تماشاخانه‌های لاله‌زار: جلد اول

تماشاخانه‌های لاله‌زار #1

by Ali Ohadi

اشاره‌ای مختصر به تاریخ تیاتر معاصر ایران، به ویژه دهه‌های بیست و سی قرن ۱۴ ه‍.ش
نمونه‌هایی از نمایش.نامه‌های اجرا شده در تیاترهای لاله‌زار، در "ژانر"های مختلف ملودرام اجتماعی، اخلاقی. نمایش‌نامه‌های تاریخی و... در ۲ جلد
گاهشمار تیاتر معاصر، همراه نام‌ها با مختصری از شرح احوال، در انتهای جلد دوم

248 pages, ebook

First published January 1, 2015

About the author

Mother was illiterate and father who had some traditional education never knew which school I went to and which classes I attended. It was enough for them that I went out every morning and came home in the late afternoon or evening. Therefore I can’t trust them very much that I was born in an August 23rd, in Isfahan, Iran. Particularly when one knows at that time my “fatherland” was occupied by the American, Russian and British armies and as I heard later; “No donkey could even recognize it’s master” during those days.
What I remember from different schools is that I played volleyball, basketball and chess and that for a while I was athletics “hero” of the city, editor of different schools wallpapers, wrote plays, acted in them with my classmates at school or “at home with the gang”.
After school I had to travel all over Iran, living and working in different cities. My university studies and my means of making a living from then on were to run parallel. I studied sociology in one university, dental college in another (never finished), theatre and cinema in the third and finally (not very much) completed a Masters in Sociology of Art in the fourth university. All this time I was living by teaching, first in primary schools, then in high schools, then colleges and so on, writing manuscripts for theatre, film and television, act in them and so on.

- Did you not want to write any more about another parallel line being the political distractions in your life, from nationalist to communist at the same time you were about to become a member of writers union?

All in all I spend some years of my life in prisons under Shah’s and Sheik’s

– understanding that you don’t want to discriminate between the two – i.e that they are much of a muchness and therefore not “The Shah and “The Ayatollah”)!

Things were (finaly) about to stabilise when the Revolution came and cut the stability process. Then migrant life began again, this time outside the country (second half of my life!). The first six to seven years were spent in Asia–among other places in Pakistan, Afghanistan and India (mostly) –and then later in Europe, where I have now been living (in and out) for more than 30 years (exclusive 7 years in Asia).
During the second period of my migrant life, I’ve been either working as teacher and researcher in different universities, writing manuscripts for film, theatre and different anthologies, working as “cultural consultant” etc. and sometimes I’ve been jobless. This time there hasn’t been much stability in my communication tools, as in the last 35 years or so, I have communicated with the world around in many different languages, none of which I know perfectly and there is only one; Persian; in which I still feel proud to formulate myself. One could say that my pen and tongue have been one unbroken thread linking me to my schooldays - mostly as a storyteller -less as a writer.


NOTE:
I take my "Friends" as those with whom I share some comments or interests (in reading "books"). I don’t COLLECT people (names/photos) and am not INTERESTED to be COLLECTED!

Reviews

[Ali · Rating 2 out of 5]

اشاره ای مختصر به تاریخ تیاتر معاصر ایران، به ویژه دهه های بیست و سی قرن حاضر.
نمونه هایی از نمایش نامه های اجرا شده در تیاترهای لاله زار، در "ژانر"های مختلف ملودرام اجتماعی، اخلاقی. نمایش نامه های تاریخی و ....






با توجه به این که "گودریدز" سیاستش را عوض کرده و دیگر "پی دی اف" ثبت نمی کند، در صورتی که علاقمند به خواندن این کتاب هستید، یک ئی میل یا آدرسی که بشود پرونده "همراه"ش کرد، بفرستید تا کل کتاب بصورت "پی دی اف" برایتان ارسال شود

[Ashkan Ansari · Rating 4 out of 5]

مدت ها بود که کتابی پژوهشی نخوانده بودم که مانند این کتاب مرا جذب کند. ‏نویسنده با زبانی داستان گو چیستی این کتاب و چگونگی فراهم آمدن آن را بیان می کند و در ادامه نمایشنامه هایی را که در تماشاخانه های لاله زار اجرا شده بودند به همراه اسناد و مجوزهای قانونی آورده است. ‏منبعی دست اول از آنچه بخشی از تاریخ نمایش ایران است، بخشی که در زیر سایه تعصب (چه له آن و چه علیه آن) در حال فراموشی است
امیدوارم همه دوستداران هنرهای نمایشی و جامعه شناسان این کتاب را بخوانند. ‏
جناب اوحدی با سخاوت بسیار این اثر را رایگان در اختیار علاقمندان قرار داده اند و امیدوارم که علاقمندان به کتابخانی این سخاوتمندی را مغتنم بشمارند. باری، پاراگرافبندی و رنگ مورد استفاده شده خواندن را دشوار می کند. همچنین طرح روی جلد کیفیت لازم را از دید من ندارد. امیدوارم که خوانندگان گرامی این ها را بر کم بود امکانات در خارج از ایران بگذارند و از مطالب آن بهره ببرند. ‏
با بی صبری جلد دوم را آغاز خواهم کرد