The last instalment in the series? That's the MOST difficult thing to write.
No kidding.
Why? Simple.
In the first instalment, you have to try your best. You have to grab your reader's attention. You have to shine. You may pour your sweat, tears, hours and days of your life and sprinkle it with a little of your soul to produce that first piece. And then the readers take it. And some will like it. And some won't. That's how it goes.
But some will want to read the second one, because they saw something in the first. So what you have to do? Just write more! And it's hard but hey, you totally did it, as in, you know you CAN do it. And if people liked your stuff, that's the only thing that matters. Yes, some authors fudge it up and the first book may be the best but usually, if an author has a style and readers like it, it's smooth sailing for both.
Then comes the last one. And just notice how every freaking conclusion of every good series is connected with words like "epic", "fantastic", "breathtaking" or any other adjective to indicate that the last book is supposed to make a bang and be the best of them all. Coincidence? I think not.
Because suddenly, you're supposed to be more. Your very best was enough for the previous books but the last one is the culmination and climax of everything you worked for so far. That may give you an advantage, yes, if you build your world and characters right, you now have a rich well of emotions to play with - your readers should, in theory, get to the last book "only" because they already liked the rest. But it's a double-edged sword and their attachment to your books is only as strong as their expectations to be awed in the last one, where you should be genius, intense, shocking, satisfy their need for conclusion and happiness and just generally somehow be better than your very best.
It's tough. But Zales-s... well, they definitely don't hold their punches.
The similarities between Sasha and Darren are plenty - working the finance field, being snarky and quick on your feet, solving situations using wit, unusual methods and tools and pure luck with some players (allies gained) helping in the background. The Russian stuff. All of it. The card tricks. Psychotic family members and being adopted and "orphaned".
But basically the most glaringly obvious was the way the last book completely took stuff - and MULTIPLIED IT. BY TRILLIONS.
Take, for example, Sasha. (It's not a spoiler if it's for another book, right? Right?!) She is a seer. Which makes a very special and precious snowflake. She is a seer that has some unusual circumstances. She gains friends. And fame. Infamy. She's becoming an even more special snowflake. Oh but in the last book? It turns out she's not just a seer, not just a snowflake. She's a seer AND a pre-vamp! Two rare breeds. At the same time. That's... like... that's not a snowflake. That's practical a whole snowball of sepciall-ness. Oh but no, that's not all. She's a seer, a pre-vamp... and a probability manipulator. AT THE SAME TIME. That's not a snowflake. That's a whole freaking snowman, complete with a freaking carrot in the face, broom in hand and little cute buttons and a smile.
That's why stopping time? Pche. Already done that. Too many people can do it. Have unusual depth? Meh. Be both a Reader and a Guide? Still not unique enough. But entering the second level of Mind Dimension to save the whole society from an evil mastermind? Who's identity was a complete shock? As in you couldn't have known until Darren pointed out how obvious it was? Yeah, that should do it.
But hey, go big or go home. And I definitely like these authors idea of BIG.
If I forget Mira the Bitch, this was a perfect urban fantasy that embodies everything I like about this genre.
Wholly recommended.