Of the two, the blue Bizarro Starter Kit is a better collection of stories than the orange, though they are both worthwhile and have somewhat different flavors to correspond to their colors. Some of the stories contained in this volume help to explain why people should pay attention to the bizarro genre.
This volume opens with short stories by Ray Fracalossy. Ray has a way with amusing and quirky oddities, and an ear for wordplay that puts me in mind of Richard Brautigan.
His stories help to establish a delightful mood for the reader.
Jeremy C. Shipp is definitely an author to watch out for. He is a very capable writer who will someday produce a Great novel, if he has not already. In Flapjack, he creates an imaginative world populated by species that might be human and might not. For this novella, he has even developed a new dialect, ala Anthony Burgess, which is both amusing in itself and essential to the story and the psychology of the characters. But it is the ending of this story that really sets it apart, as we finally learn what the flapjack is and who these species are.
Next we find Jordan Krall's Longheads, which is a very amusing story involving a caste of twisted and warped criminals, vets with deformed heads, a dead donkey that gives birth to the mythical Little Bing Bong, and Barbara Stanwyck transformed into a giant goddess.
This is followed by Mykle Hanson's Monster Cocks. In this story, men who suffer from inadequacy complexes turn to the latest gimmick for penis enhancement. The gimmick works all too well, and soon giant monster cocks run amok, raging across the countryside fucking everything in sight. There is also some computer geek humor thrown in here. But the story is ultimately an object lesson in why men should not think with their dicks. Mykle Hanson is a very funny writer.
After this, we have the Devastated Insides of Hollow City, by Anderson Prunty. Prunty has a way of blending noir and humor with bizarre surrealism and absurdity. This is a detective story about an investigator named Shell who is sent to slag-infested Hollow City to find Pearl, the girl who is the Queen of the Town. The story is full of interesting characters, absurd events and grotesque horror.
Eckhard Gerdes' Nin & Nan is also big on word play. This novella is packed full of absurdities and twisted logic. At times, Gerdes's writing reminds me of the work of Samuel Beckett, or even Gertrude Stein. Other times, it is reminiscent of Kenneth Patchen. Emperor Pinocchibush is a gem, and his nonsensical speeches remind me of a President we once had. How the boys deal with the Emperor is worth the price of admission.
Bradley Sands' Cheesequake Smashup is a delightful story packed with absurd humor, wherein levitating fast food franchises take part in a demolition derby. The main character is a phone operator who has surreptitiously entered his employer into the derby. There also a group of very bizarre terrorists intent on destroying the McDonalds franchise. Top this off with a McDonalds manager who wants to introduce long pork to the menu. This is simply a fun story to read. Give me a McDonner burger.
Steve Aylett delivers the deepest story in the collection, in his piece titled Shamanspace. This story may require multiple readings. The main character is a shamanic hitman who takes a contract to put a hit on god. I have never before read a story that is so strongly existential yet at the same time absurd. There is a lot of background behind this story, enough to fill a book in itself, including various sects and cults. The story is supplemented by a history of the Internecine reaching back four thousand years. Also included is an Internecine bibliography, for those interested in joining the order.
Christian Tebordo's Order of Operations concerns a man who is repeatedly wounded, the woman who nurses him, and a little boy offering him the blood of Jesus. I'm afraid I brushed through this story. It is a well written piece, but I'm just not a fan of stories involving the Christian mythos.
The book ends with the stories of Tony Rauch. These are largely existential romps reminiscent of Kafka. Rauch's stories tend to be lighter than Kafka, with more humor than horror. Where Kafka's stories are full of disturbing alienation, Rauch's work is much more jovial in its absurdity. We could call this Kafka light, with sugar on top.
All in all, this collection is a fine introduction to the Bizarro genre.