Some good stories, a lot of decent ones, one or two I didn't care for but no real clunkers. Except maybe Hanif Kureishi's "Girl", which, if it indeed takes some autobiographical cues as I suspect, would be evidence for Kureishi being a pompous pseudo-intellectual (I have only read "The Buddha of Suburbia" quite long ago, and am not familiar with his persona). None of the stories are groundbreaking, most are narratively quite conventional, except "Blue Sky Like Water" by Livi Michael which was formally a little more adventurous. My highlights: Peter Ho Davies' "On The Terraces", Tobias Hill's "Iris", Michelle Huneven's "The Foot", and David Treuer's "Thanksgiving."