring at least one of them will see the world. Awww! I mean, she says, "that's not the deal, you come with me or I'm not going", and then we all hear the bells!
-Liesel's no damsel
*It would be easy for her to become one though, given Liesel's home life and romantic one have been turned upside down. But instead of becoming despondent, she finds employment and learns to forge healthy relationships with parental figures who show her genuine kindness. It would be simple to become jaded, and although she is a bit lost/dazed at times, Liesel's down but never out.
OG Elements
-Liesel's red cloak
*Here, our big bad werewolf, Kurt, gets annoyed at her wearing it because it makes her easy prey, akin to how easily the wolf finds RRH in the original story.
-Liesel's grandmother warns them against moving to Ward
*Reference to Grandma's warning to stay on the beaten path, but in this case meaning stay safe in your hometown.
-Liesel trekking through the forest, clothed in her red cloak, basket of pie in tow for a neighbor while her guardians warn of a werewolf clan stalking the outskirts and when she gets there, calls out for the neighbor who's nowhere to be found. And Liesel's then greeted by a scratching sound from the back of the cottage.
*I mean, literally RRH walking through the forest, basket of goods for Grandma and arriving to find Grandma gone and a wolf in her place.
-A hunter carries Liesel home after her werewolf attack
*Reference to some older versions where a character called the Woodsman or Huntsman arrives in time to slay the wolf and save RRH.
-This one's a bit of walk, so stay with me, but early on, men size Liesel up, looking at her like how her grandpa studies ripening grapes on his vineyard.
*Reinforces the idea that they're the predator and Liesel is prey, good enough to eat, much like the OG big bad wolf eventually does or attempts to do (depending on the version).
Interesting Elements
-Liesel's mother warning her that men will become like dogs, and to be wary of which ones she lets in felt very "The Company of Wolves".
-The name Liesel is also the name of the RRH character in another retelling, "Wolfland" by Tanith Lee.
-The overarching idea that the town and clan are awaiting the one woman who can break the spell and are very eager to essentially hold Liesel and her father captive by making false promises of expert healers felt like an episode of this scary/mystery 70's anthology series called Brian Clemens, THRILLER called "A Place to Die". In this, a doctor and his wife come to this small town full of overly friendly residents who all seem obsessively interested in his wife. I won't spoil it, but were-somethings are in the big reveal and not just in the obsessive residents...
-In the same vein, Kurt and his family's lycanthropy being hinted at by townsfolk (they walk with feral grace, live beyond the woods in a cabin with no sunlight and dress rather wild) reminds me of a Night Gallery episode, "The Phantom Farmhouse" (which in turn is based on a short story of the same name), in which a psychologist goes into the woods near his facility to investigate one of his patient's claims that a beautiful woman and her family, each bearing long red nails and other wolf-like characteristics, resides there. He does find them, eventually falling for the girl, and in turn nearly becomes the victim of her hungry werewolf parents.
*My tastes are kind of eclectic... Yeah, I'll see myself out...
Con
-Passage of Time is Woefully Marked
*Quite a bit of time passes in the story: Kurt and Liesel meet at fourteen and thirteen and get married/meet again at twenty and twenty-one. But you wouldn't know by the writing. It's only when Liesel mentions her birthday that we realize it's not just a day gone by, but at least a year. And sometimes, this isn't done until halfway through the chapter, making for a jarring ride.
*But for some reason, the author decided to throw us a bone and literally begin part two with "Four Years Later...". Would've been nice to get that with each time jump.
Despite that one con, I'm so ready to give this author and her numerous retelling a go.