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Your Blues Ain't Like Mine
Chicago-born Amrstrong Tood is fifteen, black, and unused to the ways of the segregated Deep South, when his mother sends him to spend the summer with relatives in rural Mississippi. For speaking a few innocuous words in French to a white woman, Armstrong is killed. And the precariously balanced world and its determined people--white and black--are changed, then and forever, by the horror of poverty, the legacy of justice, and the singular gift of love's power to heal.
433 pages, Paperback
First published September 8, 1992
About the author
Bebe Moore Campbell
20 books325 followersBebe Moore Campbell (February 18, 1950 – November 27, 2006), was the author of three New York Times bestsellers, Brothers and Sisters, Singing in the Comeback Choir, and What You Owe Me, which was also a Los Angeles Times "Best Book of 2001". Her other works include the novel Your Blues Ain't Like Mine, which was a New York Times Notable Book of the Year and the winner of the NAACP Image Award for Literature; her memoir, Sweet Summer, Growing Up With and Without My Dad; and her first nonfiction book, Successful Women, Angry Men: Backlash in the Two-Career Marriage. Her essays, articles, and excerpts appear in many anthologies.
Campbell's interest in mental health was the catalyst for her first children's book, Sometimes My Mommy Gets Angry, which was published in September 2003. This book won the National Alliance on Mental Illness (NAMI) Outstanding Literature Award for 2003. The book tells the story of how a little girl copes with being reared by her mentally ill mother. Ms. Campbell was a member of the National Alliance for the Mentally Ill and a founding member of NAMI-Inglewood. Her book 72 Hour Hold also deals with mental illness. Her first play, "Even with the Madness", debuted in New York in June 2003. This work revisited the theme of mental illness and the family.
As a journalist, Campbell wrote articles for The New York Times Magazine, The Washington Post, the Los Angeles Times, Essence, Ebony, Black Enterprise, as well as other publications. She was a regular commentator for Morning Edition a program on National Public Radio.
(from Wikipedia)
Campbell's interest in mental health was the catalyst for her first children's book, Sometimes My Mommy Gets Angry, which was published in September 2003. This book won the National Alliance on Mental Illness (NAMI) Outstanding Literature Award for 2003. The book tells the story of how a little girl copes with being reared by her mentally ill mother. Ms. Campbell was a member of the National Alliance for the Mentally Ill and a founding member of NAMI-Inglewood. Her book 72 Hour Hold also deals with mental illness. Her first play, "Even with the Madness", debuted in New York in June 2003. This work revisited the theme of mental illness and the family.
As a journalist, Campbell wrote articles for The New York Times Magazine, The Washington Post, the Los Angeles Times, Essence, Ebony, Black Enterprise, as well as other publications. She was a regular commentator for Morning Edition a program on National Public Radio.
(from Wikipedia)
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Displaying 1 - 30 of 196 reviews
March 5, 2012
Whenever I hear someone rave about The Help, I suggest they read Your Blues Ain't Like Mine. The Help has good parts, but on the whole Your Blues Ain't Like Mine -- a novel based on the Emmett Till murder -- seems so much more realistic and honest about how horrible conditions were for African-Americans in the 1950s South.
Here's a post I wrote about the novel for Newsworthy Novels, a blog that matches novels to today's headlines and events (this entry was for Black History Month): http://newsworthynovels.blogspot.com/...
Here's a post I wrote about the novel for Newsworthy Novels, a blog that matches novels to today's headlines and events (this entry was for Black History Month): http://newsworthynovels.blogspot.com/...
January 22, 2015
This book was a Mocha Girls Read book club book of the month for the month of February. Our theme was Fictional Black History and this book delivered in so many ways.
Armstrong was a young Black city kid dropped into the South to stay with his Grandma when he is killed for speaking French indirectly to a White woman. No I didn't spoil it for you, that's where the story starts. The book then goes into decades of showing the reader the effects of his death in the community both in Hopewell and Chicago, with his family and friends, as well as the family of the killer.
The story is more or less a fictionalized version of Emmett Till's death, a 14 year old who was killed in 1955 for whistling at a White woman.
This book brought up so many different topics besides racism and all of it's ugliness, like domestic abuse, institutionalized poverty, injustice and countless others.
The one thing that stood out to me was the anniversary of Armstrong's death. Every 5 or so years churches and community organizations remember the passing of Armstrong and the presence of his mother and other family members are requested. I really never thought about it until now, but how could you heal and stop mourning when the community is pulling the scape off your wound every 5 years? The lost of a child is never something you can get over but what about healing? Armstrong's mom never stopped mourning her son even when she had two daughters and a son who she made live in his dead brother's shadow.
Bebe Moore Campbell is a wonderful storyteller. She brings the situations close to home and she makes you flip page after page. I found it hard to put it down because it is still happening now. #Blacklivesmatter I loved the ending and how things where mending. Reading a book that has so many characters with diverse backgrounds and ways of thinking can be a bit tricky keeping them true to themselves and letting them each grow but Bebe did it and did it well. This is another book that should be on the high school required reading list. Excellent historical fiction that rings true even now.
Armstrong was a young Black city kid dropped into the South to stay with his Grandma when he is killed for speaking French indirectly to a White woman. No I didn't spoil it for you, that's where the story starts. The book then goes into decades of showing the reader the effects of his death in the community both in Hopewell and Chicago, with his family and friends, as well as the family of the killer.
The story is more or less a fictionalized version of Emmett Till's death, a 14 year old who was killed in 1955 for whistling at a White woman.
This book brought up so many different topics besides racism and all of it's ugliness, like domestic abuse, institutionalized poverty, injustice and countless others.
The one thing that stood out to me was the anniversary of Armstrong's death. Every 5 or so years churches and community organizations remember the passing of Armstrong and the presence of his mother and other family members are requested. I really never thought about it until now, but how could you heal and stop mourning when the community is pulling the scape off your wound every 5 years? The lost of a child is never something you can get over but what about healing? Armstrong's mom never stopped mourning her son even when she had two daughters and a son who she made live in his dead brother's shadow.
Bebe Moore Campbell is a wonderful storyteller. She brings the situations close to home and she makes you flip page after page. I found it hard to put it down because it is still happening now. #Blacklivesmatter I loved the ending and how things where mending. Reading a book that has so many characters with diverse backgrounds and ways of thinking can be a bit tricky keeping them true to themselves and letting them each grow but Bebe did it and did it well. This is another book that should be on the high school required reading list. Excellent historical fiction that rings true even now.
March 5, 2010
I just finished reading "Your Blues Ain't Like Mine" and all I can say is, "Wow!" Bebe Moore Campbell (may she rest in peace) wrote a really fantastic historical fiction novel. The language was beautiful! I'm fascinated by Campbell's writing. I am still trying to figure out how she managed to switch narrative voices, so accurately, with so many characters. Each character had a distinct voice. For example, the strongest characters, Delotha, Ida, Mamie, and Doreen all have a completely different voice, despite having the same struggle and the same roots. Campbell tackles several painful familial issues including self-hate, alcoholism, and lovelessness and she describes their affects on people so consumed by these issues that they embody the hatred, the alcohol and the lovelessness just to get through the day. Moreover, Campbell's depiction of the men in this novel, all weak, and yet still so strong, is amazing - one might assume that a man wrote the novel, Campbell is so in tune with the feelings men (must) have when they cannot make money, provide for their families, and feel oppressed by society. Additionally, this expression by Campbell is made so much more perfect by the fact that she shows that men are men regardless of race. I mean, it's brilliant. The very fact that Campbell can present 20, 30 and 40 years of American history in 332 pages (according to my copy) and still have the time to discuss the people and how they relate to the socio-political regress and progress of their surroundings. Campbell's depiction of Black America is astounding and while reading her novel, I couldn't help but feel as if I, too, were in Mississippi, on Mamie's porch listening to the field of singing niggers; living and loving in Chicago - finally free of my motherly responsibilities, able to be just a sensual woman; and feeling the anguish and frustration that come after having my nation dilly out rights to those my father said were meant to serve me. This is one of the best novels I've read in quite a while. Campbell captures the spirit of America in this novel. My only upset is that we, the reader, along with W.T. never got to hear what Odessa, William, Wydell, and Delotha used to sing.
March 7, 2012
amazing book but having to hear all of my white classmates dissect race was grueling.
December 19, 2014
this is one of the best books I can remember reading.
I am doing a reread of this book beginning August 5, 2022
I am doing a reread of this book beginning August 5, 2022
July 18, 2013
This modern day fictional retelling of the events that preceded and followed the brutal beating death of Emmett Till is a visual and visceral story rich with memorable and authentic characters, beautiful prose and dialogue that rings true. Bebe Moore Campbell is a powerful storyteller who captures the essence of the characters and times. Campbell is a treasure gone too soon.
December 28, 2010
Your Blues is a novel that you can't put down, but need to in order to absorb the reality of racism and American history. It parallels history and is peppered with references to actual incidences that occurred during the civil rights (Emmett Till). However, on the merits alone of being an excellent novel and story the characters will stay with you for a long time and may surprise you by feelings of empathy for the most hateful of people. Racism impacts all the lives of these characters in the deep South and gives the reader new perspectives to ponder.
March 17, 2009
Finished this book months ago, and it is amazing. The writing, and the story-telling make me feel as though I know the characters personally and have been in the deep south/Chicago amongst them. The story takes place before, during, and somewhat after the civil rights movement, in the south and some parts in Chicago. The blacks working as cotton pickers, getting lynched for the slightest things, the southern "white trash" poor being angry and jealous when the manual labor jobs and such are given to blacks, making it all the much harder for them to make a living in the newly mechanized cotton belt. A great read! Loved it so much I went and read 2 more books by this author...also excellent reads!
April 12, 2012
This book is literally the story of Emmit Till created for those of us who were old enough to read and understand it in the 90's. I think that I took a stab at this while I was in my first year of college and ended up crying my eyes out. Not only for the loss of her son, but the way that the main character attempted to fill a void that her child left with other things, and the mere fact that she was put in a position to HAVE to do that. With the United States touting that we live in a post racial America, this book voices what so many people are having a hard time understanding. We're not. Bebe Moore Campbell is a passionate writer and she tells a hauntingly wonderful story of love, love lost, and love found.
This entire review has been hidden because of spoilers.
August 23, 2017
I would give this book more than 5 stars if that was an option. There are several stories going on at the same time that start in the deep south when prejudice and injustice against blacks was the law of the land. A young man from Chicago visits Mississippi and deals with the consequences of speaking French to a white woman. Another white man in this same town has a controlling father who dictates who he is allowed to love. Marrying a person beneath his station or who is not white is out of the question. This book was so good I could not put it down. You should definitely add this book to your T0-Be-Read list.
January 14, 2015
I don't know why I waited so long to read Bebe Moore Campbell's novels. First, for their realism, their way of plunking you down into the gritty immediacy of whatever is happening in them..and there is a lot happening in them. Her take on black and white, men and women, segregation, integration....priceless. I grieve for this author and the loss of the other books she might have written had she not died so young.
March 5, 2017
The characters are so well written, I wanted to read more about them.
November 29, 2011
I am still not 100 % sure how I feel about this book. I do know that I enjoyed reading it. I am sure that was because it was so well written- very raw and honest. However, I didn't really love any of the characters (maybe I felt a little bit for Ida) and that really bothered me.
Over all a great read (it kept me up at night which is always a good sign!). I think this is going to make for a very interest book club discussion next month!
Over all a great read (it kept me up at night which is always a good sign!). I think this is going to make for a very interest book club discussion next month!
February 11, 2015
So many feelings. Such an excellent read.
July 13, 2022
Wow, this book was superb! I can’t believe it took me so long to experience it.
The audio version is abbreviated, however the performances by Alfre Woodard and Allison Smith are completely spellbinding!
The audio version is abbreviated, however the performances by Alfre Woodard and Allison Smith are completely spellbinding!
May 13, 2015
This novel is surely revolutionary. Not the thing you'd take for light reading. There's just too much in it. The words are full. The words aren't mediocre and trash. The words paint. Some passages are poetic, but not the type any one will try too hard to get to understand. The metaphors are as understandable as the songs of the soul.
I am fascinated by the way Campbell told the story in different points of view, that you can't just bring yourself to love one character and one character alone. Campbell can easily make anyone understand that blues ain't the same, identical blues for every body.
And really, the aftermath of Armstrong's death is as powerful as an extended arm from the grave. This is a great work. The characters are still haunting me even after I got to close the book.
I am fascinated by the way Campbell told the story in different points of view, that you can't just bring yourself to love one character and one character alone. Campbell can easily make anyone understand that blues ain't the same, identical blues for every body.
And really, the aftermath of Armstrong's death is as powerful as an extended arm from the grave. This is a great work. The characters are still haunting me even after I got to close the book.
October 13, 2012
"The blues is something in your soul telling you they ain't no hope, shit ain't never gon' be right." (p. 410)
This multi-generational book begins in the 50's in the Mississippi Delta and carries the reader through to the mid-80's. Ms. Campbell did an incredible job of portraying the racial conflicts in this time and place. Definitely a book with adult content, I would highly recommend it to those who are trying to understand the origins of racial tensions in the South. Kudos to Ms. Campbell for an heroic epic. My only criticism is that the last quarter of the book is hurried up as she brings the characters forward to face the changes that came as a result of integration.
This multi-generational book begins in the 50's in the Mississippi Delta and carries the reader through to the mid-80's. Ms. Campbell did an incredible job of portraying the racial conflicts in this time and place. Definitely a book with adult content, I would highly recommend it to those who are trying to understand the origins of racial tensions in the South. Kudos to Ms. Campbell for an heroic epic. My only criticism is that the last quarter of the book is hurried up as she brings the characters forward to face the changes that came as a result of integration.
Want to Read
February 17, 2015This book was a good read. I leave that you got to know each character and the things they struggle with internally from their past as well as how their roles in society has shaped them. You get the perspective of the black Americans living in rural Mississippi during the 1950's as well as the perspective of the white Americans living in Mississippi. By the end of the book one thing is very clear we all struggle with something regardless of race, class or gender. Your Blues Ain't Like Mines was the perfect title for this book. The ending left me with a lot if unanswered questions.
June 3, 2011
I miss the fact that there are no more book left to red. I was at a friend's house a went though her book and pick this one to read and after a few pages found one of my three fav. I wish I could have meet her the books became a big part of my joy or reading!!!
January 3, 2012
Fascinating. Well-written. Honest about difficult subjects including racism and domestic abuse. An intriguing exploration of the effects of a single violent action, weakness, strength, despair and hope. Well worth your time.
June 16, 2014
What an inspiring story! It was a page turner from beginning to end. I really enjoyed it. It was spiritually touching. If you like books like this, you should also "Under the Peach Tree" by Charlay Marie.
January 15, 2015
This book is based on the story of Emmitt Till. It's soooo excellent. BeBe Moore Campbell did an amazing job of writing from the perspective of all of her characters. I think everybody should read this book.
August 28, 2008
Tedious reading, just reciting events, not at all what I expected. Didn't provide insight into characters. Story is Emmit Till, his mother, and family.
March 26, 2016
review sometime this week. Very good book.
February 7, 2022
"White people ain't got no blues."
Your Blues Ain't Like Mine is classic literature. It's a shame that I was reading To Kill a Mockingbird instead of this, even more of a shame that I never even knew this book existed. Bebe Moore Campbell writes intelligently. Each word feels carefully measured, each detail excruciatingly important. If I went back and read this later, I'm sure I'd notice things I never had before.
Perhaps most intoxicating in this novel are her characters. Each person in this book is laid out wide open, all their insides on display. She's got a skill for writing what people are ashamed of, what truth hides beneath layers. She knows how people think, knows better how to pull it out and show you without ever having to spell it out. Clayton is one of the best examples of this. He's a White man who sympathizes with Black people, but much of this sympathy is rooted in selfish desires. He's distorted his insecurities about his relationship with his father to be somehow equal to the plight of Black people in the country. As a result, he can't get away from other Black people, especially Black women. He isn't really sure why. But he dives himself into that, all his selfish motives and subtle racism— though he'd never call it that— bubbling at the surface. Every word in this book is like that. There's always something hidden underneath.
I brought up TKAM because of its similar themes to Your Blues Ain't Like Mine. What’s different is that Campbell's novel gives voice to the Black people in the town. You know their struggles and their history and their part, just as much as any of the White characters included. They're not just people that something happened to. They are living and breathing, full of their own guilt, shame, sorrow, hopes, and dreams.
I feel like I owe a lot to this book. This isn’t my first time reading Black literature (thank God I’ve gotten past that!) but this book reaffirmed for me that I had to write for a Black audience. I knew that Black people could exist in books, sure, but to see a world that I was familiar with written with eloquent prose and sophistication blew me away. Every time I pick it up I want to open up my computer and see what worlds I can spin, what characters I can create.
But back to the story.
Your Blues Ain’t Like Mine stretches across forty years, which sounds long, but is really essential to the heart of the novel.
Campbell uses historical markers and pop culture to mark the passage of time, with Armstrong’s death as the locus for the story. With every few years, we see the way that the world learns— or doesn’t— from his death. We see the demystification of Chicago, a myth even I got trapped into. We see White people’s continual consumption of Black art, beginning with listening to sharecroppers sing (the opening!) to casually humming to Michael Jackson and watching The Oprah Winfrey Show ten minutes before complaining about how Black people are the downfall of this country. Somehow things have changed and yet nothing has changed at all.
The stretch of time in this book makes it so that it never really has to end. Outside of Armstrong, this book is simply the story of Black America, starting with sharecropping and ending in the modern-day. But even her ending is so smart. We finally get to the title and realize that we’ve been reading about it since the very first page. The blues. The music of generational hurt. The music that tells the story of Black pain.
*music that then becomes the background music for White people's life, but I digress, if I don't stop talking about this book now then I never will
September 20, 2026
⭐️⭐️⭐️⭐️⭐️
This has been a GREAT year of historical fiction reads for me! I thoroughly enjoyed this book— to me, it’s a Black American classic.
In ‘Your Blues Ain’t Like Mine’, Bebe Moore Campbell fictionalizes the story of Emmett Till. It begins with Chicago-born Black fifteen year old Armstrong Todd who is murdered after speaking French to a white woman, Lily Cox, in rural Hopewell, Mississippi. Her husband, Floyd, takes it upon himself to teach Armstrong a lesson about the social order of the Deep South and the lives of everyone in Hopewell are forever changed. The book traces the aftermath of Armstrong’s murder from the segregated 1950s all the way into the crack-ridden 1980s.
This book reminded me of ‘Meridian’ by Alice Walker and ‘Red Clay’ by Charles Fancher. In this book, racism is truly a crime for which everyone, both victims and perpetrators, must pay. From Armstrong’s parents to the rich white men running Hopewell to Lily and Floyd’s grandchildren, no one escapes the aftermath of the murder untouched. Campbell does an incredible job of writing these characters— you get incredible insight into their mind regardless of their race/sex or if they are deserving of pity, grace, punishment, or peace.
I started a character analysis of each character in the notes app in my phone as I was reading; there’s just SO much to unpack within each of them. I found Lily Cox to be such an interesting character. I simultaneously hated and pitied her. She’s the poster child for white women’s complicity in perpetuating racism, but is also a victim of sexual and domestic abuse that creates a dependency on Floyd. She empowered by the idea that he would kill for her— that she could be so desirable. When her already unstable and horrifically impoverished life becomes even more depressing, she finds a scapegoat in Black people and empowerment in racism. After all, “none of this would have happened if Armstrong had known his place.”
I’m always fascinated by how Black authors write racist white characters and find ways to “justify” their behaviors. Similar to Fancher’s Claude Parker, Campbell finds a way to make readers understand Lily’s thinking, even if they VEHEMENTLY disagree with her conclusions.
All in all, this is a book I’ll be saving in my library to pass along to my children, grandchildren, and so on. As our history is erased, books like these become more incredibly important. I highly recommend to those who enjoy historical fiction. Wish I had a book club to unpack this with!
This has been a GREAT year of historical fiction reads for me! I thoroughly enjoyed this book— to me, it’s a Black American classic.
In ‘Your Blues Ain’t Like Mine’, Bebe Moore Campbell fictionalizes the story of Emmett Till. It begins with Chicago-born Black fifteen year old Armstrong Todd who is murdered after speaking French to a white woman, Lily Cox, in rural Hopewell, Mississippi. Her husband, Floyd, takes it upon himself to teach Armstrong a lesson about the social order of the Deep South and the lives of everyone in Hopewell are forever changed. The book traces the aftermath of Armstrong’s murder from the segregated 1950s all the way into the crack-ridden 1980s.
This book reminded me of ‘Meridian’ by Alice Walker and ‘Red Clay’ by Charles Fancher. In this book, racism is truly a crime for which everyone, both victims and perpetrators, must pay. From Armstrong’s parents to the rich white men running Hopewell to Lily and Floyd’s grandchildren, no one escapes the aftermath of the murder untouched. Campbell does an incredible job of writing these characters— you get incredible insight into their mind regardless of their race/sex or if they are deserving of pity, grace, punishment, or peace.
I started a character analysis of each character in the notes app in my phone as I was reading; there’s just SO much to unpack within each of them. I found Lily Cox to be such an interesting character. I simultaneously hated and pitied her. She’s the poster child for white women’s complicity in perpetuating racism, but is also a victim of sexual and domestic abuse that creates a dependency on Floyd. She empowered by the idea that he would kill for her— that she could be so desirable. When her already unstable and horrifically impoverished life becomes even more depressing, she finds a scapegoat in Black people and empowerment in racism. After all, “none of this would have happened if Armstrong had known his place.”
I’m always fascinated by how Black authors write racist white characters and find ways to “justify” their behaviors. Similar to Fancher’s Claude Parker, Campbell finds a way to make readers understand Lily’s thinking, even if they VEHEMENTLY disagree with her conclusions.
All in all, this is a book I’ll be saving in my library to pass along to my children, grandchildren, and so on. As our history is erased, books like these become more incredibly important. I highly recommend to those who enjoy historical fiction. Wish I had a book club to unpack this with!
December 22, 2019
3.5 stars.
I didn't know the first thing about the Emmett Till lynching till this book came by. But the murder only forms the backdrop of the novel. The aftermath in the Cox and Todd families is in many ways quite important and interesting to read. The sections on Delotha after Armstrong's death is particularly heart-wrenching. Lynchings of black people were not uncommon in Jim Crow South but Till's murder was gruesome in that even a child was not spared from prejudice.
Campbell's attention to the strength of her characters is laudable, be it Delotha, Wydell, Clayton, or Floyd. Clayton- the kid of a rich white racist man wants to change things but finds it difficult to challenge the powers that be-is the most relatable character. They transport you straight into 1950s Mississippi, warts and all. Jealousy of upwardly mobile black people, nostalgia of an execrable racist past, political machinations to maintain the status quo, drug addiction, domestic violence...man, the Jim Crow era South was terrifyingly brutal.
My only beef (heh I could be lynched in my country for using this word but still) is that the novel tries to do too much particularly in the later sections with the advent of Civil Rights Movement and Michael Jackson. That whole story deserves an independent book.
I didn't know the first thing about the Emmett Till lynching till this book came by. But the murder only forms the backdrop of the novel. The aftermath in the Cox and Todd families is in many ways quite important and interesting to read. The sections on Delotha after Armstrong's death is particularly heart-wrenching. Lynchings of black people were not uncommon in Jim Crow South but Till's murder was gruesome in that even a child was not spared from prejudice.
Campbell's attention to the strength of her characters is laudable, be it Delotha, Wydell, Clayton, or Floyd. Clayton- the kid of a rich white racist man wants to change things but finds it difficult to challenge the powers that be-is the most relatable character. They transport you straight into 1950s Mississippi, warts and all. Jealousy of upwardly mobile black people, nostalgia of an execrable racist past, political machinations to maintain the status quo, drug addiction, domestic violence...man, the Jim Crow era South was terrifyingly brutal.
My only beef (heh I could be lynched in my country for using this word but still) is that the novel tries to do too much particularly in the later sections with the advent of Civil Rights Movement and Michael Jackson. That whole story deserves an independent book.
April 18, 2012
El hilo conductor es el asesinato de un chaval negro en los años 50. Todos los afectados, los asesinos, los familiares y los conocidos, tejen su vida alrededor de las dolorosas secuelas y durante muchos años no podrán librarse de esa excusa. Lo mejor de la novela es la habilidad con la que ese hilo discurre a través del tiempo y la falta de pudor por parte de la autora a la hora de retratar lo peor del ser humano.
August 22, 2020
Another book I loved from Bebe Moore Campbell, read immediately after finishing 72 Hour Hold. In this one, the trouble described by the author hits very close to home especially in these turbulent times of BLM protests and a greater awareness of the prejudice and brutality the Black Americans are still facing today.
November 5, 2021
Excellent book. I'm surprised it is nearly 30 years old. I wish I had been blessed to have read it decades ago. Life changing.
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