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Очерци за бурсата
В книге Помяловского выражен протест писателя демократа против самодержавно-церковного мракобесия, против системы воспитания, калечащей и растлевающей человеческую личность.
303 pages, Mass Market Paperback
First published January 1, 1982
20 people want to read
About the author
Nikolai Pomyalovsky
5 books3 followersNikolai Gerasimovich Pomyalovsky (Russian: Николай Герасимович Помяловский; 23 April 1835 – 17 October 1863), was a Russian writer.
Pomyalovsky was born in Saint Petersburg in 1835. His father was a deacon in the Orthodox Church in Malaya Okhta, a village on the bank of the Neva River, across from Saint Petersburg. Pomyalovsky studied at the Alexander Nevsky Theological School (1843–51), where his lifelong problem with alcoholism began, and at the Saint Petersburg Theological Academy (1851–1857). His work Seminary Sketches is a harrowing description of his years in these schools. Though a talented student, he graduated next to last in his class, and wasn't recommended for a deaconship.
Upon leaving the seminary, he earned a living by serving at funerals, singing in choirs, and giving private lessons. He also attended lectures at Saint Petersburg State University. His story Vukol: A Psychological Sketch was published in the Journal for Education in 1859. The story tells of the progress of an intelligent but awkward orphan boy under the abuse and mistreatment of guardians and educators before he finally finds a teacher whose fatherly love he can respond to. In 1860 he started teaching at the largest of Saint Petersburg's Sunday schools, which were staffed by volunteers, and designed to educate the children of the working class. He had high expectations for the usefulness and influence of the Sunday schools, but when these expectations went unrealized he turned to drinking again.
He published his first novel Bourgeois Happiness in Sovremennik (The Contemporary). He also became friends with the editor of Sovremennik, Nikolay Nekrasov, and with its guiding spirit Nikolai Chernyshevsky. As a result of this success, he attended many parties, and drank heavily, which eventually landed him in the hospital with delirium tremens. His novel Molotov (1861- also published in Sovremennik), the sequel to Bourgeois Happiness, secured his reputation, and brought him into the company of writers like Ivan Turgenev and Fyodor Dostoyevsky. The two novels tell the story of a poor young intellectual's search for self-realization and his place in the world. The protagonist Molotov, an orphan raised by a university professor, doesn't feel that he belongs anywhere or to any particular social class. The gentry family whose children he tutors are alien to him, and he's not seen by them as an equal, even though he's a college graduate. Molotov won't become a civil servant because he feels it would take away his freedom. His girlfriend Nadya must break all ties with her family, who want her to marry an middle-aged general, in order to be with Molotov. In the end Nadya chooses to be with Molotov as they try to enjoy a simple "bourgeois" lifestyle.
He had hoped to find solidarity and fellowship in the Saint Petersburg literary circles, but found only backbiting, petty ambitions, and what he saw as condescension from the established gentry writers. He rebelled by getting drunk often and acting in a way that alienated his friends and literary connections. At a dinner party held by Dostoyevsky, he ended up passed out drunk on the floor. He began disappearing for weeks at a time, living in the Saint Petersburg slums among prostitutes and criminals, and continuing to feed his addiction to alcohol. His binges usually led to his being jailed or hospitalized. During this time he worked on his Seminary Sketches, the first of which was published in Dostoyevsky's journal Vremya (Time). Seminary Sketches gives a fictionalized but accurate account of the 14 years that Pomyalovsky spent in the seminaries. He tells of the drudgery and mindless rote learning that Russia's future spiritual leaders were subjected to. He goes on to describe teacher-student favoritism, suppression of independent thinking, and an endless repetition of brutal floggings. The seminary is ruled by the strong and brings out the worst in the students while killing the good in them. Dmitry
Pomyalovsky was born in Saint Petersburg in 1835. His father was a deacon in the Orthodox Church in Malaya Okhta, a village on the bank of the Neva River, across from Saint Petersburg. Pomyalovsky studied at the Alexander Nevsky Theological School (1843–51), where his lifelong problem with alcoholism began, and at the Saint Petersburg Theological Academy (1851–1857). His work Seminary Sketches is a harrowing description of his years in these schools. Though a talented student, he graduated next to last in his class, and wasn't recommended for a deaconship.
Upon leaving the seminary, he earned a living by serving at funerals, singing in choirs, and giving private lessons. He also attended lectures at Saint Petersburg State University. His story Vukol: A Psychological Sketch was published in the Journal for Education in 1859. The story tells of the progress of an intelligent but awkward orphan boy under the abuse and mistreatment of guardians and educators before he finally finds a teacher whose fatherly love he can respond to. In 1860 he started teaching at the largest of Saint Petersburg's Sunday schools, which were staffed by volunteers, and designed to educate the children of the working class. He had high expectations for the usefulness and influence of the Sunday schools, but when these expectations went unrealized he turned to drinking again.
He published his first novel Bourgeois Happiness in Sovremennik (The Contemporary). He also became friends with the editor of Sovremennik, Nikolay Nekrasov, and with its guiding spirit Nikolai Chernyshevsky. As a result of this success, he attended many parties, and drank heavily, which eventually landed him in the hospital with delirium tremens. His novel Molotov (1861- also published in Sovremennik), the sequel to Bourgeois Happiness, secured his reputation, and brought him into the company of writers like Ivan Turgenev and Fyodor Dostoyevsky. The two novels tell the story of a poor young intellectual's search for self-realization and his place in the world. The protagonist Molotov, an orphan raised by a university professor, doesn't feel that he belongs anywhere or to any particular social class. The gentry family whose children he tutors are alien to him, and he's not seen by them as an equal, even though he's a college graduate. Molotov won't become a civil servant because he feels it would take away his freedom. His girlfriend Nadya must break all ties with her family, who want her to marry an middle-aged general, in order to be with Molotov. In the end Nadya chooses to be with Molotov as they try to enjoy a simple "bourgeois" lifestyle.
He had hoped to find solidarity and fellowship in the Saint Petersburg literary circles, but found only backbiting, petty ambitions, and what he saw as condescension from the established gentry writers. He rebelled by getting drunk often and acting in a way that alienated his friends and literary connections. At a dinner party held by Dostoyevsky, he ended up passed out drunk on the floor. He began disappearing for weeks at a time, living in the Saint Petersburg slums among prostitutes and criminals, and continuing to feed his addiction to alcohol. His binges usually led to his being jailed or hospitalized. During this time he worked on his Seminary Sketches, the first of which was published in Dostoyevsky's journal Vremya (Time). Seminary Sketches gives a fictionalized but accurate account of the 14 years that Pomyalovsky spent in the seminaries. He tells of the drudgery and mindless rote learning that Russia's future spiritual leaders were subjected to. He goes on to describe teacher-student favoritism, suppression of independent thinking, and an endless repetition of brutal floggings. The seminary is ruled by the strong and brings out the worst in the students while killing the good in them. Dmitry
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March 9, 2018
Ausalt öeldes on see ikka täiesti rõve, kui julmad inimesed on. Ka lapsed. Eriti lapsed.
Neid kordi, kui tundsin vastikust, oli ikka rohkem kui üks.
Ja mõelda, et raamatus kirjeldatu oli igapäev alles hiljuti - napid 150 aastat tagasi... Ning ilmselt on maailmas riike, kus olukord ei ole vahepealse pooleteise sajandiga oluliselt paranenud.
Nagu Lutsu Kevade ilma hea õpetaja Laurita ja Kärbeste jumal koos. Ainult et mõjusam.
Kohati iganenud keelekasutuse võib muidugi andeks anda - ikka 1860ndatel kirjutatud.
Neid kordi, kui tundsin vastikust, oli ikka rohkem kui üks.
Ja mõelda, et raamatus kirjeldatu oli igapäev alles hiljuti - napid 150 aastat tagasi... Ning ilmselt on maailmas riike, kus olukord ei ole vahepealse pooleteise sajandiga oluliselt paranenud.
Nagu Lutsu Kevade ilma hea õpetaja Laurita ja Kärbeste jumal koos. Ainult et mõjusam.
Kohati iganenud keelekasutuse võib muidugi andeks anda - ikka 1860ndatel kirjutatud.
Displaying 1 of 1 review