a brilliant rollicking romp of a high-concept adventure for the Doctor and Donna, which manages to be jolly good fun while also digging deep into the relationship between these two space-faring best friends - full of clever, affectionate callbacks to the canon established in the television series, while remaining wholly faithful to the spirit of this most glorious of TARDIS pairings.
the only thing I'm not quite sold on is how quickly Donna gets swept up in her romance with Prince Rudolph of the mysteriously peaceful Goritania - she falls so fast and seems willing to go so far with him but it doesn't quite fit with what we know of Donna after she started travelling with the Doctor. but Donna leaving the TARDIS for Goritania is an essential step for the story to kick off, so... 🤷🏻♀️
Otherwise, this really is cracking good fun. it's hilarious to listen as the Doctor tags along on Donna and Rudolph's dates, until he realises this might be something real, after all, and he has to contend with the possibility that Donna might really leave him. I love my humour served with a heaping slice of heartbreak, and writer James Goss delivers - paired with thrilling voice work by David Tennant, naturally, who responds with great energy and charm to this smart, sparky script.
While not a huge fan of the murkiness of Donna's original motivations, I love how her brilliance and bravery shine through once she accepts the people of Goritania as hers. it's lovely to see how her actions, borne of kindness and the profound empathy for which Donna Noble is known, change the minds and lives of the people around her, notably Hortense the maid (an excellent candidate, as Goss frequently reminds us, to be a companion on the TARDIS). by just being herself, Donna brings hope, literacy and new possibilities to the women of the kingdom, and that's kinda fucking cool to see.
plenty of fun to be had, too, when the story kicks properly into gear and we encounter a death-bringing cloud, an army of skeletons and, possibly, Death themself. there's something quite lovely here about how the Doctor keeps puzzling away at the situation, trying to figure out what's strange about it, and how he can save the day. even better, Donna never falls into the grim trope of becoming the damsel in distress - the Doctor couldn't do what he does without Donna making it possible in the first place.
the sound design is again excellent, this time featuring medieval-era sound effects like clopping horses and clashing swords. all paired with genius voice work by Tennant and Catherine Tate, as always, whose chemistry is so blindingly wonderful that it's especially a joy when they have such a good, dense, smart script to tear into together. both of them are such gifted actors and that comes through in the audio realm too - I defy you to remain unmoved with Tennant says, sadly, quietly, "Goodbye, Donna", at one point, or when Tate spends much of a scene holding back tears in her voice. it's just absolutely lovely work that makes the audio drama really come to life.
Goss' profound appreciation for this dynamic duo can be felt in every word of his script. he writes the Doctor and Donna with such affection and insight you'll wish he could do even more with them. highlights include a fabulous emotion-dumping speech by the Doctor, as he preemptively mourns Donna leaving the TARDIS; and tiny moments showing how much they really love and care for each other. there's no way Goss could ever have guessed what would be in store for the Doctor and Donna's final act on screen, but I love that his story fits perfectly into what we've seen thus far, while hinting at what's to come. for what is a "happy ever after" if not one that includes your best friend in all of time and space?
a joy to listen to, and an episode I'd more than happily include as part of Series 4!