Not as moving as her novel, WASHING THE DEAD, but still a charming look at some Jewish and non-Jewish families living in and around a fictional Washington, DC suburb.
The stories are interconnected; they can be read separately but there's no denying a progression to the characters throughout. I'd say that the chief characters who appear in or around most of the stories are the Solonsky siblings and spouses, and we track them from the first stories, when they're young adults, to the last where they're more middle aged.
I also developed a bit of a soft spot for Becca Coopersmith, Hannah Solonsky's neighbor and college roommate, who, although appearing to be a little too loud and non-intuitive, was a bit of an adult spiritual seeker. That, and I kinda felt bad for her given how a couple of people used her in some of the stories. :P
Here are the ones that really stood out to me--"Sssh," which uses the daring device of having a fetus narrate to give a sense of Hannah and her husband's problems with fertility. "Sylvia's Spoon," a more traditional take on this issue, which I also heard Brafman read aloud on a Lilith Magazine podcast. So I may have had some outside bias. :P "What Hannah Never Knew," which is about Hannah's grandmother and her sister, and which admittedly I mostly appreciated for fleshing out Hannah's familial past.
"Skin" takes place around the dramatic bris of a baby boy from an interfaith family and touches upon the tensions of confronting different traditions (extra irony--the non-Jewish mother, who had a little bit of a meltdown, was a diversity counselor. :P) "You're Next," which deals with the changes in generational norms of parenting and the usual push and pull of mother/daughter relationships. "Georgia and Phil," where a romantic tryst isn't all that it seems, and ok, I might be mostly into it because of the cat issues. :P And "More So," which, from a male perspective, deals with the fears of middle age, a brief fling and a possible STD.
My favorite story was "In Flight," which was told from the perspective of an adult woman on the autism spectrum. Her condition appears to be worse than mine (and I later read an essay by Brafman, which seemed to imply that this story was influenced by her own sister-in-law) but speaking as someone on the spectrum, I think that she nailed the awkwardness of feeling out of the loop sometimes when neurotypicals talk. Not to mention how it complicates family dynamics.
A few of the middle stories were more of a shrug for me, and the one that I liked the least was "Molly Flanders." It featured a rich heiress dealing with her jealousies about not belonging to something deeper than a famous name, but the execution felt a little shallow to me.
All in all, though, a lovely collection to round off my Chanukah! And an extra treat, as someone who also lives right outside of DC, to get several of the geographical references. :D