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The Malloreon #3
Demon Lord of Karanda
Captives of His Imperial Majesty...
Zandramas had stolen King Garion's infant son and fled to use the child in some ritual that would make the Dark Destiny supreme. Garion and his friends had followed, but now they were captives of Zakath, Emperor of Mallorea, who, while friendly, stubbornly refused to let them leave.
Meanwhile, a horde of demons was ravaging the cities through which they must travel. Zandramas was escaping further toward her goal. And the Seeress of Kell revealed that they must be at the anient palace of Ashaba within a matter of days or Zandramas would win by default. Then a horrible, fatal plague struck the city of Mal Zeth. closing it against all traffic in or out.
Zandramas had stolen King Garion's infant son and fled to use the child in some ritual that would make the Dark Destiny supreme. Garion and his friends had followed, but now they were captives of Zakath, Emperor of Mallorea, who, while friendly, stubbornly refused to let them leave.
Meanwhile, a horde of demons was ravaging the cities through which they must travel. Zandramas was escaping further toward her goal. And the Seeress of Kell revealed that they must be at the anient palace of Ashaba within a matter of days or Zandramas would win by default. Then a horrible, fatal plague struck the city of Mal Zeth. closing it against all traffic in or out.
404 pages, Mass Market Paperback
First published August 12, 1988
190 people are currently reading
5318 people want to read
About the author
David Eddings
220 books5,559 followersDavid Eddings was an American author who wrote several best-selling series of epic fantasy novels. David Eddings' wife,
Leigh Eddings
, was an uncredited co-author on many of his early books, but he had later acknowledged that she contributed to them all.
They adopted one boy in 1966, Scott David, then two months old. They adopted a younger girl between 1966 and 1969. In 1970 the couple lost custody of both children and were each sentenced to a year in jail in separate trials after pleading guilty to 11 counts of physical child abuse. Though the nature of the abuse, the trial, and the sentencing were all extensively reported in South Dakota newspapers at the time, these details did not resurface in media coverage of the couple during their successful joint career as authors, only returning to public attention several years after both had died.
After both served their sentences, David and Leigh Eddings moved to Denver in 1971, where David found work in a grocery store.
David Eddings' first books (which were general fiction) sold moderately well. He later switched to writing epic fantasy, a field in which he achieved great success. In a recent interview with sffworld.com, he said: "I don't take orders from readers."
On January 26, 2007 it was reported that Eddings accidentally burned about a quarter of his office, next door to his house, along with his Excalibur sports car, and the original manuscripts for most of his novels. He was flushing the fuel tank of the car with water when he lit a piece of paper and threw into the puddle to test if it was still flammable.
On February 28, 2007, David Eddings' wife, Leigh Eddings (born Judith Leigh Schall), died following a series of strokes. She was 69.
David Eddings died on June 2, 2009 at the age of 77.
They adopted one boy in 1966, Scott David, then two months old. They adopted a younger girl between 1966 and 1969. In 1970 the couple lost custody of both children and were each sentenced to a year in jail in separate trials after pleading guilty to 11 counts of physical child abuse. Though the nature of the abuse, the trial, and the sentencing were all extensively reported in South Dakota newspapers at the time, these details did not resurface in media coverage of the couple during their successful joint career as authors, only returning to public attention several years after both had died.
After both served their sentences, David and Leigh Eddings moved to Denver in 1971, where David found work in a grocery store.
David Eddings' first books (which were general fiction) sold moderately well. He later switched to writing epic fantasy, a field in which he achieved great success. In a recent interview with sffworld.com, he said: "I don't take orders from readers."
On January 26, 2007 it was reported that Eddings accidentally burned about a quarter of his office, next door to his house, along with his Excalibur sports car, and the original manuscripts for most of his novels. He was flushing the fuel tank of the car with water when he lit a piece of paper and threw into the puddle to test if it was still flammable.
On February 28, 2007, David Eddings' wife, Leigh Eddings (born Judith Leigh Schall), died following a series of strokes. She was 69.
David Eddings died on June 2, 2009 at the age of 77.
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Displaying 1 - 30 of 391 reviews
May 12, 2018
In the third part of the series the story gets a darker turn as we find that the forces of evil have more power than we thought and that much more will be judged through this conflict. For this reason, our heroes are brought to the center of the hostile empire where they are more aware of what is happening, but at the same time understand that things are not as bad as many of those who are considered enemies are actually potential allies and all they have to do is play the game correctly. This development gives the writer the opportunity to satirise the mechanisms of power and the corruption of the upper classes, with his familiar cynical humour. From this, our heroes start a journey to confront the real enemy in a landscape of war and destruction that stems from religious fanaticism, which the author mercilessly satirise, when he does not describe the exciting adventures they finds in front of them.
In a nutshell, the series continues to be extremely interesting and especially entertaining.
Στο τρίτο μέρος της σειράς η ιστορία παίρνει μία σκοτεινότερη στροφή καθώς διαπιστώνουμε ότι οι δυνάμεις του κακού έχουν περισσότερη ισχύ από ότι νομίζαμε και ότι πολύ περισσότερα πράγματα θα κριθούν μέσα από αυτή τη διαμάχη. Για αυτόν το λόγο οι ήρωες μας μεταφέρονται στο επίκεντρο της εχθρικής αυτοκρατορίας όπου ενημερώνονται περισσότερο για τα τεκταινόμενα αλλά παράλληλα καταλαβαίνουν ότι τα πράγματα δεν είναι και τόσο άσχημα καθώς αρκετοί από αυτούς που θεωρούνται εχθροί είναι στην πραγματικότητα πιθανοί σύμμαχοι και το μόνο που μένει είναι να παίξουν σωστά το παιχνίδι. Αυτή η εξέλιξη δίνει στο συγγραφέα τη δυνατότητα να σατιρίσει τους μηχανισμούς της εξουσίας και τη διαφθορά των ανώτερων τάξεων, με το γνωστό κυνικό του χιούμορ. Από κάποια στιγμή και μετά οι ήρωες μας ξεκινάνε για να αναμετρηθούν με τον πραγματικό εχθρό μέσα σε ένα τοπίο πολέμου και καταστροφής πού πηγάζει από τον θρησκευτικό φανατισμό, τον οποίο σατιρίζει ανελέητα ο συγγραφέας, όποτε δεν μας περιγράφει τις συναρπαστικές περιπέτειες που βρίσκουνε μπροστά τους.
Με λίγα λόγια η σειρά συνεχίζει να είναι εξαιρετικά ενδιαφέρουσα και ιδιαίτερα διασκεδαστική.
In a nutshell, the series continues to be extremely interesting and especially entertaining.
Στο τρίτο μέρος της σειράς η ιστορία παίρνει μία σκοτεινότερη στροφή καθώς διαπιστώνουμε ότι οι δυνάμεις του κακού έχουν περισσότερη ισχύ από ότι νομίζαμε και ότι πολύ περισσότερα πράγματα θα κριθούν μέσα από αυτή τη διαμάχη. Για αυτόν το λόγο οι ήρωες μας μεταφέρονται στο επίκεντρο της εχθρικής αυτοκρατορίας όπου ενημερώνονται περισσότερο για τα τεκταινόμενα αλλά παράλληλα καταλαβαίνουν ότι τα πράγματα δεν είναι και τόσο άσχημα καθώς αρκετοί από αυτούς που θεωρούνται εχθροί είναι στην πραγματικότητα πιθανοί σύμμαχοι και το μόνο που μένει είναι να παίξουν σωστά το παιχνίδι. Αυτή η εξέλιξη δίνει στο συγγραφέα τη δυνατότητα να σατιρίσει τους μηχανισμούς της εξουσίας και τη διαφθορά των ανώτερων τάξεων, με το γνωστό κυνικό του χιούμορ. Από κάποια στιγμή και μετά οι ήρωες μας ξεκινάνε για να αναμετρηθούν με τον πραγματικό εχθρό μέσα σε ένα τοπίο πολέμου και καταστροφής πού πηγάζει από τον θρησκευτικό φανατισμό, τον οποίο σατιρίζει ανελέητα ο συγγραφέας, όποτε δεν μας περιγράφει τις συναρπαστικές περιπέτειες που βρίσκουνε μπροστά τους.
Με λίγα λόγια η σειρά συνεχίζει να είναι εξαιρετικά ενδιαφέρουσα και ιδιαίτερα διασκεδαστική.
May 23, 2017
Another Malloreon [re]read!
I've read this series so many times that writing reviews for it is beyond "difficult."
I've already mentioned that this series (and the Belgariad before it) has sexism issues.
Demon Lord of Karanda has those issues plus a very basic plot concern that flows through to the rest of the series (and some later books): The Belgarath/Rivan King lineage.
Polgara and Belgarion are descended from Belgarath and his wife, Poledra. When reading The Belgariad and The Malloreon the reader gets a pretty good idea of this all important lineage... Which then gets destroyed when reading Belgarath the Sorcerer .
I'm bothered that Eddings (and his wife) can't make up his mind as to Polgara's lineage/ethnic background. In all 12 of the books in this universe, Polgara is descended from Belgarath (father) and Poledra (mother). In Belgarath the Sorcerer Belgarath states that while he can't remember his original god he is sure he was not a follower of Belar - the god of the Alorns. Poledra is a wolf and she was born a wolf. Meaning neither character are Alorns.
IIRC one of the early books in The Belgariad states that Polgara wasn't an Alorn.
Now in The Malloreon it's mentioned several times that Polgara is an Alorn. But how?? Belgarath is not an Alorn. Poledra is not an Alorn. Polgara is the first born child and direct descendant of Belgarath and Poledra. How is Polgara an Alorn? If we want to go by the people she loved best/spent the most time around, Polgara would be a Wacite Arend, not an Alorn.
Belgarion IS an Alorn. Belgarion is of the line of Belgarath and Poledra but his line intermarried with the Alorns (founding the line of the Rivan King) after the recovery of the Orb of Aldur. So it makes sense for Belgarion to be Alorn but Polgara should be whatever Belgarath is.
"I thought that we'd more or less erased the Alorn side of your nature, Pol," [Belgarath] said to her.
Pg739 Omnibus Edition
I've read this series so many times that writing reviews for it is beyond "difficult."
I've already mentioned that this series (and the Belgariad before it) has sexism issues.
Demon Lord of Karanda has those issues plus a very basic plot concern that flows through to the rest of the series (and some later books): The Belgarath/Rivan King lineage.
Polgara and Belgarion are descended from Belgarath and his wife, Poledra. When reading The Belgariad and The Malloreon the reader gets a pretty good idea of this all important lineage... Which then gets destroyed when reading Belgarath the Sorcerer .
I'm bothered that Eddings (and his wife) can't make up his mind as to Polgara's lineage/ethnic background. In all 12 of the books in this universe, Polgara is descended from Belgarath (father) and Poledra (mother). In Belgarath the Sorcerer Belgarath states that while he can't remember his original god he is sure he was not a follower of Belar - the god of the Alorns. Poledra is a wolf and she was born a wolf. Meaning neither character are Alorns.
IIRC one of the early books in The Belgariad states that Polgara wasn't an Alorn.
Now in The Malloreon it's mentioned several times that Polgara is an Alorn. But how?? Belgarath is not an Alorn. Poledra is not an Alorn. Polgara is the first born child and direct descendant of Belgarath and Poledra. How is Polgara an Alorn? If we want to go by the people she loved best/spent the most time around, Polgara would be a Wacite Arend, not an Alorn.
Belgarion IS an Alorn. Belgarion is of the line of Belgarath and Poledra but his line intermarried with the Alorns (founding the line of the Rivan King) after the recovery of the Orb of Aldur. So it makes sense for Belgarion to be Alorn but Polgara should be whatever Belgarath is.
"I thought that we'd more or less erased the Alorn side of your nature, Pol," [Belgarath] said to her.
Pg739 Omnibus Edition
November 12, 2007
And then we have the book where Our Heroes tromp all over the (eastern) continent, killing time until book four.
Just enjoy the witty banter along the way.
Just enjoy the witty banter along the way.
January 22, 2023
Another great addition to the series, not much new to report though that isn't necessarily a bad thing! I will say this: it is incredible how Eddings can surprise you with his characters. You finally meet characters they've been talking about since The Belgariad and they turn out to be nothing like you imagined them. A very enjoyable twist. You have this idea of a fairly standard villain in mind and the next thing you know your hypothesis is completely and unexpectedly blown out of the water. A must have for every fantasy fan, this series.
April 14, 2017
The Malloreon feels like a pretty tired reiteration of The Belgariad. Of course, it is explicitly so and is up front in stating that it is intentional, by the means of cyclic prophesies. Nevertheless, while The Malloreon is by no means terrible, all the good stuff it has on offer was already presented, fresher, in its prequel series.
January 17, 2018
If a good story is worth telling, it's worth telling a thousand times. Eddings seems to agree with this philosophy. This is not a criticism. I read fantasy for fun and escapism, and that is exactly what Eddings supplies!
March 5, 2017
Hitting up nicely now
August 8, 2017
Originally published on Once Upon a Bookcase.
David Eddings' Malloreon series gets even more exciting in the third book, Demon Lord of Karanda. This book involves a lot more intrigue and manoeuvring in order for Garion and his companions to get away from Zakath. Zakath and Garion have become friends, and although he's not exactly keeping them prisoner, he's adamant that no-one leave Mal Zeth - as he intends to accompany them - until his armies arrive from Cthol Murgos to deal with the troubles in the north. Mengha, a Karand, has been raising demons and taking control of the Kingdoms of Karanda, with an ever growing following building up on his way. Zakath's armies won't make it back from Cthol Murgos for three months, however, and Garion simply can't wait that long. He has orders from Cyradis, the Seeress from Kell that he must be in Ashaba at a certain time, lest his quest fail. So Silk, Velvet and Sadi have to come up with a plot that will get them out of Mal Zeth without Zakath's men following behind.
There are quite a few things that happen in this book, and it's still just as captivating as it first was. I am finding that I'm missing the characters that accompanied Garion in the Belgariad; Barak, Hettar, and Mandorallen. They're just such great characters, and I am missing them. However, Sadi, the former Chief Eunuch of Queen Salmisra in Nyissa, and Velvet, a member of the Drasnian Intelligence, are great characters themselves, and I'm enjoying seeing them add to the story. I wish there was more of Toth, though. Toth is a gentle giant who is normally the guide of Cyradis, but he is needed on Garion's quest. Toth is mute, however, and it appears, because of this, he's often overlooked in the plot. He has a way of communicating with Durnik through hand gestures, hi sown kind of sign language, I guess, but no-one else can understand him, so there are a lot of times where he's simply in the background but not doing much. Having read the series before, and knowing where Toth's story will lead, it's really annoying me that Eddings' didn't give him more page time. He deserves more. Why can't more characters have understood him? Why are his thoughts and opinions not asked for? It's like everyone forgets he's there, and they only remember when he knows something that could help them, and makes himself heard. This makes me really uncomfortable. This is a character with a disability, and it's because of his disability that he is often neglected in the story. It also means we don't get to know him, really. He's pushed into the background, and, just as I'm writing this, it's just occurred to me, the way his story goes is extremely problematic. It's actually not ok, and has made me pretty angry. I love these books, but Eddings' treatment of Toth, of a disabled character, is not ok.
What I didn't mention in my review of King of the Murgos, when talking about how the sexism and misogyny in the series is made to make a joke out of the men who have such sexist views, is how Eddings writes very strong female characters. Polgara and Ce'Nedra, we already know how incredible they are from the first series. Polgara is the most powerful woman in the world, being a sorceress, but she also stands her ground with her father when they disagree, and is a character who can solve problems when others can't, through her own ideas. Ce'Nedra is tiny, but she is fierce, and will not be treated like a fragile little girl. And in the Malloreon, we meet Liselle, also known as Velvet, who is also a strong, feisty lady.
Sadly, in Demon Lord of Karanda, there were a few moments of sexism that weren't meant to make a fool of men. They were meant to be funny, however, and it really wound me up when characters disrespect for women for their own amusement.
Considering what's happening in the world today, I'm really not happy with a man of power and authority treating women with such disrespect simply because he can. It's disgusting, and I was so disappointed with Eddings reading this, so angry with Belgarath, and at Garion for defending him. Just the way he is? So we let him get away with it? I am fuming.
In a conversation between Zakath and Garion about Sadi selling drugs and poisons to Zakath's people, with Zakath asking Garion to tell Sadi not to sell poisons anymore, we get this little gem.
I'm sorry, but what is so funny about attempted sexual assault/rape? This woman is being chased, she is trying to get away, and he finds it funny?! No. I just can't with how disgusting this is. I am so angry, and so disappointed. This is just not ok.
And it's hard. Because I do love these books, I love Eddings, it was his books that got me into reading. And to discover now that these books are actually really problematic? It's upsetting. It's really, really upsetting. I just hope this is the last of it I see as I move on to the fourth book in the series, Sorceress of Darshiva.
David Eddings' Malloreon series gets even more exciting in the third book, Demon Lord of Karanda. This book involves a lot more intrigue and manoeuvring in order for Garion and his companions to get away from Zakath. Zakath and Garion have become friends, and although he's not exactly keeping them prisoner, he's adamant that no-one leave Mal Zeth - as he intends to accompany them - until his armies arrive from Cthol Murgos to deal with the troubles in the north. Mengha, a Karand, has been raising demons and taking control of the Kingdoms of Karanda, with an ever growing following building up on his way. Zakath's armies won't make it back from Cthol Murgos for three months, however, and Garion simply can't wait that long. He has orders from Cyradis, the Seeress from Kell that he must be in Ashaba at a certain time, lest his quest fail. So Silk, Velvet and Sadi have to come up with a plot that will get them out of Mal Zeth without Zakath's men following behind.
There are quite a few things that happen in this book, and it's still just as captivating as it first was. I am finding that I'm missing the characters that accompanied Garion in the Belgariad; Barak, Hettar, and Mandorallen. They're just such great characters, and I am missing them. However, Sadi, the former Chief Eunuch of Queen Salmisra in Nyissa, and Velvet, a member of the Drasnian Intelligence, are great characters themselves, and I'm enjoying seeing them add to the story. I wish there was more of Toth, though. Toth is a gentle giant who is normally the guide of Cyradis, but he is needed on Garion's quest. Toth is mute, however, and it appears, because of this, he's often overlooked in the plot. He has a way of communicating with Durnik through hand gestures, hi sown kind of sign language, I guess, but no-one else can understand him, so there are a lot of times where he's simply in the background but not doing much. Having read the series before, and knowing where Toth's story will lead, it's really annoying me that Eddings' didn't give him more page time. He deserves more. Why can't more characters have understood him? Why are his thoughts and opinions not asked for? It's like everyone forgets he's there, and they only remember when he knows something that could help them, and makes himself heard. This makes me really uncomfortable. This is a character with a disability, and it's because of his disability that he is often neglected in the story. It also means we don't get to know him, really. He's pushed into the background, and, just as I'm writing this, it's just occurred to me, the way his story goes is extremely problematic. It's actually not ok, and has made me pretty angry. I love these books, but Eddings' treatment of Toth, of a disabled character, is not ok.
What I didn't mention in my review of King of the Murgos, when talking about how the sexism and misogyny in the series is made to make a joke out of the men who have such sexist views, is how Eddings writes very strong female characters. Polgara and Ce'Nedra, we already know how incredible they are from the first series. Polgara is the most powerful woman in the world, being a sorceress, but she also stands her ground with her father when they disagree, and is a character who can solve problems when others can't, through her own ideas. Ce'Nedra is tiny, but she is fierce, and will not be treated like a fragile little girl. And in the Malloreon, we meet Liselle, also known as Velvet, who is also a strong, feisty lady.
'[Zakath] sighed with mock regret. "Where were you when I needed a wife?"
"Probably in my cradle, your Majesty," [Liselle] replied innocently.
He winced. "That was unkind," he accused.
"Yes," she agreed. "True, though," she added clinically.
He laughed again and looked at Polgara. "I'm going to steal her from you, my Lady," he declared.
"To be your court jester, Kaz Zakath?" Liselle asked, her face no longer lightly amused. "To entertain you with clever insults and banter? Ah, no, I don't think so. There's another side to me that I don't think you'd like very much. They call me 'Velvet' and think of me as a soft-winged butterfly, but this particular butterfly has a poisoned sting--as several people have discovered after it was too late."' (p120)
Sadly, in Demon Lord of Karanda, there were a few moments of sexism that weren't meant to make a fool of men. They were meant to be funny, however, and it really wound me up when characters disrespect for women for their own amusement.
'About halfway to the imperial platform, however, a blond Melcene girl in a low-cut gown caught [Belgarath's] eye. She stood stricken with awe, unable to curtsy or even to move as the most famous man in all the world approached her. Belgarath stopped and looked her up and down quite slowly and deliberately, noting with appreciation just how revealing her gown was. A slow, insinuating smile crept across his face, and his blue eyes twinkled outrageously.
"Nice dress," he told her.
She blushed furiously.
He laughed, reached out, and patted her cheek. "There's a good girl," he said.
"Father," Polgara said firmly.
"Coming, Pol." He chuckled and moved along the carpet towards the table. The pretty Melcene girl looked after him, her eyes wide ad her hand pressed to the cheek he had touched.
"Isn't he disgusting?" Ce'Nedra muttered.
"It's just the way he is, dear," Garion disagreed. "He doesn't pretend to be anything else. He doesn't have to." (p 131-132)
Considering what's happening in the world today, I'm really not happy with a man of power and authority treating women with such disrespect simply because he can. It's disgusting, and I was so disappointed with Eddings reading this, so angry with Belgarath, and at Garion for defending him. Just the way he is? So we let him get away with it? I am fuming.
In a conversation between Zakath and Garion about Sadi selling drugs and poisons to Zakath's people, with Zakath asking Garion to tell Sadi not to sell poisons anymore, we get this little gem.
'"I'll have a talk with him," Garion promised.
"I'd appreciate it, Garion." The Emperor's eyes grew sly. "Just the poisons, though. I find the effects of some of his other compounds rather amusing. Just yesterday, I saw an eighty-five-year-old general in hot pursuit of a young chambermaid. The old fool hasn't had those kind of thoughts for a quarter of a century."' (p157)
I'm sorry, but what is so funny about attempted sexual assault/rape? This woman is being chased, she is trying to get away, and he finds it funny?! No. I just can't with how disgusting this is. I am so angry, and so disappointed. This is just not ok.
And it's hard. Because I do love these books, I love Eddings, it was his books that got me into reading. And to discover now that these books are actually really problematic? It's upsetting. It's really, really upsetting. I just hope this is the last of it I see as I move on to the fourth book in the series, Sorceress of Darshiva.
March 18, 2023
So, I don't think this installment is necessarily lesser but there's also probably a reason (besides the one that drove me to start binging these in the first place) why my reread slowed down here. There are parts I very much liked and remember vividly from my childhood reads (the dinner in Mal Zeth, for instance) but I finished this nearly a week ago and nothing is standing out to me now.
January 7, 2018
Demon Lord of Karanda is the third book in The Malloreon by David Eddings. The quest continues! More has been revealed about their journey. It seems the prophecy may require an Angarak king be in attendance as well as some sort of "sacrifice." It's obvous now how Zandramas plans to use Garion's son, making it more important for the party to rescue him. If only Zakath, Emperor of Mallorea, could be reasoned with to let them continue onwards. Urvon, in his effort to make a play for the Sardion, has summoned demons let them loose on the countryside, making the race to the Place Which Is No More even more hazardous. As if things could not get worse, a plague has struck the city where the party is being held, effectively sealing everyone in the city. And the Seeres of Kell has revealed that time is starting to run out if they hope to complete the prophecy of Light.
The pace picks back up in this one as our heroes must stop and over come many challenges. Eddings writes some pretty good action scenes. This is the book where the new party members, Sadi, Velvet and Toth, really feel like they're a part of things, each with their own role to play and not just replacements for those people we're missing from the first series. The character banter continues to be fun, though is toned down in the second half of the book where events become a tad more serious. The world building continues as the party goes much farther into the Mallorean continent than experienced previously. I almost wish I could visit Mal Zeth - just without the plague.
The pace picks back up in this one as our heroes must stop and over come many challenges. Eddings writes some pretty good action scenes. This is the book where the new party members, Sadi, Velvet and Toth, really feel like they're a part of things, each with their own role to play and not just replacements for those people we're missing from the first series. The character banter continues to be fun, though is toned down in the second half of the book where events become a tad more serious. The world building continues as the party goes much farther into the Mallorean continent than experienced previously. I almost wish I could visit Mal Zeth - just without the plague.
September 6, 2015
Eddings. Enough said.
Questing, snarking between male and female characters, adequate fight scenes, full to the brim of nostalgia.
Questing, snarking between male and female characters, adequate fight scenes, full to the brim of nostalgia.
August 22, 2024
★★★★
Mostly entertaining. Some good character interactions, scenes and a little plot development.
The scenes of the plague hits the mark, getting quite close to the memories of 2020. :/
Mostly entertaining. Some good character interactions, scenes and a little plot development.
The scenes of the plague hits the mark, getting quite close to the memories of 2020. :/
May 1, 2016
This novel is breathtaking, in a dark sort of way. Eddings is a visually and intellectually descriptive author, appealing to readers on many levels. Different plot lines intricately weave together to form an unforgettable whoel. I love how little tidbits of info appear at the most unique of times, feeding into the story as a whole. The intricacy of the plot was phenomenal.
I enjoyed how Eddings lets you get to know each of the separate peoples and cultures of this world. The in depth introduction gives a sense of belonging and completeness to the tale. The variety of different relicions and relicious practices that we encounter was fascinating. The geography and history of this world are fantastically well developed. I feel like I was walking through this world rather than simply reading about it. I enjoy the way that Eddings starts this tale with what came before in a brief history and then continues on with the story. Not only is it done in an entertaining manner, but it also jogged my memory and pulled me deep into this world. I could easily imagine myself right inside the tale.
I enjoy how Garion isn’t infallible. He’s the main character and finds himself muddling through and helping others while also getting help from them. It really humanizes him and shows how young he really is. It makes him a people’s hero. I love how Garion is slowly growing into his position. Each thing he goes through changes him and adds to his wisdom, yet at the core he’s still the same loving boy we met so very long ago. His relationship with Ce’Nedra is defeintiely one of a kind. Of course, I personally can’t get enough of Silk! He is such a fantastic character. Above all, I like the fact that I didn’t actually like all of the characters, but could appreciate all of their purposes in the novel. This varied cast added a sense of realism and variety.
This novel was definitely unforgettable. It’s a creative and exciting adventure as well as an invaluable addition to the series.
I enjoyed how Eddings lets you get to know each of the separate peoples and cultures of this world. The in depth introduction gives a sense of belonging and completeness to the tale. The variety of different relicions and relicious practices that we encounter was fascinating. The geography and history of this world are fantastically well developed. I feel like I was walking through this world rather than simply reading about it. I enjoy the way that Eddings starts this tale with what came before in a brief history and then continues on with the story. Not only is it done in an entertaining manner, but it also jogged my memory and pulled me deep into this world. I could easily imagine myself right inside the tale.
I enjoy how Garion isn’t infallible. He’s the main character and finds himself muddling through and helping others while also getting help from them. It really humanizes him and shows how young he really is. It makes him a people’s hero. I love how Garion is slowly growing into his position. Each thing he goes through changes him and adds to his wisdom, yet at the core he’s still the same loving boy we met so very long ago. His relationship with Ce’Nedra is defeintiely one of a kind. Of course, I personally can’t get enough of Silk! He is such a fantastic character. Above all, I like the fact that I didn’t actually like all of the characters, but could appreciate all of their purposes in the novel. This varied cast added a sense of realism and variety.
This novel was definitely unforgettable. It’s a creative and exciting adventure as well as an invaluable addition to the series.
September 4, 2018
Thoughts after a reread a decade later.
Zakath has always had an appeal for me, even as the dead eyed bad guy in the Belgarion. Getting to know him in the this book was very appealing to me. He had Garion & company taken prisoner & brought to him in Cthol Murgos. They convince him he needs to return to Mallorea and deal with the demons overrunning his country & he takes them with him.
He and Garion get to know one another & become a bit chummy on the trip. They spend some time in Mal Zeth talking about demons and the quest and things. We learn a lot about Mallorea and it's peoples in this book and it's all very fascinating, the various people that make up the Empire - bureaucratic Melecenes, demon worshiping Karands, mystical Dals and of course the Angaraks & the Grolims (still in power despite their god's death in the last series).
Then suddenly PLAGUE hits and the city is sealed shut. Garion & company sneak out because they have an appointment to keep elsewhere, following Zandramas to Ashaba to find the Place That is No More.
Sadi & Velvet both prove their worth in this book. They help create a diversion so they can leave the city and later their skills help the group defeat a number of enemies.
There are as usual a few moments of "uncomfortable to me now" sexism. 20 years ago I didn't think twice about a joke about a 85 year old guy chasing a chambermaid, but now I see a reflection of rape culture. He's chasing her. That means she doesn't want his attention. It's not something to laugh off.
Overall though the story itself & the witty dialogue is still very entertaining.
Zakath has always had an appeal for me, even as the dead eyed bad guy in the Belgarion. Getting to know him in the this book was very appealing to me. He had Garion & company taken prisoner & brought to him in Cthol Murgos. They convince him he needs to return to Mallorea and deal with the demons overrunning his country & he takes them with him.
He and Garion get to know one another & become a bit chummy on the trip. They spend some time in Mal Zeth talking about demons and the quest and things. We learn a lot about Mallorea and it's peoples in this book and it's all very fascinating, the various people that make up the Empire - bureaucratic Melecenes, demon worshiping Karands, mystical Dals and of course the Angaraks & the Grolims (still in power despite their god's death in the last series).
Then suddenly PLAGUE hits and the city is sealed shut. Garion & company sneak out because they have an appointment to keep elsewhere, following Zandramas to Ashaba to find the Place That is No More.
Sadi & Velvet both prove their worth in this book. They help create a diversion so they can leave the city and later their skills help the group defeat a number of enemies.
There are as usual a few moments of "uncomfortable to me now" sexism. 20 years ago I didn't think twice about a joke about a 85 year old guy chasing a chambermaid, but now I see a reflection of rape culture. He's chasing her. That means she doesn't want his attention. It's not something to laugh off.
Overall though the story itself & the witty dialogue is still very entertaining.
December 5, 2017
This is a wonderful novel. It brings us half way through the Malloreon cycle and Eddings is still bringing in new story elements. In my opinion, it is between this book and The Diamond Throne as the best novel he ever wrote.
This book gives us a lot of exposure to Beldin, another of my favorite Eddings characters. His own self-deprecating manner and the snark with which he treats the others hides a sea of emotion deep as can be, as shown in the relationship between he and Belgarath. The love those two share as brothers is so intense, it frightens them both.
The growing almost-friendship between Belgarion and Zakath also has a lot of attention in this book. Eddings had really hit his stride as a writer at this point, finishing this series with a thunderous climax over the next two novels and had not lost any steam when he sat down to create the world and story of the Elenium trilogy.
As you can tell from this review, I like the relationships between the characters. The story sort of takes a back seat to the depth of the characters by this point. But, thankfully, the story is good too.
This book gives us a lot of exposure to Beldin, another of my favorite Eddings characters. His own self-deprecating manner and the snark with which he treats the others hides a sea of emotion deep as can be, as shown in the relationship between he and Belgarath. The love those two share as brothers is so intense, it frightens them both.
The growing almost-friendship between Belgarion and Zakath also has a lot of attention in this book. Eddings had really hit his stride as a writer at this point, finishing this series with a thunderous climax over the next two novels and had not lost any steam when he sat down to create the world and story of the Elenium trilogy.
As you can tell from this review, I like the relationships between the characters. The story sort of takes a back seat to the depth of the characters by this point. But, thankfully, the story is good too.
July 2, 2020
demon lord of Karanda by David Eddings
I give this book 5 stars
I loved this book fabulous I have read this set of books many times
I give this book 5 stars
I loved this book fabulous I have read this set of books many times
January 3, 2022
these books are so bad
May 27, 2016
I am writing the same review for the entire Malloreon as it is nearly impossible to pick out each book from the series as if it were a stand alone novel; they all tie together and build on one another.
For me, this series was not as good as the Belgariad. In part, I think, the opinion is a function of the fact that I was several years older reading the Malloreon than reading the Belgariad. However, even as I re-read occasionally as an adult I think the first series was better than the second.
Generally, the books have the same quality of writing and the same types of plot highlights and twists to keep the story moving and interesting. However, I think the real downfall in the Malloreon is the way in which Eddings portrays the female characters. Where the Belgariad had a somewhat pioneering approach (especially for the times) of developing many complex, multi-faceted, 'strong' female characters, the Malloreon turned them more into caricatures of themselves. For example, Polgara, one of the most powerful people in the world in the Belgariad, was reduced to a humming, porridge cooking drone. Similarly, Ce'Nedra, who had matured along with Garion in the first series, reverted back to a tantrum throwing brat. It was as if Eddings, or more likely his editor and/or publisher, regretted the place given to women in the Belgariad and so took it back to stereotyped female roles in the second series. From my perspective, that was a disappointing, badly thought out decision.
Overall, decent reads but not as good as the first series.
For me, this series was not as good as the Belgariad. In part, I think, the opinion is a function of the fact that I was several years older reading the Malloreon than reading the Belgariad. However, even as I re-read occasionally as an adult I think the first series was better than the second.
Generally, the books have the same quality of writing and the same types of plot highlights and twists to keep the story moving and interesting. However, I think the real downfall in the Malloreon is the way in which Eddings portrays the female characters. Where the Belgariad had a somewhat pioneering approach (especially for the times) of developing many complex, multi-faceted, 'strong' female characters, the Malloreon turned them more into caricatures of themselves. For example, Polgara, one of the most powerful people in the world in the Belgariad, was reduced to a humming, porridge cooking drone. Similarly, Ce'Nedra, who had matured along with Garion in the first series, reverted back to a tantrum throwing brat. It was as if Eddings, or more likely his editor and/or publisher, regretted the place given to women in the Belgariad and so took it back to stereotyped female roles in the second series. From my perspective, that was a disappointing, badly thought out decision.
Overall, decent reads but not as good as the first series.
April 8, 2019
As before this series is not as good as the Belgariad and I will never have the same affection for it but I am now enjoying the company of the characters, I am enjoying the scrapes they are getting into and the way they resolve them and the whole series is bringing me a warmth for very little investment on my part.
The author deserved credit for the way he has imbued these characters with so much life and how is had trapped me as a reader into caring about them.
Hats off to the man, on an emotional level this book is engaging and sublime to read. I'll wait a month then keep going into the last 2 books.
The author deserved credit for the way he has imbued these characters with so much life and how is had trapped me as a reader into caring about them.
Hats off to the man, on an emotional level this book is engaging and sublime to read. I'll wait a month then keep going into the last 2 books.
November 17, 2013
In an adventurous sequel to THE MALLOREAN, David Eddings tells the story of King Garion's abducted infant son and his efforts to save him. Unfortunately, he and his friends are detained by the friendly, but determined Zakath, who refuses to let them leave. As a horde of demons ravage the Cities and a plague lets loose its terrors, Garion has little time left to reach his destination, or the kidnapper wins by default.
### From Library Journal
The trial of the sorceress Zandramas leads Garion and his companions into the heart of enemy territory where a cult of demon worshipers forces an unlikely alliance between the forces of Light and Darkness. Eddings uses gentle humor and endearing characters to temper the seriousness of his complex fantasy epic. Recommended for fantasy collections. JC
Copyright 1988 Reed Business Information, Inc.
### From the Inside Flap
In an adventurous sequel to THE MALLOREAN, David Eddings tells the story of King Garion's abducted infant son and his efforts to save him. Unfortunately, he and his friends are detained by the friendly, but determined Zakath, who refuses to let them leave. As a horde of demons ravage the Cities and a plague lets loose its terrors, Garion has little time left to reach his destination, or the kidnapper wins by default.
March 26, 2011
It's great to re-visit the characters from The Belgariad and see them in action again; unfortunately, that's the best thing that can be said about the series. It's not that it's bad; it's a completely enjoyable read. However, Eddings fails to move forward with his writing and, instead, gives us what is essentially the same plot from The Belgariad over again. If you've read The Belgariad and loved it, you should certainly read The Mallorean, as well. If you're hoping for something new, though, move on to some other author. Eddings continues to re-hash the plot from The Belgariad throughout most of the rest of his writing career. The problem is that he never does it better than he did in The Belgariad, so there's no reason to read anything else.
July 3, 2015
As the third in the Malloreon series this one is packed with action, from one on one fights to all out battles with an added dose of desperation as Zandramas uses Garion's son to control both him and Ce'nedra making their actions unpredictable and dangerous. If this isn't enough there is of course the bigger story that all the world could be destroyed if the wrong decisions are made and the wrong action taken. But worry not, Polgara, Belgarath and Silk are on hand to lighten the mood with their wit and prevent utter catastrophe with their wisdom. This series is definitely getting tense.
June 15, 2009
Amazing, fast-paced read that you just can't bring yourself to put down. Hands down my favourite in the wonderful Malloreon series. The supporting cast are, as usual, absolutely hilarious, and the rush to save Geran becomes increasingly tense and gripping with the threat posed by the demons and the plague. Zakath, despite his flaws, is irresistably charming, and the grudging respect and friendship developing between him and Garion is one of the biggest highlights of the novel.
August 4, 2025
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Demon Lord of Karanda immerses readers in a sprawling, vivid world where magic and politics are deeply entwined, and every step of the journey reveals new dangers, cultures, and complexities. The story unfolds as King Belgarion, also known as Garion, continues his reluctant quest across the vast Mallorean continent, a land markedly different from the western kingdoms familiar to him. This isn't just a continuation of a journey—it's an evolution of it, one that plunges deeper into a world brimming with tension, shadowy powers, and the long echo of prophecy.
As the group crosses into the Empire of Mallorea, they enter a political maze far more sophisticated and perilous than anything they've encountered before. The vast empire is not ruled by simplicity or brute force but by layers of bureaucracy, diplomatic maneuvering, and a tightly controlled balance of fear and order. Emperor Zakath, the ruler of this massive empire, is a fascinating figure: cultured, intelligent, and unpredictable. His court in the imperial capital of Mal Zeth is a place of silk-cloaked threats and casual cruelty, where lives are shifted with the stroke of a pen and entire regions tremble under the weight of imperial policy.
Zakath is not a typical tyrant, however. He’s charming, reflective, even oddly compassionate at times—yet he’s also capable of terrifying decisions and subtle manipulation. The interplay between Zakath and Garion is layered with tension and curiosity, as both men probe one another's ideals, fears, and responsibilities. Their conversations carry philosophical weight, often revolving around the nature of leadership, war, and the burden of power. These scenes are more than dialogue—they’re a clash of worldviews between a man shaped by prophecy and another hardened by realpolitik.
Outside the court, the world of Mallorea proves just as rich and treacherous. The landscapes are strikingly diverse—from the cold, metallic precision of imperial cities to the dark, mist-choked lands surrounding Rak Urga, a brutal city ruled by a violent cult and teetering on the edge of madness. Here, Eddings flexes his world-building muscle, presenting a society shaped by fear, ritual sacrifice, and grotesque superstition. The people live under the sway of dark priests and demonic influence, and Garion’s group quickly learns that not all enemies are visible or even entirely human.
The demonic presence in Karanda adds a sinister layer to the adventure. Unlike many fantasy stories where magic is abstract or distant, the demonic forces here are viscerally felt—dangerous, corrupting, and wholly alien. When the demon lord is finally revealed, the moment is terrifying and surreal, far removed from the comforting tone that often underpins Eddings’ world. It’s a reminder that power, when misused or misunderstood, can break the fabric of reality itself.
Throughout all of this, the core group of characters grounds the story with familiarity and emotional weight. Silk, the master spy, thrives in the imperial court, slipping between layers of intrigue with razor-sharp wit and dangerous charm. Durnik remains the emotional heart of the group—calm, practical, and quietly heroic. Ce’Nedra, though no longer the impetuous girl she once was, continues to wield her intelligence and fire with precision, especially when challenging assumptions or pressing political points others might overlook. Belgarath and Polgara, ageless and wise, provide both magical support and philosophical depth, their long lives giving them perspective—and no small amount of dry humor—as they guide the younger members forward.
The journey itself remains filled with danger and discovery. The group is constantly on the move, navigating harsh terrain, strange customs, and increasingly surreal threats. But unlike simple “travelogue” fantasy, each location feels lived-in and culturally distinct, with its own language, traditions, and tensions. Whether crossing plains patrolled by imperial forces, evading fanatical cultists, or seeking ancient lore in hidden corners of the continent, the group faces challenges that test more than just their strength—they must rely on wisdom, patience, diplomacy, and trust in one another.
Eddings keeps the pacing tight without sacrificing depth. Every scene serves a purpose, whether it’s advancing the overarching plot or revealing something new about the characters. The stakes are both personal and cosmic: Garion is not just chasing an enemy—he’s wrestling with what it means to be a king, a husband, and the mortal instrument of a divine force. As the story weaves together ancient prophecies and modern conflicts, it becomes clear that nothing is predetermined. Every choice the characters make shapes the future, for better or worse.
In Demon Lord of Karanda, David Eddings expands his world far beyond the familiar, diving into the dark corners of empire and the twisted roots of power. He doesn’t rely on spectacle alone; instead, he builds tension through character, culture, and consequence. The result is a fantasy novel that’s both exciting and thought-provoking—adventurous on the surface, but filled with quiet insights beneath. It’s a story about facing fear, confronting uncertainty, and standing firm in the face of impossible odds, told with heart, intelligence, and a deep sense of wonder.
Demon Lord of Karanda immerses readers in a sprawling, vivid world where magic and politics are deeply entwined, and every step of the journey reveals new dangers, cultures, and complexities. The story unfolds as King Belgarion, also known as Garion, continues his reluctant quest across the vast Mallorean continent, a land markedly different from the western kingdoms familiar to him. This isn't just a continuation of a journey—it's an evolution of it, one that plunges deeper into a world brimming with tension, shadowy powers, and the long echo of prophecy.
As the group crosses into the Empire of Mallorea, they enter a political maze far more sophisticated and perilous than anything they've encountered before. The vast empire is not ruled by simplicity or brute force but by layers of bureaucracy, diplomatic maneuvering, and a tightly controlled balance of fear and order. Emperor Zakath, the ruler of this massive empire, is a fascinating figure: cultured, intelligent, and unpredictable. His court in the imperial capital of Mal Zeth is a place of silk-cloaked threats and casual cruelty, where lives are shifted with the stroke of a pen and entire regions tremble under the weight of imperial policy.
Zakath is not a typical tyrant, however. He’s charming, reflective, even oddly compassionate at times—yet he’s also capable of terrifying decisions and subtle manipulation. The interplay between Zakath and Garion is layered with tension and curiosity, as both men probe one another's ideals, fears, and responsibilities. Their conversations carry philosophical weight, often revolving around the nature of leadership, war, and the burden of power. These scenes are more than dialogue—they’re a clash of worldviews between a man shaped by prophecy and another hardened by realpolitik.
Outside the court, the world of Mallorea proves just as rich and treacherous. The landscapes are strikingly diverse—from the cold, metallic precision of imperial cities to the dark, mist-choked lands surrounding Rak Urga, a brutal city ruled by a violent cult and teetering on the edge of madness. Here, Eddings flexes his world-building muscle, presenting a society shaped by fear, ritual sacrifice, and grotesque superstition. The people live under the sway of dark priests and demonic influence, and Garion’s group quickly learns that not all enemies are visible or even entirely human.
The demonic presence in Karanda adds a sinister layer to the adventure. Unlike many fantasy stories where magic is abstract or distant, the demonic forces here are viscerally felt—dangerous, corrupting, and wholly alien. When the demon lord is finally revealed, the moment is terrifying and surreal, far removed from the comforting tone that often underpins Eddings’ world. It’s a reminder that power, when misused or misunderstood, can break the fabric of reality itself.
Throughout all of this, the core group of characters grounds the story with familiarity and emotional weight. Silk, the master spy, thrives in the imperial court, slipping between layers of intrigue with razor-sharp wit and dangerous charm. Durnik remains the emotional heart of the group—calm, practical, and quietly heroic. Ce’Nedra, though no longer the impetuous girl she once was, continues to wield her intelligence and fire with precision, especially when challenging assumptions or pressing political points others might overlook. Belgarath and Polgara, ageless and wise, provide both magical support and philosophical depth, their long lives giving them perspective—and no small amount of dry humor—as they guide the younger members forward.
The journey itself remains filled with danger and discovery. The group is constantly on the move, navigating harsh terrain, strange customs, and increasingly surreal threats. But unlike simple “travelogue” fantasy, each location feels lived-in and culturally distinct, with its own language, traditions, and tensions. Whether crossing plains patrolled by imperial forces, evading fanatical cultists, or seeking ancient lore in hidden corners of the continent, the group faces challenges that test more than just their strength—they must rely on wisdom, patience, diplomacy, and trust in one another.
Eddings keeps the pacing tight without sacrificing depth. Every scene serves a purpose, whether it’s advancing the overarching plot or revealing something new about the characters. The stakes are both personal and cosmic: Garion is not just chasing an enemy—he’s wrestling with what it means to be a king, a husband, and the mortal instrument of a divine force. As the story weaves together ancient prophecies and modern conflicts, it becomes clear that nothing is predetermined. Every choice the characters make shapes the future, for better or worse.
In Demon Lord of Karanda, David Eddings expands his world far beyond the familiar, diving into the dark corners of empire and the twisted roots of power. He doesn’t rely on spectacle alone; instead, he builds tension through character, culture, and consequence. The result is a fantasy novel that’s both exciting and thought-provoking—adventurous on the surface, but filled with quiet insights beneath. It’s a story about facing fear, confronting uncertainty, and standing firm in the face of impossible odds, told with heart, intelligence, and a deep sense of wonder.
May 11, 2025
In this book, the third in the sequelling series to the Belgariad, events really take it up a notch. We have some new characters appear in the form of demons and a new added danger to our Heroes and their quest. We have added humour in the form of mischievous kittens and the distractions they offer in councils of war and other such occasions.
Time to continue on with the adventure!
Time to continue on with the adventure!
June 29, 2013
2.5 stars, nista vise od toga.
Dejvid Edings ume da osmisli rase, njihove religije i ponasanje, ali ipak ponekada citaocu dodje da povrati od dosade...
Osim putovanja, putovanja i putovanja nicega drugog nije bilo u ovom delu Malorijade, osim iznenadjujuce pojave Belgaratove, davno nestale supruge do cijeg znacaja tek treba doci...
Nadam se da ce sledeci deo serijala biti znatno zanimjivilji...
Dejvid Edings ume da osmisli rase, njihove religije i ponasanje, ali ipak ponekada citaocu dodje da povrati od dosade...
Osim putovanja, putovanja i putovanja nicega drugog nije bilo u ovom delu Malorijade, osim iznenadjujuce pojave Belgaratove, davno nestale supruge do cijeg znacaja tek treba doci...
Nadam se da ce sledeci deo serijala biti znatno zanimjivilji...
July 7, 2016
This book dragged a bit for me -- not sure if it's actually any worse in quality than any other book in the series or I'm just getting a bit tired of the repetition -- but it gets to where it's going in the end. Several of the climactic scenes are very satisfying. (Honestly I love every single Poledra cameo and would forgive a lot for her appearances. And I love Vella.)
December 12, 2015
This was rather slow. Or it could be the fact that. I've been busy. I like the fact that I guessed Beldin was in the book. I like guessing things in fantasy novels. That's why they're fun. Yet, this was rather boring.
December 1, 2021
Great book, especially considering it's the middle of a five book series.
Continuing on exactly where we left off, Garion and Co are being brought to Emperor Zakath and from there, the scene moves to the continent of Mallorea.
I just love this book. Zakath is probably one of my favourite characters in the series. Yes he is a stereotype, one of the cold hearted, ruthless and ambitious ruler scarred by a distant tragedy. Of course he begins to change in the company of our band of heroes but I think it's done brilliantly and always look forward to this part of the books. Mallorea is an interesting place and I love the reactions of the characters as they progress through it.
Like all good books there are parts that resonate more at different times of your life. I always appreciated how the authors showed the plague beginnings in Mal Zeth and how easily these things can spread and get out of control. However in the modern times and everything the whole world has been going through in the last two years it is even more poignant and frightening. I now know how reckless it actually was that they snook out of the city and the potential devastation they could have caused if even one of them had been affected.
This is a great entry in the series and as always, looking forward to the next one.
Please see this and other reviews at https://barrysbloodybooks.home.blog/
Continuing on exactly where we left off, Garion and Co are being brought to Emperor Zakath and from there, the scene moves to the continent of Mallorea.
I just love this book. Zakath is probably one of my favourite characters in the series. Yes he is a stereotype, one of the cold hearted, ruthless and ambitious ruler scarred by a distant tragedy. Of course he begins to change in the company of our band of heroes but I think it's done brilliantly and always look forward to this part of the books. Mallorea is an interesting place and I love the reactions of the characters as they progress through it.
Like all good books there are parts that resonate more at different times of your life. I always appreciated how the authors showed the plague beginnings in Mal Zeth and how easily these things can spread and get out of control. However in the modern times and everything the whole world has been going through in the last two years it is even more poignant and frightening. I now know how reckless it actually was that they snook out of the city and the potential devastation they could have caused if even one of them had been affected.
This is a great entry in the series and as always, looking forward to the next one.
Please see this and other reviews at https://barrysbloodybooks.home.blog/
January 25, 2021
The third book of The Malloreon, just like its position in the series, is a mediocre read. The party continues to follow the prophecy, tracking down the Child of Dark, and encounters both foes and friends, old and new.
We get to hear more about the previously mysterious and faraway land of Mallorea, as we are acquainted with its inhabitants, geography, politics, and religion.
Kal Zakath, the emperor of Mallorea, left a very lasting impression with his short appearance in The Belgariad. This ruthless ruler with impeccable style and manners is one of the book's main focus points, as we learn more about his motives and goals. The shells discovered in The Belgariad now fill with substance, making the previously black-and-white world colored with grey hues.
I feel like nothing substantial happens in the book, but it continues as an enjoyable cat-and-mouse chase very similar to what we've read before. But in a way, it works, as the lovable characters make even the most mundane things come to life with their comments and reactions.
We get to hear more about the previously mysterious and faraway land of Mallorea, as we are acquainted with its inhabitants, geography, politics, and religion.
Kal Zakath, the emperor of Mallorea, left a very lasting impression with his short appearance in The Belgariad. This ruthless ruler with impeccable style and manners is one of the book's main focus points, as we learn more about his motives and goals. The shells discovered in The Belgariad now fill with substance, making the previously black-and-white world colored with grey hues.
I feel like nothing substantial happens in the book, but it continues as an enjoyable cat-and-mouse chase very similar to what we've read before. But in a way, it works, as the lovable characters make even the most mundane things come to life with their comments and reactions.
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