Warning: Wall of text inc. And probably a few minor spoilers.
I really took my time reading this book. I did it deliberately, and not because I was bored or annoyed. No, I decided to read this slowly, reading a few chapters, putting it away, doing some other stuff for a few hours and then coming back to it. There are reasons for it, and I'll get there later.
Let's have a look at Baron.
William Sloane, member of New York's 'aristocracy', is on a mission. He is partner on the ticket for lieutenant governor.
I've read a few reviews before writing my own and some mention William's 'daddy issues'. He certainly has those, but in my opinion, 'daddy issues' misses the point here a little. William grew up with a father who considered him a failure and the things his father said were cruel and bitter. William is only sixteen when his father dies, and not only does he have to take care of his father's business but also his 8-year-old sister Lizzie (heroine of the previous book). For the next thirteen years, William is determined to prove that he not only can carry on where his father left off, but even exceed him in every way. The last thing remaining is a position in political power. Something his father had always wanted but never accomplished. William wants to achieve what his father couldn't, not because he loved him but to spite him, to give his father the finger. To say he has 'daddy issues' makes him sound like a prat. For me, however, he sounds like a man deeply hurt in his formative years, and as this is 1888, we don't have psychotherapy sessions and the vast knowledge available to us nowadays, that could help him overcome the deep seated resentment he still has for his father.
As owner of one the biggest railway companies of the country, his lineage and upbringing, William is a man of his times. Arrogant, controlled, and advice resistent. A man with a grudge, but - to me - an understandable grudge. Now, thirteen years later, he finally has the chance to overcome his father's shadow. But those years have taken their toll. William, after working tirelessly, has constant stomach pain.
His partner on the ticket, John Bennett, uses the services of a medium, Madam Zolikoff; reading tea leaves, giving private scéances and advice. William is worried that John's implication with this Madam Zolikoff may compromise his chances to get elected should John's association with an obvious charlatan be known. The scandal could ruin their campaign.
So he goes after Madam Zolikoff to find a way to get John out of her clutches. What he finds, however, is a young yet strong woman who couldn't care less who and what William is. She calls him 'railroad man'.
While William's background turns into a little bit of info dumping, Ava's circumstances become clear when we meet her three younger siblings. Although, Ava has managed to get them out of the worst part of New York, they're still just scraping by. Tom, the eldest works in a factory and hates the work there and would much rather join a gang. The sister, only thirteen, works as seamstress, whereas her youngest brother is a newsie, selling newspaper on a busy (ergo lucrative) corner, but his health is failing. Ava's biggest wish is to save enough money to buy a farm upstate and get her siblings out of New York. A quieter, less stressful more peaceful life. That life on a farm is anything but peaceful and stress free is something she ignores, and something William later reminds her of.
Joanna Shupe paints a vivid picture of a life of those who were used to working 12-14 hours a day; the health hazards workers had to endure and the living conditions they faced. No wonder Ava wants to escape all this.
The only way to achieve her dream of a farm as quickly as possible is to pretend to be a medium. She knows she's a charlatan. But, as she points so correctly, she gives these people what they want to hear.
Ava has been shaped by her life in New York, just like William has. Just on the wrong side of tracks. Ava is aware of her position and had to learn it the hard way. I won't disclose this here, but my heart broke a little for this woman who once had completely different dreams. Nonetheless, with her parents dead and three younger siblings to take care of, she stepped up; strong and resilient. She isn't easily intimated by someone like William Sloane, however powerful and rich he may be. She's also not afraid to call William out on his own role in manipulating markets and profits. This is industrialisation at its beginnings with almost no rules, after all. She knows that William is not as clean as he might think of himself.
Of course, the first encounters between Ava and William are filled with hostility, and they butt heads. It never feels antagonistic though. This is a clash of worlds and wills, and it's intriguing to watch how they poke holes into each other's façades.
And there is the attraction they feel for each other. Yes, there are clenching jaws, tiny waists, ample bosoms, strong legs, wide shoulders, plump lips and tightening nipples (!), but it's not all lust. One has to read carefully here. In their conversations, William and Ava reveal their lives, wishes and fears and lower their guards, and little by little, both of them take in what the other has to say. They don't necessarily agree but by allowing to let the other see more than the façade, Ms Shupe gives her characters the opportunity to delve into growing feelings both didn't expect to feel in the first place. So the obvious lusting aside, they get emotionally closer.
That said, it takes William quite a while to figure out what he wants. He wants Ava - that's clear - but he has initially no intentions of marrying her. This may irk some readers but it made perfect sense to me. His upbringing, his social position, not to forget his political ambitions forbids him to marry a woman with a dubios background. No, he needs to marry a woman of his social standing. The more he looks for a prospective candidate, however, the clearer it becomes that none other than Ava will do. I appreciated that William didn't immediately throw everything he stands for out of the window.
It's Ava who made me scratch my head a little. She goes from 'I'll never be intimate with you' to 'shag me now' with a speed that gave me a bit of a whiplash. Her reasons for changing her mind weren't fleshed out well enough.
Nonetheless, they start their affair, but the plot twists - mainly blackmail - force their hands, and both have to re-evaluate their relationships. As with her novella Tycoon and her novel Magnate, Ms Shupe captures the atmosphere of the Gilded Age nicely and her writing is as good as ever. The romance in the second part of Baron felt a little awkwardly done due to Ava's behaviour and the blackmail plot line, and William's Grand Gesture was a little over the top...but oh well. The groundwork in the first part had been laid so adequately that I could see William and Ava being happy with each other.
Joanna Shupe is a very talented writer who gets better with every book which is why - as mentioned above - I really took my time reading this book. I thoroughly disliked her first book, and I'm aware that I can't always leave my first impressions behind. I really wanted to give Baron a fair chance and I'm glad I did. Despite the few hiccups, I truly enjoyed this book. It's not quite a 4-stars-read, but it's definitely not 3 stars either.
I'm really looking forward to the next one in the series. Second-chance romance. Catnip!