In 2016, NewCon Press celebrates its 10th anniversary. To commemorate this, a number of very special publications are planned, including Obsidian, an eBook only retrospective anthology gathering together the best horror stories written by women authors that NewCon have published during our first 10 years. Our early titles were never issued as eBooks, so many of these stories appear here in digital format for the first time. The book also includes an original story by Laura Mauro, bringing the collection right up to date.
1.Introduction – Ian Whates 2.Sarah Pinborough – Do You See? 3.Liz Williams – Indicating the Awakening of Persons Buried Alive 4.Marie O’Regan – The Cradle in the Corner 5.Kari Sperring – Seaborne 6.Tanith Lee – Underfog (The Wreckers) 7.Kelley Armstrong – Young Bloods 8.Alison Littlewood – On the Grey Road 9.Molly Brown – Living with the Dead 10.Donna Scott – The Grimoire 11.Susan Sinclair – Lifeline 12.Lisa Tuttle – Paul’s Mother 13.Emma Coleman – Home 14.Maura McHugh – Valerie 15.Laura Mauro – Obsidian
Tanith Lee was a British writer of science fiction, horror, and fantasy. She was the author of 77 novels, 14 collections, and almost 300 short stories. She also wrote four radio plays broadcast by the BBC and two scripts for the UK, science fiction, cult television series "Blake's 7." Before becoming a full time writer, Lee worked as a file clerk, an assistant librarian, a shop assistant, and a waitress.
Her first short story, "Eustace," was published in 1968, and her first novel (for children) The Dragon Hoard was published in 1971.
Her career took off in 1975 with the acceptance by Daw Books USA of her adult fantasy epic The Birthgrave for publication as a mass-market paperback, and Lee has since maintained a prolific output in popular genre writing.
Lee twice won the World Fantasy Award: once in 1983 for best short fiction for “The Gorgon” and again in 1984 for best short fiction for “Elle Est Trois (La Mort).” She has been a Guest of Honour at numerous science fiction and fantasy conventions including the Boskone XVIII in Boston, USA in 1981, the 1984 World Fantasy Convention in Ottawa, Canada, and Orbital 2008 the British National Science Fiction convention (Eastercon) held in London, England in March 2008. In 2009 she was awarded the prestigious title of Grand Master of Horror.
Lee was the daughter of two ballroom dancers, Bernard and Hylda Lee. Despite a persistent rumour, she was not the daughter of the actor Bernard Lee who played "M" in the James Bond series of films of the 1960s.
Tanith Lee married author and artist John Kaiine in 1992.
Some strong stories by some excellent authors. I have become a big fan of Sarah Pinborough and Alison Littlewood over the last two years and I can see myself reading the others over time.
- Living with the Dead (3 estrellas): Inesperadamente conmovedor, una perspectiva diferente de los muertos vivientes y los vivos que viven, los cuidan y viven junto a ellos.
Leído para el reto "13 sustos literarios" del Club de lectura "Clásico es leerte" (consigna "mención a una película de terror") - octubre 2025
Pretty weak stuff, sad to say. It starts with a bang with the first story, and had me very much excited--but the rest of the work isn't nearly of as high a quality. The other standouts are the Lee and Tuttle stories:
The Tanith Lee story is basically just The Fog but retold in Lee's great prose, so that's a plus.
The Tuttle story is classic Tuttle--dark explorations of family emotional dynamics with a genre overlay--and good, but I'd just read it in a standalone Tuttle collection so its inclusion here didn't rate as highly for me as maybe it should have.
Otherwise, the stories are mostly competent but uninteresting, or else overly confusing (and not in a good way).
If you have Kindle Unlimited or see it at the library, then it might be worth checking out on the basis of the stories I mentioned (and, horror being subjective, you may find others you like as well). but it's just sort of...meh.
As is to be expected with an anthology like this, there were stories I enjoyed and others I really didn't connect with. A few of the good ones : Do You See, by Sarah Pinborough. On The Grey Road, by Allison Littlewood. Living With The Dead, by Molly Brown, The Grimlore, by Donna Scott. Lifeline, by Susan Sinclair. Paul's Mother, by Lisa Tuttle and Obsidian by Laura Mauro.
Many of the rest of the stories fell flat for me and had a feeling of being unfinished. The writing itself is fine but I often wished for more context to the narrative to make the story better to follow along with. And obviously, this was just how I reacted to these particular tales.
A mixed bag of mildly horrifying stories. Some seem as if written by someone a decade old within the time limit of an English lesson at school! One story was like a dream describing itself in a stream of unconsciousness. There were a couple that really were good reads: the beautiful poetic title story; and Paul's Mother, by Lisa Tuttle, who I'm already a huge fan of.
3.5 stars, gave it less points because very few of the stories were actually scary or spooky. Some of these could hardly be called horror. But I did enjoy the lot of them, and would recommend it simply as an anthology of stories by women!
I am sorry to leave a comment here under reviews for a book that I have not read yet but I wanted to assign a date for this book and the date set functionality of the website currently seems to be broken. If they get this working I will use this and delete this review.