Warren Ellis is the award-winning writer of graphic novels like TRANSMETROPOLITAN, FELL, MINISTRY OF SPACE and PLANETARY, and the author of the NYT-bestselling GUN MACHINE and the “underground classic” novel CROOKED LITTLE VEIN, as well as the digital short-story single DEAD PIG COLLECTOR. His newest book is the novella NORMAL, from FSG Originals, listed as one of Amazon’s Best 100 Books Of 2016.
The movie RED is based on his graphic novel of the same name, its sequel having been released in summer 2013. IRON MAN 3 is based on his Marvel Comics graphic novel IRON MAN: EXTREMIS. He is currently developing his graphic novel sequence with Jason Howard, TREES, for television, in concert with HardySonBaker and NBCU, and continues to work as a screenwriter and producer in film and television, represented by Angela Cheng Caplan and Cheng Caplan Company. He is the creator, writer and co-producer of the Netflix series CASTLEVANIA, recently renewed for its third season, and of the recently-announced Netflix series HEAVEN’S FOREST.
He’s written extensively for VICE, WIRED UK and Reuters on technological and cultural matters, and given keynote speeches and lectures at events like dConstruct, ThingsCon, Improving Reality, SxSW, How The Light Gets In, Haunted Machines and Cognitive Cities.
Warren Ellis has recently developed and curated the revival of the Wildstorm creative library for DC Entertainment with the series THE WILD STORM, and is currently working on the serialising of new graphic novel works TREES: THREE FATES and INJECTION at Image Comics, and the serialised graphic novel THE BATMAN’S GRAVE for DC Comics, while working as a Consulting Producer on another television series.
A documentary about his work, CAPTURED GHOSTS, was released in 2012.
Recognitions include the NUIG Literary and Debating Society’s President’s Medal for service to freedom of speech, the EAGLE AWARDS Roll Of Honour for lifetime achievement in the field of comics & graphic novels, the Grand Prix de l’Imaginaire 2010, the Sidewise Award for Alternate History and the International Horror Guild Award for illustrated narrative. He is a Patron of Humanists UK. He holds an honorary doctorate from the University of Essex.
Warren Ellis lives outside London, on the south-east coast of England, in case he needs to make a quick getaway.
This was an expertly crafted story. It is something that can only be done with comicbooks and with a level of intelligence one comes to expect from Warren Ellis.
The way this comicbook flowed, it was unlike any superhero comicbook I've read. I'm going back for more, because as this second issue has shown me, this title is going to be anything but boring.
Ya çizgi romanlar iyi hoşta, kafasını mangalarla bozmuş biri olarak soldan sağa okuma işine henüz alışamadım. Bazen kendimi öyle kaptırıyorum ki sağdan başlıyorum okumaya ama cümlelerin pekte anlamlı olmadığını idrak ettiğimde, hoppp dön başa. :(
Whelp, this was a short issue. Same amount of pages, but the intro to the story was half the book. Not that I am saying the book was bad. The book was pretty good. I'm not sure I disagree with the sniper though. If those people used him and left him for dead, I can't say I'd be against his revenge.
This was a tightly written and well executed issue, but I don't have much more to say on it. It doesn't really connect with any kind of higher arc that I can see yet. These first two issues were a great introduction to the character and setting ... I can't wait for the next issue.
Ok so the art got a bit better in this issue, and I suppose the storyline was better because there was a lot of action and hardly any dialogue, maybe? Going to try at least one more issue to see if this can pick up a bit.
Moon Knight goes after a sniper who was left behind, as the sniper comes after those in charge. After all, the people who hired and discarded him, leaving him to die, all left for financial sector, and got rich, having seemingly forgotten about their sniper.
This nicely parallels a lot of Moon Knight's origins, although of course, the man he's after didn't actually die and then come back, or become the fist of Khonshu...
Still, I wasn't sure at first if the story was about Spector or not, or if Spector would feel a kinship with the sniper, so it kept me on my toes.