Composed of five movements, bicycle‘s predominant imaginings, that of circles and bridges, bond the worlds of the Americas through all their interior levels. In such marriage—where these interiors settle in silence and repose, where attachment and aversion are seen as different sides of one coin, where the wheels turn to resist and to empower the nameless, where refuge locations are made to allow the liminal to resolve itself and transcend—bicycle‘s America unleashes frame-breaking force to bare these uncharted worlds within our supposed divided countries and continents. Harrison’s poetic opens spaces where all dichotomies come together as an boundaryless egg of being; here, without and beyond language, the poetry of bicycle agitates and argues what is most real be witnessed in completion as a shapely gourd throbbing with prayers for both these unities and these differences, for the reception and the flowing through of a Being refusing to be stilled.
Roberto Harrison was born in Corvallis, Oregon, in 1962, to Panamanian parents. A few months after his birth, he and his family moved back to Panama, where they lived until he was seven. In 1969, he and his family moved to Delaware. His first language was Spanish, and he did not begin learning English until arriving in Delaware. He has lived in various places throughout the United States including Boston, Bloomington, Indiana and San Francisco. He now lives in Milwaukee, Wisconsin where he works as a Systems Librarian. He edits Crayon with Andrew Levy, and the Bronze Skull Press chapbook series.