“I think maybe the universe needs its crossing-places where the rules don’t apply. Otherwise, where are us space buccaneers gonna go?”
—
“Eternity: I hear you calling. But you will not have me yet.”
David Tennant and Catherine Tate are back in a big way with this box set. They are brilliant and they slip back into their roles beautifully. It was a joy to see them together again, and this collection is also very well-written on the whole, aside from the first story which I’ve elected to ignore in my overall rating.
The first story, “Technophobia” by Matt Fitton, is a lot of nothing. The plot is simply bad and there’s no character development. Every once in a while Doctor Who does a story about the dangers of technology, and they’re never good. This is no exception. 1 star.
The second story, “The Time Reavers” by Jenny T. Colgan, falls under the same category as the War Doctor’s “The Neverwhen”; the actual story was so-so, but the premise and ending was brilliant. The idea of an object with the ability to slow time is interesting, and that interesting idea pays off when it’s used on the Doctor, who spends a vast, unnamed amount of time alone with his thoughts. It’s hinted that it was years, which plays into his overarching theme of loneliness. He even has a moment of reflection on this at the end, and we see it affect him. This is exactly what I love to see in a piece of Doctor Who extended media — building off the main character arcs/themes of a given Doctor’s run.
I also really love the atmosphere and setting of the second story. It’s very reminiscent of “The Rings of Akhaten” and I think we need more of that in Doctor Who. 4 stars.
The third story, “Death and the Queen” by James Goss, is a brilliant character piece for Donna. This adventure is good all around, from start to end, and it portrays and expands upon aspects of Donna’s character in a great way. We see her desire for control morph into something good as she takes the mantle of queen seriously and rules with benevolence. We see her compassion shine as she tries to use her power for good. This is portrayed well enough in the show with the DoctorDonna arc, but this expands upon her character in such a crucial way that it’s a shame it isn’t in the show. This adventure should be required listening when watching season 4.
The plot is also very good. The stakes are just high enough to warrant the short run time, the side characters are memorable, and both the Doctor and Donna get time to shine in the climax. I also love the 18th-century setting, it really added a certain flare to it all. Also, the Doctor makes a Brigadoon reference, which makes me gain a great deal of respect for James Goss. Easy 5 stars.