Poet Benjamin Schmitt attacks topics that are avoided at the dinner table. He takes on depression, politics, religion, what might happen if zombies took over Seattle, and many other subjects.
"Benjamin Schmitt’s poems rage against fading summers and aristocrats, young love and guilt, bears and zombies, time travel and “robot bones”. The reader follows this dance of language where “chairs face inward to the swinging skies”, bears explore a “treatise on marshmallows” and a boy believes he can breathe lives on a neckline. Full of blood and sex and beasts, Schmitt eloquently captures the voice of today’s youth in the vein of the fictional Holden Caulfield." - Matthew E. Silverman, founder and managing editor, Blue Lyra Review
"From surreal to sublime, from personal to profane, Benjamin Schmitt’s poetry takes the reader on a journey through a thousand landscapes of the mind and the body. Chanted in a thousand tongues, this is youthful, exuberant poetry laced with threads of wisdom wound up with gritty observations of an oil-soaked world gone mad." - Jack Remick, Poet and Novelist
Benjamin Schmitt is the author of four books, most recently The Saints of Capitalism and Soundtrack to a Fleeting Masculinity. His poems have appeared or are forthcoming in Sojourners, Antioch Review, The Good Men Project, Hobart, Columbia Review, Spillway, and elsewhere. A co-founder of Pacifica Writers’ Workshop, he has also written articles for The Seattle Times and At The Inkwell. He lives in Seattle with his wife and children.
I met Ben through my now-husband, but since we moved haven't had many chances to hang out. His poetry is raw and overflows. His style is sometimes different than what I usually seek out in poetry, but he explores fearlessly the connections between things and events of his own life.