Apa saja yang menyebabkan sebuah foto dikatakan bagus? Penulis dan fotografi terkenal Richard Garvey Williams percaya bahwa kesuksesan sebuah foto itu terletak pada kombinasi empat faktor yaitu: subjek yang sangat berpengaruh, komposisi yang dinamis,penggunaan cahaya yang efektif, dan yang mungkin paling penting bahwa gambar mampu memengaruhi emosi orang yang melihatnya.
I picked this up because the Bite Shot YouTube decided to do a book club and book one was this book. I am not great at composition. I tend to rush my photographs because I am worried about either the people with more becoming impatient or being seen or I’m just lazy. This is something I want to work on for sure. This book had lots of helpful points and lots of great information. I highlighted many aspects. My favorite chapter was 5 Applying the Theory, specifically on intent & mindset. Defining my mindset behind my photography has been something on my mind and so we shall see where it goes. With the photos included in this post, my intent was to capture snowflakes and my mindset was to learn macro with my new lens.
I honestly had really high hopes for this book because I've seen it in numerous lists above "best books on composition". I'm a little disappointed after going through it. There are numerous things about this book that are incredibly frustrating (borderline infuriating at times). - The print format is square. I don't know why this was made as a decision, but it is quite annoying when reading and handling this book. It would look good placed as an accent piece on a table because the cover is visually striking, so maybe it has artistic merit. The usability of a square format is just poor though. - The writing style of the author does a huge disservice to the content. His sentences are rather vague and frequently I had to reread certain passages just to figure out what he was trying to say. - The entire section on Gestalt Theory feels out of place. It gets referenced in some places throughout the book, but the individual explanations could use a bit more guidance into "why" these actually hold true and aren't just a certain school of thought from 20th-century German psychologists.
There are a lot of example photos where I'm left thinking "does this photo showcase the composition principle you are explaining? This feels like a bit of a stretch".
Overall, this is an ok book. There is a very useful checklist at the end that I think is the hidden gem in this entire book. It's basically 2 pages of questions (broken down into categories) that you can ask yourself to consider different composition approaches.
The Story It was super comprehensive which I devoured every morsel of. Especially since it included vocabulary such as "emergence," "reification," "multi-stability," amongst others, which I had no idea how to construct such elements to make them come together to tell such a meaningful story.
I enjoyed the bits about image manipulation and how to relate them to the interesting concepts of right and left, balance, and overall shape.
The Writing The theoretical concepts were explained well.
I really liked how it pointed out that in some instances, neither style was wrong but may be dependent on whether the photographer wanted to convey sense of space or sense of depth.
Illustrations I like how it showed side-by-side examples of cropped and uncropped images.
I think I would like to try photographing more shadows. The ideas explored about them in this book was insightful.
More theoretical than I thought it'd be, it's not always a light read.
Some concepts are quite abstract and, sometimes, feel a bit of a stretch ("does someone really pay some much attention to that very specific detail and does it make an actual difference?" is a question I had more than once). However, overall it was quite interesting and worthy, it gave a good understanding of framing and composition and of the most common mistakes photographers incur into.
The last couple of chapters include actual advice that can be implemented in the field, which is what I was mostly interested into
It's a good book for both professional and amateur photographers. It gives insights into why we subconsciously like and dislike certain compositions. It points out all the major elements that come together to form a good photograph. I read this book after spending some years primarily doing street photography. So from my perspective, this book would be more meaningful for readers who have experience taking and viewing photographs.
I am still reading and learning from this book, but feel i want to leave a review anyway. It is fantastic and introduces some amazing concepts and ideas into composing your photography. I am reasonably new to photography, but i feel even intermediate or expert photographers would gain extra knowledge from it. Some simply stunning images are included all throughout. Heartily recommended.
A lot of psychology and philosophy, but a good read and it inspired. I'm going to take a break, read something else, and then read it again in order to better digest this material. I recommend it for aspiring photographers.
Lots of good information and fantastic images to reference. Some of the information, I felt, went a little overboard and seemed to make a big hoopla out of nothing, but I still enjoyed it.
*** ½ Lots of good information about composition, but much of it was a repeat for me. "The best tools at our disposal for mastering composition are not bought at a camera store".