This play would present an excellent opportunity for some fantastic character building. There is such a rich and deeply felt history between the three sisters, regardless of whether their versions of that history sync-up, that any actor would be able to lose themselves in the backstory. And I think that is the real strength of this piece: it is a vehicle for great performances.
If I was producing this play, I would be worried that it might feel a little dated... with its British-isms and in its dry humour. I would imagine that an audience in the mid to late 1990's would get a great kick out of the taboos it puts up on stage, the talk of erections, the pot-smoking... but nowadays, I think an audience would chuckle at the jokes, not laugh. Some of the punchlines are about race and gender, which doesn't always work anymore, depending on the audience. And a lot of the laughs would depend on how far the actors would be willing to take their performances.
But it is a beautiful, touching little story. The relationships are written so well, and the family bond at the centre of the story is really very special. It certainly has its charm.
3.5/5