This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
James Robinson Planché (1796-1880) was a British dramatist, antiquary and officer of arms. Over a period of approximately 60 years he wrote, adapted, or collaborated on 176 plays in a wide range of genres including extravaganza, farce, comedy, burletta, melodrama and opera. Planché was responsible for introducing historically accurate costume into nineteenth century British theatre, and subsequently became an acknowledged expert on historical costume, publishing a number of works on the topic. Planché's interest in historical costume led to other antiquarian research, including heraldry and genealogy.
Read the Beauty and the Beast story, it was WILD. Monkeys in suits that talk via parrot interpreters? Basically a platos cave allegory thing but with italian opera and a mirror? It was a fun time tho even tho it was like very old english so a lot of ‘thee’s and ‘thou’s.
This entire review has been hidden because of spoilers.
Includes classics such as Beauty and the Beast, and some sweet or interesting little or un-known tales. Best to mix this book with others that you're reading. At least, I found myself in fairy overload at times, and quite often wondered at the end of a story what the point had been.
ORIGINAL BEAUTY AND THE BEAST STORY. I bought this book solely because it contains the original story of the Beauty and the Beast by Gabrielle-Suzanne Barbot de Villeneuve, instead of the more popular, shortened version by Jeanne-Marie Le Prince de Beaumont. As a fan of the story and the Disney movie, this was a real treat for me.