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Long Price Quartet #3
An Autumn War
Otah Machi, ruler of the city of Machi, has tried for years to prepare his people for a future in which the magical andat, entities that support their commerce and intimidate all foes, can no longer be safely harnessed. But his efforts are too little, too late. The Galts, an expansionist empire from across the sea, have tired of games of political espionage and low-stakes sabotage. Their general, a ruthless veteran, has found a way to do what was thought impossible: neutralize the andat.
As the Galtic army advances, the Poets who control the andat wage their own battle to save their loved ones and their nation. Failure seems inevitable, but success would end the Galtic threat.
As the Galtic army advances, the Poets who control the andat wage their own battle to save their loved ones and their nation. Failure seems inevitable, but success would end the Galtic threat.
Audible Audio
First published July 1, 2008
176 people are currently reading
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About the author
Daniel Abraham
260 books3,063 followersDaniel James Abraham, pen names M.L.N. Hanover and James S.A. Corey, is an American novelist, comic book writer, screenwriter, and television producer. He is best known as the author of
The Long Price Quartet
and
The Dagger and the Coin
fantasy series, and with Ty Franck, as the co-author of
The Expanse
series of science fiction novels, written under the joint pseudonym James S.A. Corey.
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Displaying 1 - 30 of 385 reviews
May 4, 2023
(I read this in The Price of War omnibus.)
4.5/5 Stars
Heartfelt, original, and magnificent; I’m baffled by how underrated this series is.
Usually in a series—doesn’t matter what the genre is—there’s a tendency where I wish some of the characters would just die because they just don’t provide anything to the main storyline; or maybe just utterly boring and infuriating (I’m looking at you, Isana from Codex Alera). This is not the case with this series, I did think that way towards several characters in the first book but this installment proves me wrong; they were all necessary. Abraham smartly used every knowledge that the readers have accumulated from the first book to create a sense of connection with the world and the characters; especially in their personality complexity and believability. Abraham’s characterizations are wonderful and felt real, ever since the second book, whether it’s new or returning characters, each of their journey was compelling and simply unpredictable.
Like the title said, the third installment in the Long Price Quartet is where war finally happened between the Khaeim and the Galtic empire. Surprisingly, beneath all the conflicts, the power of Abraham’s character-driven stories as he weaved a tale of war that’s highly original with tons of relatable message and topics spread throughout the pages. Three of the most often occurring themes within this book is parenthood, acceptance/regrets of our past decisions, and the horror of war. It’s been another 15 years since the end of the second book and Otah-Machi, our main character, is now 48 years old. After decades of scheming and political battles, the war with the Galt empire is finally here. An Autumn War is technically the most action-packed—though they are still very low in quantity—book in the series, it’s also the most emotional as Abraham managed to show the price of war articulately. Take a read at this passage:
The last five chapters of this book were completely pulse-pounding. Even though the action scenes were done in minimum, the scale was epic, the stakes of the war are enormous, and these chapters made me grit my teeth and emotional; the slow story buildup towards the climax sequences pays off magnificently.
Picture: An Autumn War by zippo514
I don’t know how this series will end from here, my reviews for this series so far has been pretty short in comparison to my usual reviews but it’s really hard to go into full detail without spoiling stuff because of the series originality and unpredictability. If the fourth book of the series somehow ends up being even better than this, The Long Price Quartet will without question be included in my small list of favorite series of all time. I highly recommend this to anyone who’s okay with almost zero action scenes and are looking for an original adult fantasy series with a lot of Eastern influences.
You can find this and the rest of my Adult Epic/High Fantasy & Sci-Fi reviews at BookNest
4.5/5 Stars
Heartfelt, original, and magnificent; I’m baffled by how underrated this series is.
Usually in a series—doesn’t matter what the genre is—there’s a tendency where I wish some of the characters would just die because they just don’t provide anything to the main storyline; or maybe just utterly boring and infuriating (I’m looking at you, Isana from Codex Alera). This is not the case with this series, I did think that way towards several characters in the first book but this installment proves me wrong; they were all necessary. Abraham smartly used every knowledge that the readers have accumulated from the first book to create a sense of connection with the world and the characters; especially in their personality complexity and believability. Abraham’s characterizations are wonderful and felt real, ever since the second book, whether it’s new or returning characters, each of their journey was compelling and simply unpredictable.
Like the title said, the third installment in the Long Price Quartet is where war finally happened between the Khaeim and the Galtic empire. Surprisingly, beneath all the conflicts, the power of Abraham’s character-driven stories as he weaved a tale of war that’s highly original with tons of relatable message and topics spread throughout the pages. Three of the most often occurring themes within this book is parenthood, acceptance/regrets of our past decisions, and the horror of war. It’s been another 15 years since the end of the second book and Otah-Machi, our main character, is now 48 years old. After decades of scheming and political battles, the war with the Galt empire is finally here. An Autumn War is technically the most action-packed—though they are still very low in quantity—book in the series, it’s also the most emotional as Abraham managed to show the price of war articulately. Take a read at this passage:
"You're talking of slaughtering a nation. Thousands of innocent people destroyed, lands made barren, mountains leveled and the sea pulled up over them like a blanket. And you're feeling sorry for yourself that you had to wring a bird's neck as a boy? How can anyone have feelings that delicate and that numbed both at the same time?”
The last five chapters of this book were completely pulse-pounding. Even though the action scenes were done in minimum, the scale was epic, the stakes of the war are enormous, and these chapters made me grit my teeth and emotional; the slow story buildup towards the climax sequences pays off magnificently.
Picture: An Autumn War by zippo514
I don’t know how this series will end from here, my reviews for this series so far has been pretty short in comparison to my usual reviews but it’s really hard to go into full detail without spoiling stuff because of the series originality and unpredictability. If the fourth book of the series somehow ends up being even better than this, The Long Price Quartet will without question be included in my small list of favorite series of all time. I highly recommend this to anyone who’s okay with almost zero action scenes and are looking for an original adult fantasy series with a lot of Eastern influences.
You can find this and the rest of my Adult Epic/High Fantasy & Sci-Fi reviews at BookNest
June 19, 2018
This was brilliant. Heartbreaking but brilliant. Also vicious. Still brilliant, if you get my meaning.
The third book in the Longest Price Quartet is neither about cotton or mining industry nor about betrayals and conspiracies (well, maybe a bit); it is mainly about war and other things even worse than book-burning. The intrigue grows in scale and the spins out of control. War is hell waged to escape the fears of what might happen, magic is a weapon of mass destruction. It is not about individual fates anymore. The world is at stake.
“One simple death is the best we can hope for, sometimes. If it saves the world.”
Otah, a ruler by necessity, has governed Machi for past 14 years. He has been forced to assume a role that placed him somewhere between the manager and a demigod (Khai means a servant after all). Years of ceremony and negotiations and court gossip worn him down but didn’t break him; he still refuses to follow the traditions blindly and so instead of having a cohort of wives he is married to one woman only and instead of a healthy flock of offspring that would attempt to kill each other in a bid for power, he has one daughter and one son (and a sickly one at that). But now, a time comes when he needs to sacrifice everything he holds dear in order to protect everything he has been questioning his whole life.
For the ever-expanding Galtic empire, the cities of the Khaiem amount to the anathema. Their schemes aimed at the destruction of the andat, previously thwarted, are about to bear fruit at last. It is possible thanks to a renegade poet, but mainly thanks to one man, general Balasar Gice. Man, ridden so hard by his personal demons that what he planned is not a simple war (don’t be deceived by the title). What he planned, is the end of the world.
The figure of Balasar has been superbly written; this single-minded Galt, physically unprepossessing but of an immense charisma and terrifying strategic mind reminded me of Napoleon in the way he is leading by example or believes that battles are won or lost long before they are fought.
“At heart, he was not a conqueror. Only a man who saw what needed doing and then did it.”
But so is Otah, whether what needs doing is killing a man, taking a throne or waging a war. The clash between these two personalities is one of the main axes the book revolves around. Sparks fly, but equally, tears fall and blood flows. Otah’s transformation is interesting to observe: how he negotiates and compromises between lofty ideals of his youth and the pragmatic considerations of his maturity. Admittedly, Mr Abraham also tries to paint Balasar in different hues to escape the image of a straightforward villain. In fact, what we get is a man of integrity, intelligence, and vision. Sometimes, it is hard to place him as an antagonist at all.
Needless to say, I found it hard to accept this reasoning and agree with the premises it has been built on. Every time Balasar was given voice to verbalise his hopes and fears, I wanted to kick him in straight into his double-standarded righteousness. I ended the book knowing that I hate the Galt general and Balasar Gice in particular. I really don't think Mr Abraham can ever redeem them for me.
However, the book is more than the clash of these two titans. I love how Mr Abraham wastes nothing. Not a single motif or a character is forgotten. There is Maati torn between his calling to be a poet and his desire to be a father. Liat, the long-lost lover, makes an appearance as she has been busy these long years, running a house that had been founded to keep watch on the duplicity of the ever-scheming Galts. She brings her son whom fatherhood is shrouded in mystery. There is Otah’s daughter’, half a girl, not quite half a woman yet, already fiendishly smart and independent. The jungle of feelings between parents and children, the motif of a family, of things worth sacrificing for and things that cannot be saved, are also important aspects of many individual arcs. And underlining it all, the reader will find the question of the price we are willing (or unwilling but forced) to pay, and then pay again.
Regardless of the one star killed by Balasar Gice, I have to say that the Autumn War is the best book in the whole set. Well written, repeatedly punching the reader in the most vulnerable places. The closing of chapter 15 and the opening of 16 was viciously brilliant (wait for it!). But, again I need to underline that Mr Abraham surprised me with his grand design. And as much as I can dislike the way he developed the story, or have a preferred alternative, I cannot argue with his version because it has both depth and sense that goes beyond mere neatness. Check yourself.
Also in the series:
1. A Shadow in Summer ✮✮✮✮
2. A Betrayal in Winter ✮✮✮✮✮
4. The Price of Spring ✮✮✮
The third book in the Longest Price Quartet is neither about cotton or mining industry nor about betrayals and conspiracies (well, maybe a bit); it is mainly about war and other things even worse than book-burning. The intrigue grows in scale and the spins out of control. War is hell waged to escape the fears of what might happen, magic is a weapon of mass destruction. It is not about individual fates anymore. The world is at stake.
“One simple death is the best we can hope for, sometimes. If it saves the world.”
Otah, a ruler by necessity, has governed Machi for past 14 years. He has been forced to assume a role that placed him somewhere between the manager and a demigod (Khai means a servant after all). Years of ceremony and negotiations and court gossip worn him down but didn’t break him; he still refuses to follow the traditions blindly and so instead of having a cohort of wives he is married to one woman only and instead of a healthy flock of offspring that would attempt to kill each other in a bid for power, he has one daughter and one son (and a sickly one at that). But now, a time comes when he needs to sacrifice everything he holds dear in order to protect everything he has been questioning his whole life.
For the ever-expanding Galtic empire, the cities of the Khaiem amount to the anathema. Their schemes aimed at the destruction of the andat, previously thwarted, are about to bear fruit at last. It is possible thanks to a renegade poet, but mainly thanks to one man, general Balasar Gice. Man, ridden so hard by his personal demons that what he planned is not a simple war (don’t be deceived by the title). What he planned, is the end of the world.
The figure of Balasar has been superbly written; this single-minded Galt, physically unprepossessing but of an immense charisma and terrifying strategic mind reminded me of Napoleon in the way he is leading by example or believes that battles are won or lost long before they are fought.
“At heart, he was not a conqueror. Only a man who saw what needed doing and then did it.”
But so is Otah, whether what needs doing is killing a man, taking a throne or waging a war. The clash between these two personalities is one of the main axes the book revolves around. Sparks fly, but equally, tears fall and blood flows. Otah’s transformation is interesting to observe: how he negotiates and compromises between lofty ideals of his youth and the pragmatic considerations of his maturity. Admittedly, Mr Abraham also tries to paint Balasar in different hues to escape the image of a straightforward villain. In fact, what we get is a man of integrity, intelligence, and vision. Sometimes, it is hard to place him as an antagonist at all.
Needless to say, I found it hard to accept this reasoning and agree with the premises it has been built on. Every time Balasar was given voice to verbalise his hopes and fears, I wanted to kick him in straight into his double-standarded righteousness. I ended the book knowing that I hate the Galt general and Balasar Gice in particular. I really don't think Mr Abraham can ever redeem them for me.
However, the book is more than the clash of these two titans. I love how Mr Abraham wastes nothing. Not a single motif or a character is forgotten. There is Maati torn between his calling to be a poet and his desire to be a father. Liat, the long-lost lover, makes an appearance as she has been busy these long years, running a house that had been founded to keep watch on the duplicity of the ever-scheming Galts. She brings her son whom fatherhood is shrouded in mystery. There is Otah’s daughter’, half a girl, not quite half a woman yet, already fiendishly smart and independent. The jungle of feelings between parents and children, the motif of a family, of things worth sacrificing for and things that cannot be saved, are also important aspects of many individual arcs. And underlining it all, the reader will find the question of the price we are willing (or unwilling but forced) to pay, and then pay again.
Regardless of the one star killed by Balasar Gice, I have to say that the Autumn War is the best book in the whole set. Well written, repeatedly punching the reader in the most vulnerable places. The closing of chapter 15 and the opening of 16 was viciously brilliant (wait for it!). But, again I need to underline that Mr Abraham surprised me with his grand design. And as much as I can dislike the way he developed the story, or have a preferred alternative, I cannot argue with his version because it has both depth and sense that goes beyond mere neatness. Check yourself.
Also in the series:
1. A Shadow in Summer ✮✮✮✮
2. A Betrayal in Winter ✮✮✮✮✮
4. The Price of Spring ✮✮✮
August 10, 2025
Damn. I can't think of many books that can make a reader keenly feel the effects of a war as this book did at the end. The unexpected toll - far beyond a typical war because of the magical elements of this fantasy story - was one of the most brutal things I've ever read. This was a book that sneaks up on you, as the opening almost half of the book was quite slow, but as it gained momentum and reached its ultimate conclusion... I feel like Daniel Abraham punched me in the stomach.
November 1, 2025
2025 reread. Still unlike almost anything I've ever read in re: authors just going for it. Phenomenal.
Holy. Crap.
Full review: https://youtu.be/qYcEtddjZgA
Holy. Crap.
Full review: https://youtu.be/qYcEtddjZgA
May 19, 2017
Another phenomenal book in this series and the best so far. I'm still in love with all the eastern culture and how subtly it's projected. The characters are just so real as are their emotions and interactions.
The horrors of war are not sugar coated in this book nor are they stylized or heroic. They are a brutal reality. The ending of this book was likewise brutal on a different scale and completely unforeseen. The horror of what they had wrought and the scale of grief it represented was chilling.
If book #4 is as good as the first three this will be a top #5 series all time for me. It's probably not for everybody as it's not an Arnold or Stallone movie in book form but the subtle complexities of the human interaction coupled with his smooth writing style make it a winner for me.
The horrors of war are not sugar coated in this book nor are they stylized or heroic. They are a brutal reality. The ending of this book was likewise brutal on a different scale and completely unforeseen. The horror of what they had wrought and the scale of grief it represented was chilling.
If book #4 is as good as the first three this will be a top #5 series all time for me. It's probably not for everybody as it's not an Arnold or Stallone movie in book form but the subtle complexities of the human interaction coupled with his smooth writing style make it a winner for me.
July 12, 2015
I had trouble motivating myself to pick this up each reading session. I think I'm all Abrahammed out at the moment.
The central and cool concept of the Andat was all done in the first book and it hasn't really developed much further from there. The Khaiem and the system of succession by attrition was explored in the second book and that was interesting
This book the Galts play there master stroke and there is war as the title suggests. It should be the best book so far - but it just didn't grab my attention as much as the other two. I think the jumps in time between books don't help. I feel like I'm reading about characters who have undergone changes off stage and they aren't the same people I connected with earlier.
I'm not sure if I want to continue on to the last book at this stage. Not because this book was so bad - but this book ends at a place where I don't need to see how the rest will play out. I could end the series here and guess at what the future will be.
I might read some other books in between and then see if I feel like finding out where the characters end up in the aftermath of the events in this book.
3 stars.
The central and cool concept of the Andat was all done in the first book and it hasn't really developed much further from there. The Khaiem and the system of succession by attrition was explored in the second book and that was interesting
This book the Galts play there master stroke and there is war as the title suggests. It should be the best book so far - but it just didn't grab my attention as much as the other two. I think the jumps in time between books don't help. I feel like I'm reading about characters who have undergone changes off stage and they aren't the same people I connected with earlier.
I'm not sure if I want to continue on to the last book at this stage. Not because this book was so bad - but this book ends at a place where I don't need to see how the rest will play out. I could end the series here and guess at what the future will be.
I might read some other books in between and then see if I feel like finding out where the characters end up in the aftermath of the events in this book.
3 stars.
February 14, 2024
Another very good entry in The Long Price Quartet. This book benefits so much from the previous entries in terms of how the past has set up long term relationships. The foundation for this book is so solid that it allows Abraham to go with a much more eventful, plot focused book while still having character depth, and really complex relationships.
Like the last book this one had a very compelling antagonist PoV, although personally I think I prefer the antagonist in A Betrayal In Winter.
Also, the resolution for this book was just very good, hard to even describe it more specifically without risking spoilers, but it was not what I expected, but made a ton of sense in hindsight, it was impactful, and set up a lot more interesting conflict for The Price of Spring.
Lots of people find this to be a significant step up from A Betrayal In Winter, but to me they are on about the same level. This is more epic, and the stakes are higher, and it probably has a better ending, but I prefer the scheming, and the antagonist in A Betrayal in Winter. Both are excellent.
8.8/10
Like the last book this one had a very compelling antagonist PoV, although personally I think I prefer the antagonist in A Betrayal In Winter.
Also, the resolution for this book was just very good, hard to even describe it more specifically without risking spoilers, but it was not what I expected, but made a ton of sense in hindsight, it was impactful, and set up a lot more interesting conflict for The Price of Spring.
Lots of people find this to be a significant step up from A Betrayal In Winter, but to me they are on about the same level. This is more epic, and the stakes are higher, and it probably has a better ending, but I prefer the scheming, and the antagonist in A Betrayal in Winter. Both are excellent.
8.8/10
May 8, 2015
It will be difficult to go into any detail about this book without getting into spoilers, It is book 3 out of 4 after all.
Needless to say, this entire story creeps up on you and then completely hooks you in. I felt book one was an interesting story, but book 3....wow... I literally could not put it down. A late night reading became a very late night, because I just had to find out the ending. The pressure during the story kept building and building, the pace was brilliant and i got so antsy about what was coming that I found myself speeding up during the non essential paragraphs and had to stop myself glancing ahead.
The basic story premise is there are poets in the world, who can describe an idea and bind that idea into a mini god. This mini god is called an Andat and only one race of people have them. Given that the Andats can be beings like 'stone made soft' means that they wield incredible power, the power holds all the power with his control over the Andat, so if you want to dig a mine for raw materials, well poet will come and make stone like butter. It of course scares the shit out of the neighbours as your poet could from his bedroom turn an entire nation into quicksand and sink everyone in it.
That is as far as I am going, because everything else will spoil. I am definitely recommending this to all my fantasy buddies. By the time you get to book three you will be an absolute fan.
HIGHLY RECOMMENDED SERIES!
Needless to say, this entire story creeps up on you and then completely hooks you in. I felt book one was an interesting story, but book 3....wow... I literally could not put it down. A late night reading became a very late night, because I just had to find out the ending. The pressure during the story kept building and building, the pace was brilliant and i got so antsy about what was coming that I found myself speeding up during the non essential paragraphs and had to stop myself glancing ahead.
The basic story premise is there are poets in the world, who can describe an idea and bind that idea into a mini god. This mini god is called an Andat and only one race of people have them. Given that the Andats can be beings like 'stone made soft' means that they wield incredible power, the power holds all the power with his control over the Andat, so if you want to dig a mine for raw materials, well poet will come and make stone like butter. It of course scares the shit out of the neighbours as your poet could from his bedroom turn an entire nation into quicksand and sink everyone in it.
That is as far as I am going, because everything else will spoil. I am definitely recommending this to all my fantasy buddies. By the time you get to book three you will be an absolute fan.
HIGHLY RECOMMENDED SERIES!
December 9, 2016
Very good and emotional. Daniel Abraham is best when he's portraying the true cost of war
August 25, 2023
Re-reading this has cemented it as one of my favourite books of all time
This book was absolutely incredible. Video discussion will be coming at some point soon :)
This book was absolutely incredible. Video discussion will be coming at some point soon :)
February 19, 2025
For fans of Jade City.
A great political fantasy series.
The stakes have increased dramatically. A Galt General bent on bloodymindedness is keen on eradicating the andats and their advantage and dominance. From there, they will burn the libraries and destroy the empire with their military might.
Otah is in a position of power, disliked and distrusted and yet still going against tradition. Having one wife, fathering one headstrong daughter and one sickly son.
This asks who deserves power. Who should have the responsibility to wield it and for what reasons. Despite the Galts being the villains, you see it from their side. A powerful empire only able to dominate due to these godly figures who have the ability to destroy with a thought.
"I see the necessity of it," Balasar said. "And sometimes I forget that the point of war is the peace at the end of it."
What is the price of war?
Again, another strong instalment. This series has such great pacing for a quartet with each new book jumping in time and introducing a new conflict.
Despite this seeming like the climax of the series, the end opened a new problem that I am eager to see play out.
Bookstagram
A great political fantasy series.
The stakes have increased dramatically. A Galt General bent on bloodymindedness is keen on eradicating the andats and their advantage and dominance. From there, they will burn the libraries and destroy the empire with their military might.
Otah is in a position of power, disliked and distrusted and yet still going against tradition. Having one wife, fathering one headstrong daughter and one sickly son.
This asks who deserves power. Who should have the responsibility to wield it and for what reasons. Despite the Galts being the villains, you see it from their side. A powerful empire only able to dominate due to these godly figures who have the ability to destroy with a thought.
"I see the necessity of it," Balasar said. "And sometimes I forget that the point of war is the peace at the end of it."
What is the price of war?
Again, another strong instalment. This series has such great pacing for a quartet with each new book jumping in time and introducing a new conflict.
Despite this seeming like the climax of the series, the end opened a new problem that I am eager to see play out.
Bookstagram
August 11, 2025
CHARACTERS
🔲 mary-sue party
🔲 mostly 2D
🔲 great main cast, forgettable side characters
🔲 well-written
🔲 complex and fascinating
✅ hard to believe they are fictional
PLOT
🔲 you've already heard this exact story a thousand times
🔲 nothing memorable
🔲 gripping
🔲 exceptional
✅ mind=blown
WORLDBUILDING
🔲 takes place in our world
🔲 incoherent
🔲 OK
✅ nicely detailed
🔲 meticulous
🔲 even the last tree in the forest has its own story
ATMOSPHERE
🔲 nonexistent
🔲 fine
🔲 immersive
✅ you forget you are reading a book
PACING
🔲 dragging
🔲 inconsistent
🔲 picks up with time
🔲 page-turner
✅ impossible to put down
This one hurt.
🔲 mary-sue party
🔲 mostly 2D
🔲 great main cast, forgettable side characters
🔲 well-written
🔲 complex and fascinating
✅ hard to believe they are fictional
PLOT
🔲 you've already heard this exact story a thousand times
🔲 nothing memorable
🔲 gripping
🔲 exceptional
✅ mind=blown
WORLDBUILDING
🔲 takes place in our world
🔲 incoherent
🔲 OK
✅ nicely detailed
🔲 meticulous
🔲 even the last tree in the forest has its own story
ATMOSPHERE
🔲 nonexistent
🔲 fine
🔲 immersive
✅ you forget you are reading a book
PACING
🔲 dragging
🔲 inconsistent
🔲 picks up with time
🔲 page-turner
✅ impossible to put down
This one hurt.
October 17, 2013
A lot of the time you read fantasy the book ends up being some world-traveling epic. Lots of the second half of the Wheel of Time series, for instance, seemed to be making a checklist of all of the assorted nations that the action had not been to yet, and going to those places. Lots of politics, lots of tertiary characters, sad yarns spun. It's automatically epic if a half-sketched world is threatened, right?
Some wars are fought between good and evil. Some wars are just fought because two sides, neither of whom is entirely good or evil, end up fighting. In the third volume of The Long Price Quartet, it is the latter sort of war. The distant Galts come invading, because it turns out there is a general who is very interested in the world not having andats any more, a stance which is not indefensible. Only the Khai Machi, our old friend Otah, who has spent another fourteen years or so being an eccentric part of the Khaiem, has any interest in envisioning a post-andat world, and so he becomes the nemesis, because it turns out that when you have magical beings that are largely used for commerce but can be used for aggressive purposes as well, there's not a whole lot of need to maintain a standing army.
This is cool to see play out. A strength of this series is multiple complex characters, perhaps because there have been years (in world time) between books for them to develop conflicting motivations. They get along, or don't, and what they've been through matters, and sometimes they change, sometimes they rise to the occasion. Or they don't. War is messy. Anyway, sometimes I see praise heaped upon characters for being complex when they're like one-dimensional with one or two token backstory bits to differentiate them and this is about as boring as one-dimensional characters. Daniel Abraham has actual human beings for characters and it's awesome.
There are gobs of fantasy series out there that sprawl and turn into gigantic messes. I've read and liked my share of them, but seriously, sometimes, goddamn. Goodreads notes that the hardcover edition of An Autumn War was 366 pages. That is a tightly-packed, fast-paced story with its share of action that is nonetheless character-driven. Choices are made that matter, without the prose wanking at us about how much those choices matter. Scenery is painted vividly but briefly. The whole "took a pose" thing mercifully blends in with the rest of the scenery.
Basically, take all the good parts of 21st century fantasy stuff and then remove all the parts that suck but you just kinda put up with them because fantasy is fun. Then you get the Long Price Quartet. And it's finished! Right now I can go read the next book, which is the last book! Amazing.
Some wars are fought between good and evil. Some wars are just fought because two sides, neither of whom is entirely good or evil, end up fighting. In the third volume of The Long Price Quartet, it is the latter sort of war. The distant Galts come invading, because it turns out there is a general who is very interested in the world not having andats any more, a stance which is not indefensible. Only the Khai Machi, our old friend Otah, who has spent another fourteen years or so being an eccentric part of the Khaiem, has any interest in envisioning a post-andat world, and so he becomes the nemesis, because it turns out that when you have magical beings that are largely used for commerce but can be used for aggressive purposes as well, there's not a whole lot of need to maintain a standing army.
This is cool to see play out. A strength of this series is multiple complex characters, perhaps because there have been years (in world time) between books for them to develop conflicting motivations. They get along, or don't, and what they've been through matters, and sometimes they change, sometimes they rise to the occasion. Or they don't. War is messy. Anyway, sometimes I see praise heaped upon characters for being complex when they're like one-dimensional with one or two token backstory bits to differentiate them and this is about as boring as one-dimensional characters. Daniel Abraham has actual human beings for characters and it's awesome.
There are gobs of fantasy series out there that sprawl and turn into gigantic messes. I've read and liked my share of them, but seriously, sometimes, goddamn. Goodreads notes that the hardcover edition of An Autumn War was 366 pages. That is a tightly-packed, fast-paced story with its share of action that is nonetheless character-driven. Choices are made that matter, without the prose wanking at us about how much those choices matter. Scenery is painted vividly but briefly. The whole "took a pose" thing mercifully blends in with the rest of the scenery.
Basically, take all the good parts of 21st century fantasy stuff and then remove all the parts that suck but you just kinda put up with them because fantasy is fun. Then you get the Long Price Quartet. And it's finished! Right now I can go read the next book, which is the last book! Amazing.
December 28, 2015
This was brilliant at times. At others, it dragged a little. But even when it was moving slowly, I enjoyed it.
I'm really starting to like some of these characters. New ones, and the ones carried over from the earlier books. Abraham writes them so well that love or hate them, they're worth reading about. Or listening, in this case. The audiobook performance of Neil Shah was perfect for this book. At first I wasn't sure at all I liked him, but after a couple of chapters his voice molded to the story. And his character voices are perfect.
I really need to see where this series will go from here. One more book and it's over. The way this one has built up to it, I think I'm in for a real treat.
I'm really starting to like some of these characters. New ones, and the ones carried over from the earlier books. Abraham writes them so well that love or hate them, they're worth reading about. Or listening, in this case. The audiobook performance of Neil Shah was perfect for this book. At first I wasn't sure at all I liked him, but after a couple of chapters his voice molded to the story. And his character voices are perfect.
I really need to see where this series will go from here. One more book and it's over. The way this one has built up to it, I think I'm in for a real treat.
July 5, 2015
Executive Summary: Best one yet. More action than the previous two, but again the emphasis is character driven political conflicts.
Audio book: Neil Shah continues to be a good, but not great narrator. It makes audio a viable option, but far from a must listen.
Full Review
I continue to be impressed with Mr. Abraham. Each book continues to improve on the previous one.
This one has more action than the previous ones, but again the main focus is on the politics of the Khaiem, and raises the stakes with it's conflict with Galt.
The best part of this series continues to be it's characters. In this book, my particular favorites are the new antagonist Balasar and the mercenary captain Sinjah (or however you spell it).
I bounce from despising Balasar to starting to like him, or to remember how misguided and hateful he is being. And the actions of Sinjah kept me guessing the whole time. Both are very complex characters that relish in the shades of grey Mr. Abraham seems to be so good at.
I must also add I had no idea where this book was going to end up. I'm usually pretty good at figuring out at least the broad strokes of most stories. This one, not so much. I will say, I'm glad I have the time to jump right into book 4, because I just had to know what would happen next.
As this is the third book in a series, there isn't much else I can say without getting into spoiler territory for either this book or the two previous ones.
This has easily been the best of the series thus far, and if the trend continues, I'm in for an excellent ending.
Audio book: Neil Shah continues to be a good, but not great narrator. It makes audio a viable option, but far from a must listen.
Full Review
I continue to be impressed with Mr. Abraham. Each book continues to improve on the previous one.
This one has more action than the previous ones, but again the main focus is on the politics of the Khaiem, and raises the stakes with it's conflict with Galt.
The best part of this series continues to be it's characters. In this book, my particular favorites are the new antagonist Balasar and the mercenary captain Sinjah (or however you spell it).
I bounce from despising Balasar to starting to like him, or to remember how misguided and hateful he is being. And the actions of Sinjah kept me guessing the whole time. Both are very complex characters that relish in the shades of grey Mr. Abraham seems to be so good at.
I must also add I had no idea where this book was going to end up. I'm usually pretty good at figuring out at least the broad strokes of most stories. This one, not so much. I will say, I'm glad I have the time to jump right into book 4, because I just had to know what would happen next.
As this is the third book in a series, there isn't much else I can say without getting into spoiler territory for either this book or the two previous ones.
This has easily been the best of the series thus far, and if the trend continues, I'm in for an excellent ending.
February 19, 2022
My favourite of the series so far. Abraham is a masterful character writer and it's so satisfying to see small moments from the first book reverberate through the narrative. I'll save my in-depth thoughts for our upcoming discussion, but this series just gets better with each instalment.
February 2, 2025
So far, my favorite of the Long Price Quartet. Will be covering more on BellTube, my booktube channel on YouTube.
August 11, 2015
This is an easy 5 star rating for me. Abraham weaves a tale of war and heartbreak with signature skill. Finally in book three, we see the female characters stepping to the fore, and as expected, their involvement feels necessary and natural to the evolution of the story. One of the best (and most impressive) parts of the story arc as a whole has been seeing the characters change and mature.
What I like most about Abraham's characters has always been their reality - they do not act like perfect archetypes, they act like the flawed people they are. It makes them more interesting because you can't always rely on them to do the "right" thing, or even to know what the "right" thing is for that matter. That hasn't changed in this book. We still see the characters struggling with their humanity, their inability to control their world, their wants and desires, and the people they love and cherish.
On the writing itself, there were so many small moments that were captured in this book so perfectly. I find that is something of a rarity, and it made reading this book a particular pleasure.
What I like most about Abraham's characters has always been their reality - they do not act like perfect archetypes, they act like the flawed people they are. It makes them more interesting because you can't always rely on them to do the "right" thing, or even to know what the "right" thing is for that matter. That hasn't changed in this book. We still see the characters struggling with their humanity, their inability to control their world, their wants and desires, and the people they love and cherish.
On the writing itself, there were so many small moments that were captured in this book so perfectly. I find that is something of a rarity, and it made reading this book a particular pleasure.
April 5, 2011
...that feeler explodes. Um, not a spoiler to say it's a big ol' war (see book title).
This book begins maybe another 10 years later. A rival nation, maybe based on England with its pale skinned people and steam engines, and a general determined to remove andats by wiping out the poets and their libraries. With a ploy that's a little too convenient for my taste, the general blitzkriegs the Summer Cities. War is hell, the locals attempt guerilla warfare, and a finally a love triangle I dig - more because it's barely there, viewed through screens, not in-your-face. The general ends up at the northernmost city from the previous book where the last remaining poets attempt to harness an andat. Oh man, another wow! scene where the result devastates both nations .
I remember the word bacon appeared on page 138. Sinja and his line near the end, yay!
Amazing set-up for the last book.
This book begins maybe another 10 years later. A rival nation, maybe based on England with its pale skinned people and steam engines, and a general determined to remove andats by wiping out the poets and their libraries. With a ploy that's a little too convenient for my taste, the general blitzkriegs the Summer Cities. War is hell, the locals attempt guerilla warfare, and a finally a love triangle I dig - more because it's barely there, viewed through screens, not in-your-face. The general ends up at the northernmost city from the previous book where the last remaining poets attempt to harness an andat. Oh man, another wow! scene where the result devastates both nations .
I remember the word bacon appeared on page 138. Sinja and his line near the end, yay!
Amazing set-up for the last book.
May 15, 2024
I don't really know what to say but this book just made me realize what other people said about the series is true. Everything is coming together, and the previous two books started to make so much more sense in the storyline now. At first I was a bit disappointed that there wasn't anymore political intrigue and drama, but by the end I realized just how well written this book - and the entire series - was. I can't wait to read book 4!
January 9, 2018
My first favorite book of 2018 and the book that would add this quartet to the rank of my FAVORITE SERIES OF ALL TIME.
Man, let me start out by saying that EVERYONE should read this book!
But Lema, you didn't give the full 5 stars to the first two? (You can see here the reviews for Book 1 and Book 2)
Well I was an IGNORANT FOOL BACK THEN! ok not really, it's just that this book is everything and it's totally worth it to read the first two just to get to this one (true they can be a bit slow, but they are short with excellent writing and plots and each one surpasses its predecessor by miles and miles).
Again, remember when I was complaining about the detachment I felt in book 1, well it's all like all the lacking emotions has been packed tightly in this one, I swear I had misty eyes at some interaction like every other page, and the climax? oooh the climax, the battle scenes was so well done, it came close to something out of the Stormlight Archives or the Faithful and the Fallen, yes THAT good, with the added bonus of this being my constant state of mind for like 100 pages straight (you can ask Petrik, I was wailing the whole way through :P)
Another way that I want to describe this book is being beautiful inside out, the cover is just magical, and this one focuses a lot more than the previous ones on themes of family love, friendship, devotion and loyalties and urgh my heart just thinking about it *clutches chest*, you find yourself rooting for freaking everyone, and all sides of conflict. The characters, after following them for the past almost 30 years of their lives, have become my family and I now love every single one of them, I find their joy is mine and their sorrow is sadly mine as well.
I just can't praise this book enough, just do yourself a favor and buy the beautiful bindups of every 2 novels. Kylie, girl I owe you for this wonderful recommendation :')
Man, let me start out by saying that EVERYONE should read this book!
But Lema, you didn't give the full 5 stars to the first two? (You can see here the reviews for Book 1 and Book 2)
Well I was an IGNORANT FOOL BACK THEN! ok not really, it's just that this book is everything and it's totally worth it to read the first two just to get to this one (true they can be a bit slow, but they are short with excellent writing and plots and each one surpasses its predecessor by miles and miles).
Again, remember when I was complaining about the detachment I felt in book 1, well it's all like all the lacking emotions has been packed tightly in this one, I swear I had misty eyes at some interaction like every other page, and the climax? oooh the climax, the battle scenes was so well done, it came close to something out of the Stormlight Archives or the Faithful and the Fallen, yes THAT good, with the added bonus of this being my constant state of mind for like 100 pages straight (you can ask Petrik, I was wailing the whole way through :P)
Another way that I want to describe this book is being beautiful inside out, the cover is just magical, and this one focuses a lot more than the previous ones on themes of family love, friendship, devotion and loyalties and urgh my heart just thinking about it *clutches chest*, you find yourself rooting for freaking everyone, and all sides of conflict. The characters, after following them for the past almost 30 years of their lives, have become my family and I now love every single one of them, I find their joy is mine and their sorrow is sadly mine as well.
I just can't praise this book enough, just do yourself a favor and buy the beautiful bindups of every 2 novels. Kylie, girl I owe you for this wonderful recommendation :')
August 11, 2015
I probably say this in all my reviews of Abraham's books but I'm so impressed with his writing. There's nothing wasted in these books; each chapter, each paragraph, each word feels meticulously planned to create the desired affect. His stories truly feel alive
And not only that but his characters always feel honest and human. There are no perfect people in this world, who always do the exact right thing at the right moment. There are people who love, who hate, who make mistakes, who attempt to better themselves. Very three dimensional
And not only that but his characters always feel honest and human. There are no perfect people in this world, who always do the exact right thing at the right moment. There are people who love, who hate, who make mistakes, who attempt to better themselves. Very three dimensional
August 22, 2015
That did not end the way I thought it would, and I think that's a good thing. In many ways, I think this has been the most relatable book of the series - for the most part, the characters feel extremely real and the world remains utterly vibrant. I was thankful for the Galt POV this time around, but at the same time I continue to find their motivations very obscure. (To offer advice in hindsight, I think Abraham should have been including them from the very beginning.) It would appear, though, that I remain quite happy to read anything Abraham writes.
August 28, 2022
The 3rd book in a quartet and one of the best fantasy books I have read. The entire series has been fantastic, but this 3rd book took it to a whole new level for me.
Daniel Abraham is a master of characterization. There are so many layers underneath these people he has created. Also, the world he has built (based on the Far East) is so unique, along with the magic system. What an imagination!
The title basically tells you that this book is about a war. Abraham does not sugar coat the horrors of war torn countries, he makes it very real and heart-wrenching. Nothing is sugar coated.
If you enjoy High Fantasy, I highly recommend this series and author.
Daniel Abraham is a master of characterization. There are so many layers underneath these people he has created. Also, the world he has built (based on the Far East) is so unique, along with the magic system. What an imagination!
The title basically tells you that this book is about a war. Abraham does not sugar coat the horrors of war torn countries, he makes it very real and heart-wrenching. Nothing is sugar coated.
If you enjoy High Fantasy, I highly recommend this series and author.
July 30, 2025
Shocking
October 12, 2018
Holy shit.
Holy SHIT.
Next book please.
Holy SHIT.
Next book please.
May 23, 2019
I like this series. I really like this series. It's fantasy, but not as you know it. No dragons, no flashy magical pyrotechnics, no annoying youthful protagonists who become puissant practitioners of High Art.
Instead we have the mundane, mercantile Empire of Galt facing off against the exotic, Ottoman-esque Khaiem city states with their pet Djinn (known here as 'Andat') and the Poets who both wield then and keep them from destroying the world.
The world-building is particularly well thought-out.
Instead we have the mundane, mercantile Empire of Galt facing off against the exotic, Ottoman-esque Khaiem city states with their pet Djinn (known here as 'Andat') and the Poets who both wield then and keep them from destroying the world.
The world-building is particularly well thought-out.
July 6, 2022
This was amazing and beautiful and tragic.
May 17, 2025
RTC - Wowowowow. He completely turned this one around. Favourite so far! And super hyped for how this is concluded
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