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The Money-lender
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This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
638 pages, Hardcover
Published October 24, 2015
About the author
Catherine Gore
286 books14 followersaka: Mrs. Charles Gore
Catherine Grace Frances Gore (née Moody; 12 February 1798 – 29 January 1861) was a British novelist and dramatist, daughter of a wine merchant at Retford, where she was born. She is amongst the best known of silver fork writers – authors of the "long" Regency era depicting the gentility and etiquette of high society.
Gore was born in 1798 in London, the youngest child of Mary (née Brinley) and Charles Moody, a wine merchant. Her father died soon afterwards, and her mother remarried in 1801, to London physician Charles D. Nevinson. She is thus sometimes referred to as "Miss Nevinson" by contemporary reviewers and in scholarship. Catherine was interested in writing from an early age, gaining the nickname "the Poetess".
She married Lieutenant Charles Arthur Gore of the 1st Regiment of Life Guards on 15 February 1823 at St George's, Hanover Square; Gore retired later that year. They had ten children, eight of whom died at a young age. They had one surviving son, Captain Augustus Frederick Wentworth Gore, and one daughter, Cecilia Anne Mary, who married Lord Edward Thynne in 1853.
Her first novel, Theresa Marchmont, or The Maid of Honour, was published in 1824. Her first major success was Pin Money, published in 1831, but her most popular and well-known novel was to be Cecil, or Adventures of a Coxcomb published in 1841. Gore also found success as a playwright, writing eleven plays that made their way to the London stage, though her plays never quite became as famous as her witty novels.
The Gores resided mainly on Continental Europe, with Catherine supporting her family by her voluminous writings. Between 1824 and 1862 she produced about 70 works, the most successful of which were novels of fashionable English life. Among these may be mentioned Manners of the Day (1830), Cecil, or the Adventures of a Coxcomb (1841), and The Banker's Wife (1843). She also wrote for the stage, and composed music for songs.
Gore's 1861 obituary in The Times concluded that Gore was "the best novel writer of her class and the wittiest woman of her age."
(from Wikipedia)
Catherine Grace Frances Gore (née Moody; 12 February 1798 – 29 January 1861) was a British novelist and dramatist, daughter of a wine merchant at Retford, where she was born. She is amongst the best known of silver fork writers – authors of the "long" Regency era depicting the gentility and etiquette of high society.
Gore was born in 1798 in London, the youngest child of Mary (née Brinley) and Charles Moody, a wine merchant. Her father died soon afterwards, and her mother remarried in 1801, to London physician Charles D. Nevinson. She is thus sometimes referred to as "Miss Nevinson" by contemporary reviewers and in scholarship. Catherine was interested in writing from an early age, gaining the nickname "the Poetess".
She married Lieutenant Charles Arthur Gore of the 1st Regiment of Life Guards on 15 February 1823 at St George's, Hanover Square; Gore retired later that year. They had ten children, eight of whom died at a young age. They had one surviving son, Captain Augustus Frederick Wentworth Gore, and one daughter, Cecilia Anne Mary, who married Lord Edward Thynne in 1853.
Her first novel, Theresa Marchmont, or The Maid of Honour, was published in 1824. Her first major success was Pin Money, published in 1831, but her most popular and well-known novel was to be Cecil, or Adventures of a Coxcomb published in 1841. Gore also found success as a playwright, writing eleven plays that made their way to the London stage, though her plays never quite became as famous as her witty novels.
The Gores resided mainly on Continental Europe, with Catherine supporting her family by her voluminous writings. Between 1824 and 1862 she produced about 70 works, the most successful of which were novels of fashionable English life. Among these may be mentioned Manners of the Day (1830), Cecil, or the Adventures of a Coxcomb (1841), and The Banker's Wife (1843). She also wrote for the stage, and composed music for songs.
Gore's 1861 obituary in The Times concluded that Gore was "the best novel writer of her class and the wittiest woman of her age."
(from Wikipedia)
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Displaying 1 of 1 review
August 25, 2026
A tough one to properly review... I am joining an Oxford UP World's Classics editing team to create a critical edition of this novel. Let's just say, I am very grateful that I am not alone in the struggle of glossing, writing the critical introduction and the explanatory endnotes, especially considering the sheer amount of antisemitism that is dripping off some of these pages. Gore's intentions appear to be honest, as the narrative, in a Shylockian way, challenges the extremely offensive rhetoric about Jewish people in the nineteenth century but that does not make any of the expositions of that rhetoric any less jarring to read.
The book itself is not briliant but does make an interesting argument that challenges the hypocritical judgement of the gentlemen who looked down of the supposedly extorting practices of moneylenders, whilst they happily splurged and spent money they did not own in gambling and opium dens or on riches and a general life style that they could not afford with their own money. It is a work that challenges social assumptions about greed and financial capital.
The book itself is not briliant but does make an interesting argument that challenges the hypocritical judgement of the gentlemen who looked down of the supposedly extorting practices of moneylenders, whilst they happily splurged and spent money they did not own in gambling and opium dens or on riches and a general life style that they could not afford with their own money. It is a work that challenges social assumptions about greed and financial capital.
Displaying 1 of 1 review