A showcase of Syd Mead's futuristic designs and illustrations including work for products, entertainment (movies, TV, interactive games, theme parks), fantasy, toys, vehicles, architectual interriors and more.
Sydney Jay Mead, commonly Syd Mead (born July 18, 1933), is an American industrial designer and neofuturistic concept artist, widely known for his designs for science-fiction films such as Blade Runner, Aliens and Tron. Mead once said, "I've called science fiction 'reality ahead of schedule.'"
Mead's work has received wide note, and, in 2017, Curbed called Mead "the artist who illustrates the future".
Born on 18 July 1933 in Saint Paul, Minnesota, Mead graduated from high school in Colorado Springs, Colorado, in 1951. After serving a three-year enlistment in the U.S. Army, Mead attended the Art Center School in Los Angeles (now the Art Center College of Design, Pasadena), where he graduated in June 1959. He was recruited by Ford Motor Company's Advanced Styling Studio by Elwood Engel. Mead left Ford after two years to illustrate books and catalogues for companies including United States Steel, Celanese, Allis-Chalmers and Atlas Cement. In 1970, he launched Syd Mead, Inc. in Detroit with clients including Philips Electronics.
In 1979, Mead worked with major studios on the feature films Star Trek: The Motion Picture, Blade Runner, Tron, 2010, Short Circuit, Aliens, Timecop, Johnny Mnemonic and Mission: Impossible III.
The final book of my brothers collection - and this is another of the great titles - I will admit that this is true to be said across all 3 titles but when you think of this mans influence on Blade Runner, Aliens and even Empire strikes back the impact of his work (both directly and indirectly) have passed in to legend when it comes future imagery.
I think there are few people who so humbly and quietly influenced so much and I suspect his legacy will live on for many years to come.
It is no wonder that many hired him and his skills not to capture flights of fancy but rather to help cast some light on what may yet come to be.