The Robot in the Garden: Telerobotics and Telepistemology in the Age of the Internet

by Kenneth Y. Goldberg (Editor)

An interdisciplinary collection of essays on telepistemology—the study of knowledge acquired at a distance. The Robot in the Garden initiates a critical theory of telerobotics and introduces telepistemology, the study of knowledge acquired at a distance. Many of our most influential technologies, the telescope, telephone, and television, were developed to provide knowledge at a distance. Telerobots, remotely controlled robots, facilitate action at a distance. Specialists use telerobots to explore actively environments such as Mars, the Titanic , and Chernobyl. Military personnel increasingly employ reconnaissance drones and telerobotic missiles. At home, we have remote controls for the garage door, car alarm, and television (the latter a remote for the remote). The Internet dramatically extends our scope and reach. Thousands of cameras and robots are now accessible online. Although the role of technical mediation has been of interest to philosophers since the seventeenth century, the Internet forces a reconsideration. As the public gains access to telerobotic instruments previously restricted to scientists and soldiers, questions of mediation, knowledge, and trust take on new significance for everyday life. Telerobotics is a mode of representation. But representations can misrepresent. If Orson Welles's "War of the Worlds" was the defining moment for radio, what will be the defining moment for the Internet? As artists have always been concerned with how representations provide us with knowledge, the book also looks at telerobotics' potential as an artistic medium. The seventeen essays, by leading figures in philosophy, art, history, and engineering, are organized into three Philosophy; Art, History, and Critical Theory; and Engineering, Interface, and System Design.
Albert Borgmann, Tom Campanella, John Canny, Judith Donath, Hubert Dreyfus, Ken Goldberg, Alvin Goldman, Oliver Grau, Marina Gržinic, Blake Hannaford, Michael Idinopulos, Martin Jay, Eduardo Kac, Machiko Kusahara, Jeff Malpas, Lev Manovich, Maurice Merleau-Ponty, Eric Paulos, Catherine Wilson

Genres: Philosophy, Technology

366 pages, Hardcover

First published March 15, 2000

About the author

Ken Goldberg teaches and supervises research in Robotics, Automation, and New Media in the Department of Electrical Engineering and Computer Sciences (EECS) at UC Berkeley. Ken holds dual degrees in Electrical Engineering and Economics from the University of Pennsylvania (1984) and a PhD from Carnegie Mellon University (1990). He joined the UC Berkeley faculty in 1995 and is Professor of Industrial Engineering and Operations Research, with secondary appointments in EECS, the School of Information, Art Practice, and the UCSF Dept of Radiation Oncology. Ken and his co-authors have published over 200 peer-reviewed technical papers on algorithms for robotics, automation, and social information filtering, and he holds eight U.S. patents. He is Editor-in-Chief of the IEEE Transactions on Automation Science and Engineering (T-ASE), Co-Founder of the Berkeley Center for New Media, Co-Founder and CTO of Hybrid Wisdom Labs, Co-Founder of the Moxie Institute, and Founding Director of UC Berkeley's Art, Technology, and Culture Lecture Series.
Ken's art installations, based on his research, have been exhibited internationally at venues such as the Whitney Biennial, the Berkeley Art Museum, the SF Contemporary Jewish Museum, the Pompidou Center, the Buenos Aires Biennial, and the ICC in Tokyo. Ken has co-written three award-winning Sundance documentary films, "The Tribe", "Yelp", and "Connected: An Autoblogography of Love, Death, and Technology." He is represented by the Catharine Clark Gallery in San Francisco.

Ken was awarded the Presidential Faculty Fellowship by President Clinton in 1995, the National Science Foundation Faculty Fellowship in 1994, the Joseph Engelberger Robotics Award in 2000, and was elected IEEE Fellow in 2005.