rating: 3.7
On page 55, I decided to give up on the book. I didn't much care for the characters. Seattle isn't my favorite setting. And the story seemed to skip around. The next day, however, I decided to read a few more chapters. And that proved to be a wise decision.
Doig divides his chapters into three sections -- The Coast, The Springs, and The Divide. Not surprising. Doig focuses on, and organizes around, natural features. In 'The Coast' he introduces his characters. It doesn't all make for smooth reading, and some sentences required a second read, but he did succeed in giving me a pretty good sense of the key characters. The next two sections are based in Montana, familiar grounds and a setting I much prefer over a 'big city.'
The book ends with a 'Note to Readers from Ivan Doig.' He explains ...
My eight or nine published poems showed me that I lacked a poet's final skill, ... but still wanting to work at stretching the craft of writing toward the areas where it mysteriously starts to be art, I began working on what Norman Maclean has called the poetry under the prose—a lyrical language, with what I call a poetry of the vernacular in how my characters speak on the page.
I think it's the 'lyrical language' that makes me stumble. I favor a blunt edge to sentences. Direct and evocative. Lyrical language, if laid on too heavily, needs deciphering, and I'm not fond of deciphering sentences in a novel.
This is the 4th in the McCaskill series. I've read 1 and 2, I should have read 3 before picking up this one.