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おやすみプンプン [Oyasumi Punpun] #6
Oyasumi Punpun, tomo 6
Edición argentina, tomo 6 de 13.
Punpun pudo entrar a una secundaria alta famosa en su ciudad. Está muy emocionado por la cita que consiguió con una chica de su edad llamada Kanie.
Pero se peleó con su mamá, quien le dijo que no volviera a la casa. Es un comienzo de verano muy confuso para este chico de 15 años.
Punpun pudo entrar a una secundaria alta famosa en su ciudad. Está muy emocionado por la cita que consiguió con una chica de su edad llamada Kanie.
Pero se peleó con su mamá, quien le dijo que no volviera a la casa. Es un comienzo de verano muy confuso para este chico de 15 años.
224 pages, Paperback
First published December 26, 2009
42 people are currently reading
576 people want to read
About the author
Inio Asano
111 books2,670 followersInio Asano (浅野いにお, Asano Inio) is a Japanese cartoonist. He is known for his character-driven stories and his detailed art-style, making him one of the most influential manga author of his generation.
Asano was born in 1980 and produced his first amateur comics as a teenager. His professional debut happened in 2000 in the pages of the magazine Big Comic Spirits. Since then, he has collaborated with most of the major Japanese magazines of seinen manga (comics for a mature audience). Among Asano's internationally acclaimed works are: the psychological horror Nijigahara Holograph (2003-2005); the drama Solanin (2005-2006); the existentialistic slice-of-life Goodnight Punpun (2007-2013); the erotic A Girl on the Shore (2009-2013); the sci-fi Dead Dead Demon's Dededede Destruction (2014-2022).
Asano was born in 1980 and produced his first amateur comics as a teenager. His professional debut happened in 2000 in the pages of the magazine Big Comic Spirits. Since then, he has collaborated with most of the major Japanese magazines of seinen manga (comics for a mature audience). Among Asano's internationally acclaimed works are: the psychological horror Nijigahara Holograph (2003-2005); the drama Solanin (2005-2006); the existentialistic slice-of-life Goodnight Punpun (2007-2013); the erotic A Girl on the Shore (2009-2013); the sci-fi Dead Dead Demon's Dededede Destruction (2014-2022).
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Displaying 1 - 30 of 241 reviews
October 17, 2020
Ya es notorio lo deprimente que se aproxima.
June 8, 2023
They are all so fucked up
April 15, 2023
It's odd how one can relate to all of punpun's family members at the same time.
August 11, 2018
5 stars
This volume marks about halfway through the series, and it's at this point that the plot really starts moving. With the introduction of this volume's major plot point in the final few issues, I really enjoyed this rather depressing volume. The emotions here really come through, and all the work spent on endearing us to the characters in the first five volumes really pays off here, and this is an amazing way to make the series stand out.
This volume marks about halfway through the series, and it's at this point that the plot really starts moving. With the introduction of this volume's major plot point in the final few issues, I really enjoyed this rather depressing volume. The emotions here really come through, and all the work spent on endearing us to the characters in the first five volumes really pays off here, and this is an amazing way to make the series stand out.
July 21, 2019
I was so sad to see the cover after reading.
February 7, 2017
"Ahora estamos aquí, refugiándonos de la lluvia. Si mi vida fuera como esto y me limitara a escapar una y otra vez de angustias y soledades puntuales y no tuviera ningún valor más allá... Menuda vida, ¿no? Qué triste sería."
February 5, 2025
Que personaje más real es punpunmama. Este tomo me atrapó, me lo leí en unas pocas horas. En esta historia no hay blancos ni negros, es simplemente la vida misma y por eso duele tanto. Los sentimientos están muy bien transmitidos, en este caso los de punpunmama, soledad, sentirse inútil, no querer vivir pero tener miedo a la muerte, simplemente una obra maestra 🚬
Perdóname punpun - en realidad, te quiero mucho punpun :(
Perdóname punpun - en realidad, te quiero mucho punpun :(
May 28, 2018
Ya he dicho varias veces antes que lo mejor de esta historia son los personajes, y este tomo es un buen ejemplo de eso, la Mamá Punpun es básicamente una persona real, tiene sus cosas buenas, sus cosas malas, sus deseos, sus sueños. Esa construcción tan sutil de los personajes es lo que me mantiene leyendo.
November 24, 2019
This series is called "Goodnight Punpun" in English. I'm reviewing just this volume.
Probably my least favorite volume, as it focused on the protagonist's mother; I found her quite despicable but generally uninteresting. Very early on in the story we watched her tell to her then husband that she regretted having had children, that she should have kept her freedom. Normal enough, but she also had talked about killing her son and herself, and even sort of attempted it twice. The main trouble in the story started back in the first volume when the protagonist's father hit his wife and rendered her unconscious. In this volume we learn that .
After the mother got divorced, most of what we know of her is that she doesn't care about her son, and can't barely look at him because he reminds her not only of her exhusband, but of all the worst instincts of both her husband and herself (and that's saying a lot). In turn, the protagonist doesn't feel anything for his mother. The main action in this volume started when she asked her son to .
While in the .
My favorite sequence involved our old useless protagonist. He's in the first year of high school and getting great grades, but only because he wants to bury his loneliness and depression through studying. He gets invited to the classic mixers at karaokes, where he
When the time to go home comes, they .
I understood him well enough. When I was around his age, some classmate of mine was inexplicably attracted to me, and in retrospect clearly wanted something (that one day when we were alone in her house she grinded on my penis should have given me a significant clue; alas, there's few people as clueless as the me from back then). However, one day the family members of one of this girl's friends came to tell her that her newborn brother had died. The friend was devastated, and went home. During the discussion that followed in class, I said to this classmate of mine that at least it wasn't one of her other siblings that died; she must had formed a way stronger bond with them, so it would have hurt much more. At hearing this, my classmate looked at me pretty much the same way the high school girl in this story looked at the protagonist when he didn't care about visiting his mother at the hospital. My classmate and I interacted very little from then on, and after I graduated I never saw her again. Even now, as a 34 year old rotting man, I don't quite get why she was so mortified. It must be some emotional thing that I, as an autistic creature, simply can't process. But in the end it's better that stuff like that happens: it filters out people that shouldn't be in your life, and you shouldn't be in theirs.
During these last few volumes the author abandoned his initial artistic decision of depicting the adults as complete lunatics; if you read the first volume after reaching this far, the gap should feel pretty wide. However, it doesn't feel so much a transition as a "that was a horrible idea, let's ditch it". I'm on board with it, of course, but I wonder how many people read the first few chapters and like I did some time ago said, "yeah, this isn't for me". Too bad, because it's a really great series.
I already read the first chapter of the next volume and things are changing dramatically in our useless protagonist's life. This is one of those series I simply want to read to the end without doing anything else. Fortunately I'm working afternoons this week and there's not that much work in this hospital during those hours.
Probably my least favorite volume, as it focused on the protagonist's mother; I found her quite despicable but generally uninteresting. Very early on in the story we watched her tell to her then husband that she regretted having had children, that she should have kept her freedom. Normal enough, but she also had talked about killing her son and herself, and even sort of attempted it twice. The main trouble in the story started back in the first volume when the protagonist's father hit his wife and rendered her unconscious. In this volume we learn that .
After the mother got divorced, most of what we know of her is that she doesn't care about her son, and can't barely look at him because he reminds her not only of her exhusband, but of all the worst instincts of both her husband and herself (and that's saying a lot). In turn, the protagonist doesn't feel anything for his mother. The main action in this volume started when she asked her son to .
While in the .
My favorite sequence involved our old useless protagonist. He's in the first year of high school and getting great grades, but only because he wants to bury his loneliness and depression through studying. He gets invited to the classic mixers at karaokes, where he
When the time to go home comes, they .
I understood him well enough. When I was around his age, some classmate of mine was inexplicably attracted to me, and in retrospect clearly wanted something (that one day when we were alone in her house she grinded on my penis should have given me a significant clue; alas, there's few people as clueless as the me from back then). However, one day the family members of one of this girl's friends came to tell her that her newborn brother had died. The friend was devastated, and went home. During the discussion that followed in class, I said to this classmate of mine that at least it wasn't one of her other siblings that died; she must had formed a way stronger bond with them, so it would have hurt much more. At hearing this, my classmate looked at me pretty much the same way the high school girl in this story looked at the protagonist when he didn't care about visiting his mother at the hospital. My classmate and I interacted very little from then on, and after I graduated I never saw her again. Even now, as a 34 year old rotting man, I don't quite get why she was so mortified. It must be some emotional thing that I, as an autistic creature, simply can't process. But in the end it's better that stuff like that happens: it filters out people that shouldn't be in your life, and you shouldn't be in theirs.
During these last few volumes the author abandoned his initial artistic decision of depicting the adults as complete lunatics; if you read the first volume after reaching this far, the gap should feel pretty wide. However, it doesn't feel so much a transition as a "that was a horrible idea, let's ditch it". I'm on board with it, of course, but I wonder how many people read the first few chapters and like I did some time ago said, "yeah, this isn't for me". Too bad, because it's a really great series.
I already read the first chapter of the next volume and things are changing dramatically in our useless protagonist's life. This is one of those series I simply want to read to the end without doing anything else. Fortunately I'm working afternoons this week and there's not that much work in this hospital during those hours.
November 2, 2022
This is extremely sad and heartbreaking. The characters are heavily flawed but you feel for them and you feel their regrets in their final moments.
Warning for pedophilia and abuse.
Warning for pedophilia and abuse.
Read
May 26, 2023Dopalo mi se mnogo više od prošlog dela. Da ocenjujem, bila bi ocena 4
July 14, 2020
We are halfway through and this one deserves a review. The first five star out of the 6 volumes read till now. 5 stars for the incredibly quick but terribly effective characterisation of Punpunmama into a full-fledged character as flawed as she ended up sympathetic...
April 14, 2023
Pun Pun 6
Un tomo con muchas emociones encontradas, donde ocurren cosas inesperadas, y que van a alterar las cosas. Fuerte.
SPOILERS
4.5 stars
Un tomo con muchas emociones encontradas, donde ocurren cosas inesperadas, y que van a alterar las cosas. Fuerte.
SPOILERS
4.5 stars
Read
December 3, 2023Kakav je ovo maltret, jao. Ja zaista ne bežim od depresivnog u umetnosti (književnostri, stripu, filmu, muzici, šta god), a kako bih i mogla da pobegnem. I volim.
Ali ovo nije depresivno, samo je kaljugasti maltret i verovatno je jedini razlog što i dalje čitam činjenica da ne bežim ni od depresivnog u sebi.
(a zapravo me ne radi ni na depresiju)
Ali ovo nije depresivno, samo je kaljugasti maltret i verovatno je jedini razlog što i dalje čitam činjenica da ne bežim ni od depresivnog u sebi.
(a zapravo me ne radi ni na depresiju)
May 28, 2023
Smorčina.
October 22, 2024
Certainement l’un des tomes les plus marquants pour l’instant.
April 14, 2021
De nuevo, Asano entra en la valoración excelente. Como ya venía diciendo en el tomo anterior, poco debía tardar el autor en introducirse en la psique de la madre para hacerla un personaje real. Casi dedica la totalidad del volumen a sus dilemas internos, creando paralelismos con Punpun y choques entre sus formas de experimentar el mundo, en especial la parte romántica. Al cambio, la madre deja a un lado el esencialismo (como figura abusiva) y de nos muestran todas sus aristas. Como siempre en la familia Onodera, esta también lidia con la depresión y la consecuente sensación de no encajar en la sociedad moderna.
Por la parte de Punpun, sigue fascinándome el desarrollo de personaje que Asano le confiere con tal de hacer comprensible la crueldad de los tomos finales. Se introduce además a Sachi, de manera mucho menos pomposa y cien veces más natural de lo que recordaba. La viñeta que representa la contemplación del cuadro es una de mis favoritas de toda la serie y muestra ese resquicio todavía positivo del alma de Punpun, capaz de emocionarse ante algo que le habla por dentro. Por supuesto, es la relación con Kanie lo que se lleva la palma. Punpun es una persona que no se comprende ni a sí mismo ni al resto, y su viaje hacia la exteriorización del dolor en violencia continúa en este tomo. Escenas como la del parque o el intento de abuso son realmente poderosas y muestran un alma desolada que busca el cariño en los demás para sentirse mejor consigo mismo. Es cruel y difícil de digerir, pero precisamente por eso funciona tan bien: Asano no tiene miedo de arrastrar a su protagonista, si no a todo su reparto, por el fango más sucio con tal de llevarles a un punto irredimible.
Por eso mismo me gusta tanto el desarrollo de la madre de Punpun. Aunque creo que las situaciones finales llegan demasiado pronto y con poca preparación (cosa que, por otro lado, resulta creíble), el arco de personaje por el que pasa es realmente interesante. Se le desafía su visión sobre la vida a través, curiosamente, de aquello que desdeña: la ideología adolescente, esta forma de ver el mundo de manera algo más idealizada y con la esperanza siempre por delante. Todo viene revestido de una historia amorosa que une tanto a Punpun como a su madre en su incomprensión de las relaciones. Ese giro argumental sobre las cartas me ha pillado por sorpresa más por la forma que por el contenido: de nuevo, tonto de mí, esperaba más pompa y circunstancia de un autor hiperrealista. Es cierto que impacta menos, pero también resulta más natural, igual que esas sombras que envuelven a Punpun al hablar con Midori en otra situación creíble y durísima.
La exploración de la psique de los personajes es, sin duda, la base de esta obra. En este último tomo, Asano vuelve a mostrar su genialidad como guionista al tratar el perfil oculto de la madre, sin olvidar jamás el desarrollo de Punpun. No solo es un genial guionista; también excele como dibujante. No es que haya habido un subidón de calidad desde el último tomo, sino que a lo largo de los capítulos se nota una progresiva evolución, y escenas como la del parque lo demuestran.
Por la parte de Punpun, sigue fascinándome el desarrollo de personaje que Asano le confiere con tal de hacer comprensible la crueldad de los tomos finales. Se introduce además a Sachi, de manera mucho menos pomposa y cien veces más natural de lo que recordaba. La viñeta que representa la contemplación del cuadro es una de mis favoritas de toda la serie y muestra ese resquicio todavía positivo del alma de Punpun, capaz de emocionarse ante algo que le habla por dentro. Por supuesto, es la relación con Kanie lo que se lleva la palma. Punpun es una persona que no se comprende ni a sí mismo ni al resto, y su viaje hacia la exteriorización del dolor en violencia continúa en este tomo. Escenas como la del parque o el intento de abuso son realmente poderosas y muestran un alma desolada que busca el cariño en los demás para sentirse mejor consigo mismo. Es cruel y difícil de digerir, pero precisamente por eso funciona tan bien: Asano no tiene miedo de arrastrar a su protagonista, si no a todo su reparto, por el fango más sucio con tal de llevarles a un punto irredimible.
Por eso mismo me gusta tanto el desarrollo de la madre de Punpun. Aunque creo que las situaciones finales llegan demasiado pronto y con poca preparación (cosa que, por otro lado, resulta creíble), el arco de personaje por el que pasa es realmente interesante. Se le desafía su visión sobre la vida a través, curiosamente, de aquello que desdeña: la ideología adolescente, esta forma de ver el mundo de manera algo más idealizada y con la esperanza siempre por delante. Todo viene revestido de una historia amorosa que une tanto a Punpun como a su madre en su incomprensión de las relaciones. Ese giro argumental sobre las cartas me ha pillado por sorpresa más por la forma que por el contenido: de nuevo, tonto de mí, esperaba más pompa y circunstancia de un autor hiperrealista. Es cierto que impacta menos, pero también resulta más natural, igual que esas sombras que envuelven a Punpun al hablar con Midori en otra situación creíble y durísima.
La exploración de la psique de los personajes es, sin duda, la base de esta obra. En este último tomo, Asano vuelve a mostrar su genialidad como guionista al tratar el perfil oculto de la madre, sin olvidar jamás el desarrollo de Punpun. No solo es un genial guionista; también excele como dibujante. No es que haya habido un subidón de calidad desde el último tomo, sino que a lo largo de los capítulos se nota una progresiva evolución, y escenas como la del parque lo demuestran.
February 19, 2022
Joyaaaaa, gran tema de la depresión y como lo explica Inio Asano. El tema de la muerte de un ser querido es brutal y perfecto. Y el final del tomo es extraordinario y muy agridulce.
April 27, 2022
Un volume che è un mattone… ma non per questo brutto. Devo cominciare a rallentare la lettura…
October 7, 2021
"Para ser honesta , realmente te amo Punpun"
January 18, 2022
¿Yo? Cagada a palos por el final de este volumen.
4 de 5 estrellas.
4 de 5 estrellas.
November 19, 2023
ya empezamos... 🚬
”solo tú puedes ser tu propio paraguas”
☂️
”solo tú puedes ser tu propio paraguas”
☂️
Read
July 15, 2024Vrlo lako najbolji broj do sada.
Urnisao me je. Naročito danas.
⭐️⭐️⭐️⭐️⭐️
Urnisao me je. Naročito danas.
⭐️⭐️⭐️⭐️⭐️
July 17, 2022
End. 1401/4/26
November 27, 2025
Me ha removido los sentimientos este volumen. ¿Cuánto sufrimiento podemos soportar los humanos?
Read
July 25, 2024Hirap akong sikmurain ang manga na ito. Daming nangyayari, nanghuhukay ng buhay-buhay at ididiin pa mga pinaka malalang tagpo. Maraming teknik kang matututunan dito sa daloy ng pagkkwento pero kailangan ng mariin na pag-iingat. Gusto ko sana kayong warningan sa pagbabasa nito pero ako na lang ata ang hindi pa nakakabasa nito.
April 5, 2025
En este manga a todos les gustan los adolescentes.
January 8, 2025
Dios... Este manga es tan deprimente que me hace sentir hasta mal.
Displaying 1 - 30 of 241 reviews