Hercules always has a status of a modern-day Mount Hollywood celebrity with Paparazzi-conscious showmanship. He also reminds me of an advantaged individual who could get away with wrongdoings or an unsympathetic businessman who would do anything ruthless to get things done in his favor. Hercules was an impulsive egoist and an irascible aristocrat for what was worth the ancient Greek superhero, a paragon of masculine heroism with flairs for celebrity, who could have been a real person in ancient Greece. This uncommon biography about the superhero whose name still rings red herrings millenniums later is a literary documentary about the legendary man known for his feats of tantrums and histrionic performance of the Twelve Labors.
The book is essentially an extended recount or a compendium of unabridged footnotes about the Twelve Labors of Hercules. The author tries to shed the light of truth on the reluctant hero; he wants the reader to judge the accused without prejudice. With a wealth of knowledge on ancient Greek history and extensive research on the subject, Matyszak puts in the capacity of Hercules’s counsel per se in the tribunal between humanity and divinity, who searches for truth based upon factual findings. Matyszak’s defense for his now divine client Hercules is erudite and comprehensive, with exhibits drawn from classical Greek and Roman historians and writers whose wits and reasons were anything but those of Hercules. In addition, the author’s trademark storytelling narrative makes the story of the ancient Greek killer all the more vivid and engaging that each chapter holds the attention of the reader in the phantasmagorical display of images as depicted in Grecian urns or vases.
Notwithstanding the attractiveness of the narrative and the narrator, there are reasons I disapprove of Hercules as a hero, an antithesis of the other half-god, half-man Jesus of Nazareth in millenniums later. The Labors resulted from his egotistical attempt to free himself from the guilt of killing his family in moments of passion. However, he was neither remorseful nor appropriately punished for killing his music teacher Linus whose head his recalcitrant prince pupil Hercules shattered with a lyre he was trying to teach him how to play the way it should. As a prince of Thebes, Hercules showed no remorse for killing his elderly music teacher whose social status was beneath him, and gods condoned it because he was a son of Zeus.
His peremptory sense of entitlement knows no boundary because of his arrogance and hubris. For example, during his Fourth labor of capturing Erymanthian Boar, Hercules killed almost the entire race of centaurs, driving them to near extinction. But Hercules himself was the cause of the killing spree because he intimidated Pholus, a wise, kindly centaur, to open a jar of undiluted wine, a gift from Dionysus to centaurs, who became intoxicated and attacked Hercules out of stupor. Yet, his killing of the drunken centaurs was not even a subject of guilt and was regarded as collateral damage because centaurs were known as lustful creatures. But didn’t Hercules sleep around with women – and only the beautiful – wherever he went to, and sire children, one of whom became the founder of the Scythians?
I have seen quite a few books on Amazon analyzing Hercules’ psychology in shades of gray. Still, this book is best to recount who Hercules was and what he did in objective perspectives, revealing some unknown interesting historical background stories. To summarize, it all boils down to a conclusion that Hercules was a representative figure of a human whose essence is both divine and mortal, always on a chariot race with two horses of desire and reason. Some revisionists claim Hercules was an ancient Greek psychopath who took pleasure in killing people, beasts, and demi-gods. To me, a psychopath loses either the shackle of the ego or the supervisor of the superego, running a mind chariot alone even it drives to a pit full of fire. Methinks, Hercules was a cossetted brat without disciplines that controlled his power of reason, which is apart from mental acuteness or ingenuity. Adler’s will to power embodies the figure of BC man-God hero without regard for compassion and charity. Hercules was anything but Samuel Johnson’s conception of a biographic figure who empathizes for the common characteristics of life in the principle of universal judgment and sentiments. I now know why Christianity has won favors from poor and ordinary people and become the subject of persecutions from emperors and kings because Jesus of Nazareth, begotten by God and born of Virgin Mary, all divine and human aspects.