„Un roman impresionant, despre iubire, intrigi, gelozie si adevaratul sens al prieteniei.” (Daily Mail)
„Paddy de Courcy, deputat al Partidului Noua Irlanda, se insoara, iar patru femei sint zguduite pina in adincul fiintei lor de o asemenea veste. Incarcat de cele mai profunde emotii si de un umor nebun, noul roman al lui Marian Keyes va stirni valuri de aplauze.” (Sunday Tribune)
„E charismatic si in acelasi timp diabolic. Te atrage in lumea lui impotriva vointei tale, te vrajeste si te face sa crezi ca tu, numai tu, ii poti satisface dorintele. V-ati dorit vreodata sa dansati cu diavolul? Marian Keyes face o descriere sclipitoare a acestui dans macabru si, pe cuvint, nu vreti sa-l ratati.” (Irish Times)
„Un tip mortal e un roman cu o intriga suprinzatoare, profund si deosebit de critic in privinta realitatii sumbre a Irlandei din zilele noastre.” (Sunday Tribune)
Marian Keyes (born 10 September 1963) is an Irish novelist and non-fiction writer, best known for her work in women's literature. She is an Irish Book Awards winner. Over 22 million copies of her novels have been sold worldwide and her books have been translated into 32 languages. She became known worldwide for Watermelon, Lucy Sullivan is Getting Married, and This Charming Man, with themes including domestic violence and alcoholism.
I've read This Charming Man in one ago. Two nights go, or to be more precise, sometime between midnight and six am. It wasn't because it was one of the best books I've ever read. It was more that I was feeling rather horrid, couldn't sleep and decided that I might as well read my way through the night. Not that it wasn't a good book. It was, actually, a surprisingly good read.
The cover and the synopsis make you think chic-lit but you're be wrong. It is a book about abuse. Sexual, mental and physical abuse. It is a book about obsession and addiction. It is a book that features a set of deeply troubled characters. One of them is an alcoholic and hence there is a lot of writing about alcoholism, how it destroys both the individual suffering from it and those around him/her. Shattered relationships, utterly destroyed individuals, troubled and destroyed family dynamics...definitely not your typical chic-lit novel. Nevertheless, there is humour in this book. There is even a bit of romance, so there is a fair chance it could be attractive to a wide audience of readers. A bit of suspense, a bit of mystery, a bit of psychology and a bit of romance. There is a bit of everything in this one. Fascinating stuff.
This novel is more that I thought it was. It is deeper than it seems at first glance. However, I do have some issues with it. I mentioned domestic abuse. Well, there are some very graphic description of violence in this novel and somehow it doesn't sit well with its often 'lighter' tone. This novel is so mixed and varied in terms of the style it is written in, and while it makes it a fresh and an interesting read, at times it doesn't feel appropriate. It is like the book got stuck in between the worlds. Either it should have been darker, and gone deeper in psychological portrayal of characters, or it should have taken it a bit easy on the violence descriptions.
If you pick up such a serious topic and base your book on it, you should really give it your all- you know what I mean? If someone (even if he is a fictional character) causes life treating injuries to so many women, it is something that should have been dealt seriously (and in the book, it could have been dealt with in another way). Should you really have jokes and border chic-lit style mixed with themes of domestic abuse? Perhaps it is not a bad thing, perhaps it gets more people to read about such a difficult topic, but this mixing of styles makes the novel seem less real and not 100 percent authentic. That is just my opinion.
Anyway, there are four main (female) characters in this novel (Lola, Grace, Marnie and Alicia) and all four of them are startled when they lean that Paddy is getting married. Paddy is a popular young politician, who is also very handsome and charming. Lola is the stylist who is dating Paddy at the moment. The novel opens with her and all the chapters devoted to her character are written in first person narration. The next to take up her space in the narrative is a Grace, a journalist whose sister has had a troubled past with Paddy. Her narrative is written in first person as well. Grace's narrative is followed by that of Marnie, her twin sister and hers is written in the third person. Alicia, the lady who is getting married to Paddy is surprised herself to hear the news about her engagement because he hadn't even bothered to ask her first. It remains unclear whether it is something he had planned or not.
LOLA
Lola is an adorable character. Very easy to sympathize with, very human and decent sort of girl. I enjoyed her character development. Some things she did weren't convincing, but on overall I did like her character...there was just one thing that I didn't cared for and that is the style of writing the author chose for her. I have a confession to make. I struggle to understand bad English. I know what you might think-what do you mean, it's not even your mother tongue. Say what you want, but sentences that make no grammatical sense get on my nerves, alright? I don't like them. The dropping of pronouns and indefinite articles...you might say, well, some people speak like that...yet I'm not convinced. Are people really getting that lazy? Do they really talk like that all the time? Yes, we shorten our sentences in everyday speech, but all the time? I don't think so--Here it is done in such an extent to make Lola appear a simpleton. I didn't like it. It was a wee bit overdone.
GRACE
Grace is my favourite character in this book. Her inner struggle seemed the most convincing. In the course of the novel, she is presented with a moral dilemma that brought to light the complexity of her character. There are a lot of layers to her character and there is more than might meet the eye. I felt that her psychological portrayal was done rather well. Grace is the solid kind of woman, the one that everyone can lean on. Interestingly enough she has the same effect on this novel. It is as she made the story seem more plausible. Her relationship crisis was so easy to relate her. Grace's love for her troubled sister was tangible. It was easy to feel for her, it was easy to like her...Grace has this way of making you open up to other characters as well.
MARNIE
The writer really did a great job with making this character come to life. The descriptions of Marnie's neurosis, chaotic behaviour and 'dark thoughts' were extremely believable. You could really feel that you are witnessing the way in which Marnie's mind was slipping. As Marnie's fragile psychological health gets shattered, the writer is showing to us what the depth of depression and addiction looks like. Marnie is the most troubled character in this novel. At times incredibly selfish and self-indulgent, Marnie is a women who is going nowhere fast. She is suffering from depression, she is an alcoholic, she's making horrible choices all the time, she hurts everyone around her- and yet the writer makes you feel for her. One thing that bothered me is that I didn't really understand her relationship with Paddy. There was a lot of 'explaining it' going on towards the end- but still, I didn't feel I got it.
ALICIA
In her past life, she used to be a friends with Marnie and Grace....and Paddy. Her infatuating with Paddy seems to be the ruling force of her life. She settled for a loveless marriage with a gay man, but when she became a widow, she welcomed a change to date Paddy again...and to become Paddy's wife. Her actions made sense, but there was space for her character development at the end, but she was just left hanging.
(...and finally there is).....PADDY
As I said, there are some things I didn't like about this book. Take the villain protagonist- i.e. Paddy. We never learn that much about him, do we? The synopsis says he shapes the lives of these women, but to what extent is that true? He is obviously an abuser and a bully, but in many ways he seems unconvincing and not that well developed. I can't phantom why all the ladies were drawn to him. There is a lot of talk about his good looks, but that's like Martian to me. I wouldn't have a clue what should make a man psychically attractive-according to modern standards anyway. I like to think that woman are above such superficial things, but I'm obviously not right. Looks seem to play an important part in power balance in modern dating- but I'm not up to date so I really don't know what passes for sexy these days. Now, about Paddy's charisma, that was mentioned often enough, but never exactly made evident. In other words, it was talked about not showed. The other question is- how he got away with it all? There are no proofs of his superior intelligence. Moreover, he is a rising political star not the president of the country, so it is unclear as to why he has so much power (not to mention money).
OTHER CHARACTERS
There is a number of other characters in this novel that I won't really talk about because this review is too long as it is, but I must say I was impressed with the majority of them. Marian really has a knack for introducing new characters and making them slide in effortlessly.
THE ENDING
The happy ending felt wrong. There are some other aspects of it that I found troubling, but I'm not sure how to get into it without making a spoiler, so I won't. Ending in which everyone gets and feels better certainly feels like a relief after all the 'horror' most of the female characters went through, but it doesn't feel realistic. Not at all.
Finally, despite it being somewhat messy and underdeveloped in some parts, I'm giving this book four stars because I love how ambitious it is. This novel has a heart. It tackled some rather difficult themes and while I'm not completely satisfied with how it was done, I admire the effort and the work that went into it. This charming man is a novel well worth reading, a novel that managed to bring its protagonists to life and develop an interesting story with elements of suspense and romance in the process. The writing is very good, even if a bit chaotic at times (with the change of styles and everything). It is a novel that has its flaws, but in light of its freshness and boldness, I think these flaws deserve to be somewhat overlooked.
I am so disappointed in this book! I believe I have read everything Marian Keyes has published, and I had such high hopes.... Many other reviewers have given a synopsis of this book, so I'll not repeat their words. The following are among the reasons I am so distressed.
The first 75 pages of this book (and periodically throughout the rest) are written in the voice of Lola, one of four female main characters. The writing style is the most maddening Bridget-Jones-text-message mess you can imagine! Twice I nearly gave up on this book. I can't imagine why Keyes chose to OPEN her book this way. It really soured me on the whole book.
But tough it out I did, and things do get much better. However, the characters of Alicia and Paddy are never fully developed. You'd think in more than 500 pages we could have learned a bit more about what makes them tick.
After all the intense emotion, shredded lives, and decades-old scars that are revealed through the hundreds of pages of this book, I find the happily-ever-after ending a final disappointment. It's all just a little too tidy in the last pages.
As others have noted, this is not a happy little chick-lit story. The book deals with domestic violence (physical, emotional, sexual) and with alcoholism. The alcoholism story-line is both the most compelling and the most depressing.
If you're on my friends list and you want to borrow this book, I'm glad to lend it to you -- I'd hate to see you go out and spend your money on it! On balance, I think it's still worth reading....just be aware of what you're getting into. I can only hope that Marian Keyes soon gets beyond whatever in her life caused her to write this book. I for one would love for her to finish off the Walsh Sisters' stories!!
WARNING!! If you have been, or are, a victim of domestic violence, please be aware that this book depicts the violence and the situations very graphically. Ensure that you are ready to confront this imagery.
I give this book 5 stars if you are not reading it as a beach read, typical chick lit book, or even a typical Marian Keyes book. This is a powerful story that can be very disturbing (even if you have not been a victim of domestic violence). The "voice" of Lola is written in very annoying fragments versus full sentences, but her story is worth hearing.
I would have given this book 4 stars if I were rating it as a beach read, typical chick lit book, or even a typical Marian Keyes book because the humor and warmth is just not there. However, one must remember it is primarily about domestic violence, secondarily about alcoholism, and thirdly about political corruption. It is not that Marian Keyes has not tackled tough topics before, but she has always injected a lot of humor and warmth in those previous books. I think that this subject (and she used stories based on the lives of real women) just touched her too much to let her write in her usual fashion.
This was a really good book that I hope helps someone.
Marian Keyes makes me veer from insane giggling to fury to sorrow at/with her characters. She can be so funny and then make you feel such empathy for the protagonists. This book has four narrators who all have a relationship (of some sort) with Paddy de Courcy, a slick Irish politician. Issues in This Charming Man include domestic violence, alcoholism, depression, and severe lack of self-confidence - and it's still filled with humor that made me laugh like crazy. One of the narrators is an alcoholic who is so far into denial and depression that she doesn't even see her drinking as a problem - very much like Rachel of Rachel's Holiday. Keyes writes powerfully about a subject she knows well from her own experience. My favorite narrator is Lola, a 'stylist' (and who knew there was such a job?) with a most individual way of expressing herself. Next time I have a little hangover, I am going to be sure and use the phrase "rough as a badger's ass." Oh yes, I certainly am.
What I learned: The difference between cross-dressers and trannies. What a stylist does. What a culchie is. That Marian Keyes hits another one out of the park.
Years ago I read my first book by Marian Keyes called "Is Anybody Out There." I adored it and thought it was really exceptional. So I sought out and read everything else I could find by this author, hoping to recapture that feeling, but was disappointed every time. Somehow I forgot that, and bought this one at a used book store because the plot sounded good.
The first chapter focused on an unlikeable, unsympathetic nitwit of a female character and it was written in a choppy, abbreviated style that was obviously meant to be along the lines of Bridget Jones' Diary. But it was not stated that it was a diary. This was just so inexplicable and annoying and idiotic that I wanted to hurl the book against a wall. Needless to say, I couldn't make it past the first chapter.
I stayed up all night reading this brilliant book. marian Keyes has never come across as being afraid of tackling huge and important psychologically real issues. Make of that what you will. Under the girlish covers of her books I've always found pertinent issues; In 'This Charming Man' the issues are corrupt politicians, battered girlfriends, underhanded antics at work; steadfast firm friends as well as a wickedly funny turn involving cross-dressers (not trannies though one of them is gay). The characters are straight from the Keyes' domain; so human and full of their own faults and weakness that their virtues shine all the brighter for it. This is what Marian Keyes does best and there is no better way of starting to read her books than by reading this one. Don't be wuss. Get out there and spread the word of Marian Keyes.
889 pages and I read it in 8 days, so that probably says it all. Marian Keyes tells the story through the eyes of four women all connected with said 'Charming Man,' Paddy de Courcey. Paddy is charismatic, powerful and women go weak at the knees when he appears....oh and he is violent and manipulative.
It's a very fine book in that it deals with serious issues of domestic violence and manipulation and yet (as in all her books) is very funny.
I think you could pick up any Marian Keyes book and enjoy it but this is one of the more memorable ones. Her books are full of honesty, real people and the things we all do that make us cry and laugh.
You know what? I expected to read this book and think, urgh there's another chick-lit same-old same-old. I'm not the biggest fan of chick-lit but I can happily flit into the genre when I fancy something light-hearted. I didn't find this predictable, though, which is my usual qualm with chick-lit.
Lola is easily the funniest and most engaging of the characters; I found myself looking forward to her bits the most. Grace is sarcastic, witty, and the woman that binds all the plots together. Marnie is the sympathy character: that said, I found the way her little weakness was portrayed as brutally honest, showing the selfishness and impulsivity that is typical of her little problem. (Don't want to spoil it) I LOVED the Friday night club at Lola's, and LOVED the way how it kept you on your toes: both the men I thought were the abusers weren't. Absolutely brilliant. I didn't want it to end and I think I'll be reading some more from Keyes!
I liked this book, but do not read if looking for funny, uplifting read. The reviewers on back of dust jacket have obviously not read book or have seriously different sense of humor than I do. Book is story of five/six various women who have all come into contact with same politician man who is quiet frankly shit, he's a shit man and is very very nasty. This book is each woman's road into ruin via this horrid politian as it deals with issues such as abuse, cross dressing, rape within a relationship, manipulation, adultry, alcoholism, and depression. Very little is funny in this book. That being said I enjoyed the book as is one of darker marian keyes books. Book had slight flaw in that the ending could have been meatier... left me wanting more of a dramatic finish less of a trickle more of a waterfall/downpour effect but we can't alwasy get what we want, none the less. If any of you read this... read this book I need to discuss it with someone desperatly, is good book discussion book... not necessarily fluffy read but good discussion read
I don’t have much to say about this book other than that I’m pleasantly surprised that it wasn’t just another forgettable chick-lit. I wanted something light and fluffy to read, but damn this book sure does have its share of complexities and depth.
I did struggle with the language structure at first (in Lola’s chapters), but it maybe owing to my ignorance of Irish English dialect. I had to check if the rest of the book was written in that fashion and thank goodness it wasn’t. So I continued. For which I’m glad. I now know to not turn up my nose at this genre. We could all do with less snootiness in the world.
4.5 ☆ I absolutely loved this clever, clever book.
In light of Beach Read’s latest release and the issue with its marketing, I think it’s important to say this book is not (purely) the nice read you might expect from the title (there are however, many charming men in this). There are some triggers: extreme violence against women, verbal and emotional abuse, sexual abuse and alcohol abuse. That said, in true Marian fashion This Charming Man is most definitely a comedy. What I love about her and why I find similarities in Mhairi McFarlane's writing is that dry, sarcastic humour. There is light thrown on the shade of life.
There is always a strong romance aspect to Marian’s books. Her characters definitely ride (ha!). There is chemistry, hot kisses and perfectly detailed sex. It really is the right dose for me, as I never want to let these characters go, at the end. The real romance genre (aside from a handful of authors) can be so over the top that by the end you’re actually turned off by how intimately you are involved in their sex life. Maybe that’s just my tastes though.
The Characters PADDY, most charming man in this world, however is vile and repulsive. Want to burn him alive. Can’t think of a character I hate more.
The following women each had their own experience of trauma with this man, revealed in stages throughout the book.
LOLA, fave, God, I cant tell you how much I love her. Her adventures in Knockavoy (to escape Paddy) were some of the biggest highlights of this book (i'll leave it as a surprise) and are some of Marian’s best work, ever. Her chapters were colourful, she is a stylist with Molichino hair. Written in such a unique, direct way, almost diary entries. Many laughs and swoons. I don’t want to spoil it, but she makes so many new friends and meets a true, worthy man (just you wait). Her old friends are also hysterical and highly involved in the theme of it.
GRACE, strong and sharp, she was a close second favourite for me. Her version was darker. She is a journalist, her aunt has terminal cancer. I adored, just adored her man Damien. I am so happy she has him. Paddy’s role in bringing Grace down and breaking her life, was hard to swallow. I felt for her so much. Her family and work colleagues were entertaining too. Grace is Marnie’s twin.
MARNIE was the biggest mess of all, in a dark hole, an alcoholic, her marriage on the rocks. She is naturally morose, also damaged almost beyond repair from a dependant, toxic relationship with Paddy in her late teens early twenties. It was difficult to spend time with Marnie, her behaviour atrocious but, she was written exceptionally well, Marian knows this topic. I can appreciate that.
ALICIA is pathetic, she means absolutely nothing to me (or to Paddy if I’m honest).
I really want to get more of you reading Marian’s books. She personally promotes her latest two The Break and Grown Ups. She feels they are her best work and I do agree (kind of), but her backlist is bringing me so much happiness, again, second time around.
Lola. Grace. Marnie. Alicia. Four very different women with one connection: Paddy de Courcy. Told from each of the four women's viewpoints, This Charming Man explains how each of the women is deeply affected by this one man. All of the women are struggling with something, despite her outwardly normal appearance. The story starts with the announcement of de Courcy's engagement and the women's different reactions. From there we get to see why each woman reacted in her own way--and the reasons are shocking, but not all that diverse.
I really like Marian Keyes and this is one of her best novels to date in my opinion. It helps that she addresses the issue of domestic violence in depth (one of my main causes seeing as I am a former DV/SA advocate). Like another reviewer mentioned, this was less chick-lit than a real novel; and it was good. My only complaint is that the American edition is crappily edited--it attempted to change some of the UK words into the American counterparts, but either didn't change all, or changed some but not all. For instance in one paragraph it mentions that the heroine needs fries for her hangover and then in the *very* next paragraph, she is described as having a plate of chips in front of her. If you're going to change it, change it all! It seemed like the changes were intentional throughout the whole book (always cookies, never a mention of a biscuit); but then in the last scene there is mention of children playing football (no need to worry, it's not ruining the book whatsoever)--but it's obviously soccer--yes, I realize it's the same thing, but they attempted to change everything else, so I was perplexed that this was left. But like I said, it was a shoddy job all around and it should have remained as Keyes originally wrote it--Americans aren't that dumb.
My favorite book I've read this summer is, This Charming Man, by Irish author, Marian Keyes. I'm a huge fan of hers and have read all of her books. They've been thoughtful, delightful and entertaining. But This Charming Man weaves together compellingly stark portrayals of alcoholism and domestic violence in a serious, yet sassy, page-turner that isn't, strangely, depressing. The women in the book come together to confront their abuser and, while not all of their issues are immediately resolved, they each experience an important catharsis that you know will lead them on their journeys towards healing. Having lived through a debilitating romance with a verbal abuser--who most likely would have turned violent if I hadn't ended things when I did--myself I believe Keyes' novel will touch and empower countless women across the world who will recognize themselves in her brave heroines and therefore seek to end their seemingly hopeless situations.
3.7 stars. Not as fluffy as I thought it would be going into the book. But I did enjoy my reading of this. Liked that we looked at 4 women that all have something to do with a politician and their reaction to him getting married. It's an easy read for the most part but have some seriousness as well. Did not fully fall in love with the book but I finally got out of my mind that Marian Keyes isn't a writer for me. She absolutely is, if I'm just in thd right mood.
I found this book disappointing. The different fonts for different voices were not needed and rather aggravating. The clipped voice of Lola was beyond annoying. I just couldn't see the requirement. It was insulting to the reader as if we couldn't tell the difference between the voices. I've no problem with the subject matter - but what the hell did these women find charming about him?? With only a few snapshots of his bullying violence - how could we see what they saw in him? He is a manipulator and I know how evil these sort of physically violent men can be - but where was the balance? Lola was obsessed with him - why? I don't mean - how could she let herself be beaten - I mean what was so wonderful about him? A few lines telling us he's charming and much loved is not enough. So the book failed for me. Much too long and rambling. The only character I really liked was Grace but the issue between her and Damien didn't ring true. Too contrived and convenient. I thought the alcoholism part was very well done. The dialogue was snappy and fun. The vision of the viciousness of Paddy was also very well done. I could well believe the sudden violence. Pity I didn't see the Charm.
This was a re-read and I'm so glad I have started to re-read because this is such a brilliant story with all the skills Keyes possesses to climb into other people's psyche and reveal their deepest thoughts and feelings. Her combination of dark humour and serious issues makes for a hugely entertaining and moving read. Truly excellent - I am sad that I have finished this book - I am missing the characters already!
Original reveiw:- Chick Lit at its best! Compelling story of four different women linked to one arse of a man. Written in four different styles and was both funny and emotional. Lola a sweet stylist, Grace a ballsy journalist, Marnie an alcoholic and Alicia the unfortunate wife. Absolutely loved it!
SÚPER BUENO el libro. Me ENCANTÓ. Me encanta esta autora, además, porque tanto como escribe chick lit... toca temas muy profundos y muy serios. Es todo un viaje emocional leer sus libros a veces, y éste creo que es el más serio suyo que he leído. Aún así, tanto como lloré, me reí mucho, y en ocasiones las dos cosas al mismo tiempo.
La historia se cuenta desde la perspectiva de cuatro mujeres distintas y lo único malo quizá es que el primer capítulo es tan largo que, cuando toca pasar a la persona siguiente, uno no tiene ganas de abandonarla. Pero una vez amigada con el destino, vuelve a ser entretenido y además esa técnica de cambiar de una persona a la otra es especialmente eficiente para dejar enganchado, porque lo hace justo al llegar a las escenas clímax, como en las teleseries, jajaja. Y la historia está construida con mucha coordinación y ojo literario.
Algo que quizá a algunos podría no gustarles es que es largote, 800 ó 900 páginas... pero igual es un gran sí para mí. Lo disfruté mucho y fue un aporte para mi ser. Muy recomendado. No es lo que parece, eso sí. No es simplemente un chick lit. Esto no significa que el chick sea malo (a mí me gusta mucho), pero éste es más complejo y en ocasiones difícil que eso.
Pues no sé muy bien qué decir... Por una parte, el libro se me ha hecho absolutamente eterno (sobre todo las aventuras de Lola en el pueblo al que se retira, donde creo que sobraban muchísimas anécdotas). Pero, por otra, hay que reconocer que me lo he acabado, así que algo tendrá... Lo que me ha dejado un poco (muy) fuera de juego es la gravedad del tema principal y cómo se trata en las primeras tres cuartas partes del libro, casi como un misterio divertido, con el estilo comedia de Marian Keyes... No sé, me ha dado un ramalazo frívolo poco compatible con lo que luego descubrimos. En el lado bueno, me han gustado los personajes, sus problemáticas y cómo están perfilados, aunque me ha faltado más información final sobre Alicia. No sé, una lectura muy (demasiado) extraña. Creo que no lo recomendaría.
3,5 Si tuviera que describir este libro, sería impactante. La autora nos hace partícipes de una realidad cruda y desgarradora, pero real. La forma de abordarlo de manera tan cargada de tacto y sensibilidad, me ha llevado a darle las cuatro estrellas. Por momentos puedes palpar esa desesperación, pero también se adereza con momentos muy cómicos y cotidianos. Como en todo no es todo sombras, si no que los personajes, poco a poco van abriendo la puerta a una realidad mucho más luminosa.
Si Marian Keyes no existiera, tendríamos que inventarla. Mucho antes del movimiento Me too, mucho antes de que el feminismo se pusiera de moda, Marian Keyes ya hablaba con crudeza de la violencia machista. Es una libro tan necesario que debería ser lectura obligatoria para todo el mundo.
I was telling my daughter-in-law recently how I give all the books I review either three, four, or five stars, because I don't finish the ones I would rate as one or two. This Charming Man nearly fell in that latter category. A great deal of time was spent developing the stories of Lola, Grace, and Marnie. Grace wasn't in bad shape, but the other two women were hard to take. Lola and Marnie were both struggling in their work because they were in such bad psychological states they couldn't do basic tasks. There were also other reasons why I wasn't enjoying the book. Paddy de Courcy, who was the title character, wasn't in it very much and all the other male characters seemed horrible. I thought Marian Keyes must hate men.
Then the book took a few turns and I found it well worth reading. One of the men whom I had seen as abusive turned out not to be violent but instead was supportive to his wife until he was forced to make a hard choice. I sympathized with him rather than hating him. Other male characters began to appear who were decent people. Circumstances allowed Lola to change her life long enough to get to a better place emotionally. Meanwhile Marnie's situation was explained further, so although her life continued to spiral down, I could appreciate why.
This novel has one of the best descriptions of alcoholism I've ever read. It shows the disease in detail from the point of view of the alcoholic and also from the points of view of the people who love her. It also covers the victims of domestic abuse in a way that helped me understand why some of the women stay in their situations. After reading the way Keyes covered these two issues, I was able to understand the weaknesses of the victims and appreciate their strengths.
Lola's chapters were written in a strange, journal voice I found annoying. Most of the pronouns were dropped, along with words such as the and a. After I got used to it, I could ignore the style. But I still believe it was a bad choice, one that detracted from the novel.
This Charming Man isn't an easy read, but in the end it's well worth reading.
Steve Lindahl – author of White Horse Regressions and Motherless Soul
Sometimes I cringe over my reading selections and dawdle before diving in... That is how I tend to approach your writing. Then I dive and there is nothing that can pull me away. As an author within the genre of chick litterers, you excel, charming the likes of me again and again.
I love your awareness of intimate violence and how state mandates regarding citizenship and immigration sustain and extend. How eloquent, daring, and ethical is Dee in this regard! I love the wit, kink, and humor of Lola and Chloe/Cossadine when it comes to romance and sexual loving. But I sputter over the how limited your characters' political sensibilities are.
The worlds you create are so white, overwhelming so. Characters such as Lola (darling though she is!) have an awareness of their whiteness, racism, and xenophobia, but it is an awareness that enables indulgence. But Ibrahim as Osama, Nnamdi as an upstart with a generous derriere? Please. Lola's - or rather your - conscious invocation of racism, rendered charming through context and word play, is what makes me cringe and lament my fleeting addiction to your books. How I wish the worlds of your characters were more varied, diverse, and heartfelt... If wishes were horse-faces!
This is a really odd book but I thought Keyes did an astounding job of capturing the impact of a truly toxic man. Not romantic, although I did like one of the romances.
This was good but very long book. Numerous amusing moments and terrifying incidents of sexual abuse associated with a lack of self-esteem. Other serious topics include alcoholism. Difficult to read at times.
FINALLY, I have succeeded in finishing This Charming Man, by Marian Keyes. Reading it was like pushing out a constipated poo. It was full of sex, scandals, and sensationalism. Imagine a book version of Vogue, or some other celebrity gossip magazine. That is what This Charming Man is like. It's total rubbish. One thing that I find very, very wrong with it, is that there's a man – Paddy de Courcy – who has committed domestic violence and rape. Yet he is glorified! He is written as though he is a "dream guy"; as though domestic violence is desirable in a relationship! As though having a controlling and abusive partner is sexy! That is not right. Marian Keyes clearly has a limited perspective of women, and people in general, in this book. She has characters who are openly Islamphobic. She almost seems to...worship women who've suffered through domestic violence and rape. Total trash of a book.
I doubt there has been such an eagerly awaited book as Marian Keyes' This Charming Man - how we have watched eagerly over the past two years as news of her latest book filtered out. There was going to be a character called Lola in it. It was going to deal with domestic violence. It was going to be very, very long (hurrah!).
My excitement reached a peak when I discovered a copy just in time for my holidays and as I stroked the gorgeous purple cover I was dying to dig in - because let's face it, you know what you're getting with Marian Keyes. She does funny. She does serious. She does perfect observation. She makes you want to turn the page. In terms of women's fiction she's like Ronseal - she does what she says on the tin.
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After an initial love affair with Keyes, I went off her. Her earlier novels, the ones I'd found at least, each focused on one member of a family, and I was getting weary of them - started forgetting who was who, etc.
But This Charming Man is a treasure. In the two weeks it took me to finish it, I have fallen in love with Grace and her unique family, Lola and her trannie, and a boatload of other characters as they work so hard to figure it all out.
This Charming Man is the first book ever to occupy both my "CHICK LIT" and my "HIGHEST HONORS" shelves.
OK, Keyes, I'm back on board; queueing up for your latest.
Skimmed quite a bit of this. Found myself asking why I was reading it. Still don't know. 3 stars because I did finish it and apart from the horrendous descriptions of abuse and alcoholism it was proper chick lit. ****Spoiler alert - why on earth would you take such serious subjects and wrap them up in glib feel good happy endings? AND imply that his next victim deserved it. Just changed my rating to 2 * must stop writing or will be an angry 1*