Intimations of supernatural evil percolate through this weird adventure yarn from veteran horror writer Cave, enhancing its suspense and accenting its depiction of an island culture beholden to primitive superstitions. Dan Colby, an America new to the Haiti-like island of St. Joseph, awakens disoriented and under a strange influence in a graveyard near Plantation Jourdan, the estate he has just leased. At the same time, the plantation is visited by Janice Hall, an American writer researching her family's roots on the island before a slave revolt at the start of the 19th century. As surely as Dan and Janice will share romantic interests, inexplicable problems begin complicating their life on the coffee voodoo talismans begin popping up all over the grounds, intimidating the native workers, and both Americans are afflicted with frightening dreams and presentiments of evil. This is classic shudder pulp fare, but Cave distinguishes it with his colorful rendering of St. Joseph's characters and culture, and insightful treatment of the voodoo religion. He's also careful at dropping clues that seem to implicate everyone and intensify the mystery. Although set in contemporary times, this entertaining short novel has the feel of an older fiction style, the kind that only seasoned storytellers like Cave know how to write anymore. Copyright Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Hugh Barnett Cave was a prolific writer of pulp fiction who also excelled in other genres.
Sources differ as to when Cave sold his first story: some say it was while he still attended Brookline High School, others cite "Island Ordeal", written at age 19 in 1929 while still working for the vanity press.
In his early career he contributed to such pulp magazines as Astounding, Black Mask, and Weird Tales. By his own estimate, in the 1930s alone, he published roughly 800 short stories in nearly 100 periodicals under a number of pseudonyms. Of particular interest during this time was his series featuring an independent gentleman of courageous action and questionable morals called simply The Eel. These adventures appeared in the late 1930s and early 40s under the pen name Justin Case. Cave was also one of the most successful contributors to the weird menace or "shudder pulps" of the 1930s.
In 1943, drawing on his experience as a war reporter, he authored one of his most highly regarded novels, Long Were the Nights, telling of the first PT boats at Guadalcanal. He also wrote a number of other books on the war in the Pacific during this period.
During his post-war sojourn in Haiti, he became so familiar with the religion of Voodoo that he published Haiti: High Road to Adventure, a nonfiction work critically acclaimed as the "best report on voodoo in English." His Caribbean experiences led to his best-selling Voodoo-themed novel, The Cross On The Drum (1959), an interracial story in which a white Christian missionary falls in love with a black Voodoo priest's sister.
During this midpoint in his career Cave advanced his writing to the "slick" magazines, including Collier's, Family Circle, Ladies' Home Journal, Redbook, and the Saturday Evening Post. It was in this latter publication, in 1959, that "The Mission," his most popular short story, appeared—subsequently issued in hardcover by Doubleday, reprinted in textbooks, and translated into a number of languages.
But his career took a dip in the early 1970s. According to The Guardian, with the golden era of pulp fiction now in the past, Cave's "only regular market was writing romance for women's magazines." He was rediscovered, however, by Karl Edward Wagner, who published Murgunstrumm and Others, a horror story collection that won Cave the 1978 World Fantasy Award. Other collections followed and Cave also published new horror fiction.
His later career included the publication in the late 1970s and early 1980s of four successful fantasy novels: Legion of the Dead (1979), The Nebulon Horror (1980), The Evil (1981), and Shades of Evil (1982). Two other notable late works are Lucifer's Eye (1991) and The Mountains of Madness (2004). Moreover, Cave took naturally to the Internet, championing the e-book to such an extent that electronic versions of his stories can readily be purchased online.
Over his entire career he wrote more than 1,000 short stories in nearly all genres (though he is best remembered for his horror and crime pieces), approximately forty novels, and a notable body of nonfiction. He received the Phoenix Award as well as lifetime achievement awards from the International Horror Guild, the Horror Writers Association, and the World Fantasy Convention. (From Wikipedia.)
Old school horror by the last pulp master. Cave was 93 when this came out, his final novel, and it felt like a throwback to the past. Dan leases a coffee plantation in Haiti and stumbles into voodoo. A female protagonist arrives, researching an ancestor and she gets the voodoo, as well. Much was predictable, and the writing style reflected another era. “What was Dan doing here?” or “Again and again, how did he get from New York to St. Joseph?” Cave does a nice job of pointing clues in different directions, and keeping the reader involved. Short at 150 pages, but about right for a pulp novel back in the 40’s. Nice finish to a long, long career.
Engaging novel of an American who is poised to lease a coffee plantation on St. Joseph Island in the Caribbean and receives dangerous opposition from a powerful bokor with the ability to seize control of the man's mind. Hugh B. Cave is the master of Voodoo thrillers. Highly recommended.