Death Café resumes and refines Harold Jaffe's ongoing anatomy of the world in pain. Featuring 19 innovative fictions and docufictions set in Africa, Europe, China, India, the Middle East, and the benighted US, the collection addresses issues of global warming, political defiance, committed art-making, dream space, and speculative discourse. As always, Jaffe works his literary voodoo in variable tonalities that are uncannily formulated, displaying unequal doses of razor-edged satire and compassion.
Harold Jaffe is the author of 22 books, including nine fiction collections, one nonfiction collection, and three novels.
Jaffe's fiction has appeared in such journals as The Mississippi Review, City Lights Review, The Paris Review, New Directions in Prose and Poetry, Chicago Review, Chelsea, Fiction, Central Park, Witness, Black Ice, Minnesota Review, Boundary 2, ACM, Black Warrior Review, Cream City Review, Two Girls' Review, and New Novel Review. His stories have been anthologized in Pushcart Prize, Best American Stories, Best of American Humor, Storming the Reality Studio, American Made, Avant Pop: Fiction for a Daydreaming Nation, After Yesterday's Crash: The Avant-Pop Anthology, Bateria and Am Lit (Germany), Borderlands (Mexico), Praz (Italy), Positive (Japan), and elsewhere.
His novels and stories have been translated into German, Japanese, Spanish, French, Dutch, Czech, and Serbo-Croatian.
Harold Jaffe has won two NEA grants in fiction, a New York CAPS grant, a California Arts Council fellowship in fiction, and a San Diego fellowship (COMBO) in fiction.
Jaffe teaches literature at San Diego State University and is editor of Fiction International.