Blood and chaos. That is a fair summation of the second installment of Jill Williamson’s Kinsman Chronicles. The Remnant has escaped the Five Realms and is adrift at sea. Wilek and Trevn and those of the father realms have hope for the future; but the treacherous Rogedoth and his mantic forces have other ideas. It soon becomes apparent to Wilek that Armania’s trouble with magic is far from being over. Traitors abound, even amongst his own retinue. Who can he trust? Where is Arman leading them? Will they find land?
In my reviews, I have strived to remain academic in my critiques, but I cannot do so for King’s Blood. I must bring my own personal feelings about the story into play, because without them I feel that I cannot give an honest review of how the book read.
As mentioned above, this book is filled with bloodshed and chaotic happenings. At times, it feels as though Williamson was attempting to write a Christian version of Game of Thrones. Several characters meet their untimely demises in this book, much to the reader’s chagrin. The only bright side is that the two vilest creatures in the story up until now also meet their end. In my review for King’s Folly, I had written that it seemed hopeful that the darkest moments of this tale were past, and it would only get better. Oh, how wrong I was. King’s Blood is by far the darkest of the Kinsman Chronicles so far, probably the darkest of all the Kinsman books the author has written. Treachery, murder, fornication, sorcery, and more abound in this book, and as a stifling blanket spread over all is the knowledge that there is still one more book to go, six hundred more pages of chaos that the reader must slog through in order to reach the end, the light that he is holding out hope for. And in all likelihood, the final book will be just as chaotic, probably even more so, before the Hadar family is finally able to rule Er’Rets in peace.
As the author has said, much of the story world was inspired by the kingdoms of Israel and Judah from the Old Testament. The author stated that it was not a direct allegory, but even so, there are some evident parallels; and while I do not mind parallel scenes when they are done well and in such a way that they are not immediately obvious, one particular scene in King’s Blood quite directly mirrors a story from the Bible when the king of Judah meets with the king of Israel and the Israelite prophets lead the king of Israel astray. Then Micaiah, a true prophet, tells Ahab that he will be killed if he goes to fight. In King’s Blood, a very similar scene takes place between the Armanian and Sarikarian kings. For some reason, the scene did not work. Perhaps it felt too unoriginal, but that may not be the case, for in another book, Songkeeper, by Gillian Bronte Adams, there is a scene that parallels nearly exactly the story of Elijah on the mountainside when God spoke to him in a still small voice. And while it was fairly evident where the inspiration for this scene came from, it worked. Perhaps it was the nature of the story, perhaps it was because of the wording, or perhaps it was because of the outcome of Micaiah’s prophecy that made this particular scene stand out like a sore thumb in King’s Blood.
That being said, it was one relatively small scene with rather devastating repercussions, and that is why so much attention was given to it in this review; for a scene that so greatly impacts later events in the story, it would have been better for it to have been a little less of a copy of that particular Bible story and made it more original. Then again, perhaps all this is simply my way of ranting against the book, because I was so disappointed with the ending. Not disappointed because it did not resolve all the things I hoped it would, but disappointing because of the direction the story is now going. But as the old adage goes, “It’s always darkest before the dawn.” That certainly holds true for this book. It is The Empire Strikes Back of the literary world, and that is not a good thing to hear coming from me, because I rank Empire fairly low on the list of the best Star Wars films.
My own personal opinions aside, Jill Williamson continues her reputation for setting new horizons for Christian fantasy with King’s Blood. It is a dark tale, true, and really quite depressing toward the end, when everything seems to be falling apart for the Remnant, especially after they have begun to return to Arman. In some ways it very much parallels real life, where what is evil seems always to be one step ahead of what is good. And perhaps it is when our stories mirror real life that they have a lasting impact.
After some time and distance from the story, a second look may elicit a different reaction from me; even now I feel a fondness for the story growing within, despite the darkness and depravity that lies therein; just as I recoil from the evil of the real world, and yet acknowledge that some good remains. I will end with a quote from Samwise Gamgee in the movie The Two Towers. This quote I feel sums up my thoughts on King’s Blood fairly well.
“It’s like in the great stories, Mister Frodo, the ones that really mattered. Full of darkness and danger they were; and sometimes you didn’t want to know the end, because how could it be happy after so much bad had happened? But folk in those stories were holding on to something… There’s some good in this world, Mister Frodo; and it’s worth fighting for.”