For the most part I enjoyed reading this. The more I read, the more into I got but it was a little confusing at first if, like me, you didn't know the back story from previous Daredevil issues and the larger Marvel universe story lines. However, by the 2nd and 3rd issues the introductory recap blurbs do their job and help to clarify and explain things (although the 'flashback' panels start to grate after a while, feeling like wasted space sometimes). There are still a few points where the story telling and art are confused though, even resorting to arrow guides on the panels at one point(!). At other times though there are real bits of brilliance, as I'd expect from Tamora Pierce - she particularly seems to manage to capture the essence and voice of Spidey. (I don't know how much input Tim Liebe had in the story - he was credited for every issue but was initially stated to only be co-writing issues 3&4.) If Marvel and/or Tamora is ever interested in another foray into the comics world then a Spidey story would be an excellent match I feel (although I'd rather see something entirely stand alone and not tied to a larger universe). The three pages on Angela's rooftop in issue five are a particular high point.
Other supes pop up left, right and centre in this limited series. Some seem a little pointless and their appearances redundant to the story - Lizard and Deadpool primarily. Lizard in particular was never explained and it felt odd. I'm aware that both characters were there to cause disruptions and additional hardships, but quite frankly these could have happened in other ways without throwing more characters at us for the sake of cameos (not like there wasn't enough!) - it started to feel a little chaotic and the Emma Frost confusion was amusing enough by itself, it didn't need any more. The foreign supes at the airport was the most confused (and unnecessary I felt) point, in both art and writing. I think perhaps it was tying into the larger Marvel universe story lines but there was plenty of other references and coupled with the confusing art (it looks like the supes have shrunk with no discernible explanation?!) it felt like a wasted page. I would have expected this White Tiger run to be more self contained and accessible for a limited series, especially one that I imagine Marvel must have hoped would attract fans of Tamora Pierce to read comics for the first time, potentially adding to their reader base.
The art was solid - in the large, full page spreads it was brilliant (again, the last page of the rooftop scene, issue 5, stands out along with the first costume shot, issue 1, and all the introductory recap pages), and in the panels it went from good in larger panels, to serviceable in smaller ones to occasionally a bit rough and unclear in some smaller panels or backgrounds. The costume design was a plus point - it looked modern, clean and fresh without looking daft like a lot of costumes can. On the whole, solid art - not brilliant, but I've seen much, much worse! David Mack's covers, however, are a different kettle of fish. Those are brilliant and I really loved them. The high key white on white is stunning (issues 1, 6 and the tpb do this best), the water colours sublime and the detailing and depth to the art is silencing. If I were Tammy I'd have all seven pieces as clean, beautifully printed screens hung in my house! Hmm, makes me wonder where the originals are.
Overall it was mostly solid, but not as good as either a. Tamora's novels or b. other comics/graphic novels that I have read. I did enjoy it however and it certainly got stronger as it went along. As a first run at comics writing it was above par and, as I said before, I'd really be interested in seeing Tamora write for comics again as it is a medium I'm very fond of. However, I really like to see something original from her and not universe based, then I think (combined with the right artist) she'd really knock things out of the park.