Inu Yasha, Band 24

犬夜叉 [Inuyasha ] #24

by Rumiko Takahashi, Björn Oke Maas (Translator)

Damit Inu Yasha die Kräfte Tessaigas zu beherrschen lernt, soll er bei dem ehrwürdigen Eremiten Yorei Taisei trainieren. Doch das scheint leichter gesagt als getan, denn der stellt Inu Yasha und seine Freunde auf eine harte Probe und versiegelt die Kräfte Tessaigas. Schafft Inu Yasha es nicht, die ihm von Yorei Taisei gestellte Aufgabe bis zum Sonnenaufgang zu lösen, bleiben die Kräfte seines Schwertes auf ewig versiegelt. Doch der Eremit scheint nicht mit fairen Mitteln zu spielen und legt Inu Yasha immer mehr Steine in den Weg...

Genres: Manga

354 pages, Paperback

First published December 18, 2014

About the author

Rumiko Takahashi (高橋留美子) was born in Niigata, Japan. She is not only one of the richest women in Japan but also one of the top paid manga artists. She is also the most successful female comic artist in history. She has been writing manga non-stop for 31 years.

Rumiko Takahashi is one of the wealthiest women in Japan. The manga she creates (and its anime adaptations) are very popular in the United States and Europe where they have been released as both manga and anime in English translation. Her works are relatively famous worldwide, and many of her series were some of the forerunners of early English language manga to be released in the nineties. Takahashi is also the best selling female comics artist in history; well over 100 million copies of her various works have been sold.

Though she was said to occasionally doodle in the margins of her papers while attending Niigata Chūō High School, Takahashi's interest in manga did not come until later. During her college years, she enrolled in Gekiga Sonjuku, a manga school founded by Kazuo Koike, mangaka of Crying Freeman and Lone Wolf and Cub. Under his guidance Rumiko Takahashi began to publish her first doujinshi creations in 1975, such as Bye-Bye Road and Star of Futile Dust. Kozue Koike often urged his students to create well-thought out, interesting characters, and this influence would greatly impact Rumiko Takahashi's works throughout her career.

Career and major works:

Takahashi's professional career began in 1978. Her first published story was Those Selfish Aliens, a comedic science fiction story. During the same year, she published Time Warp Trouble, Shake Your Buddha, and the Golden Gods of Poverty in Shōnen Sunday, which would remain the home to most of her major works for the next twenty years. Later that year, Rumiko attempted her first full-length series, Urusei Yatsura. Though it had a rocky start due to publishing difficulties, Urusei Yatsura would become one of the most beloved anime and manga comedies in Japan.

In 1980, Rumiko Takahashi found her niche and began to publish with regularity. At this time she started her second major series, Maison Ikkoku, in Big Comic Spirits. Written for an older audience, Maison Ikkoku is often considered to be one of the all-time best romance manga. Takahashi managed to work on Maison Ikkoku on and off simultaneously with Urusei Yatsura. She concluded both series in 1987, with Urusei Yatsura ending at 34 volumes, and Maison Ikkoku being 15.

During the 1980s, Takahashi became a prolific writer of short story manga, which is surprising considering the massive lengths of most of her works. Her stories The Laughing Target, Maris the Chojo, and Fire Tripper all were adapted into original video animations (OVAs). In 1984, after the end of Urusei Yatsura and Maison Ikkoku, Takahashi took a different approach to storytelling and began the dark, macabre Mermaid Saga. This series of short segments was published sporadically until 1994, with the final story being Mermaid's Mask. Many fans contend that this work remains unfinished by Takahashi, since the final story does not end on a conclusive note.

Another short work left untouched is One-Pound Gospel, which, like Mermaid Saga, was published erratically. The last story to be drawn was published in 2001, however just recently she wrote one final chapter concluding the series

Later in 1987, Takahashi began her third major series, Ranma ½. Following the late 80s and early 90s trend of shōnen martial arts manga, Ranma ½ features a gender-bending twist. The series continued for nearly a decade until 1996, when it ended at 38 volumes. Ranma ½ is one of Rumiko Takahashi's most popular series with the Western world.

During the later half of the 1990s, Rumiko Takahashi continued with short stories and her installments of Mermaid Saga and One-Pound Gospel until beginning her fourth major work, InuYasha. While Ran

Reviews

[Agnese Rosengren · Rating 4 out of 5]

Ho l'impressione che si stia cercando di allungare il brodo il più possibile, ma spero di sbagliarmi.
In generale il volume mi è piaciuto, la trama va comunque avanti e questo è l'importante.

[Jesus Flores · Rating 5 out of 5]

Inuyasha 24

En este hay una pelea bastante importante e interesante, y tremendo cliffhanger nos dejan al final
5 star

SPOILERS


Acá termina el entrenamiento de Inuyasha y aprende nueva habilidad, luego hay una pelea que involucra a Koga contra un demonio que mato lobos.

Pero lo interesante es después, una pelea entre Mouryomaru y Naraku, y primero parece que uno gana, pero luego que es el otro, y si es así, significa que ahí si fue el gane definitivo, pero luego ocurre algo con Koga, y el monje tiene una oportunidad de atacar, y parece que, aah, y ahí te dejan en cliffhanger, que bueno

[**Sognatrice di libri** · Rating 5 out of 5]

Come sempre bellissimo, avvincente e anche molto divertente.

[Luana · Rating 4 out of 5]

Allora, personalmente non sentivo la mancanza di Koga, ma me ne farò una ragione 😩 con la fine che si avvicina, sapevo che Naraku e compagnia cantante avrebbero tentato di mettere nuovamente le mani sui frammenti della sfera che si trovano nelle gambe del ragazzo.
A dominare la scena è lo scontro tra Naraku e Moryomaru/neonato inquietante, con il primo che, da bravo fetente, si fa assorbire apposta per poi distruggere dall'interno il secondo. Peraltro, così facendo, buona parte dei frammenti della sfera si è riunita e compattata - come fanno notare sia Kagome che Kikyo, la sfera vuole ricomporsi, come da volontà della miko Midoriko, per poi essere finalmente purificata. Ergo, presto verrà il momento di recuperare anche i frammenti di Koga e Kohaku.
Nel mezzo della bagarre tra Naraku e il suo cuore, il demone ha forse sottovalutato le crescenti abilità dei suoi avversari, Inuyasha e Koga in testa. Il volume finisce con un cliffhanger, anche se dubito che sia già giunta l'ora di Naraku (diverso il discorso per Moryomaru, ormai bello che andato). Tuttavia sono curiosa di vedere se demone e cuore rimarranno separati, o se il secondo dovrà soccombere. Quel che è certo è che, visto che ci stiamo avvicinando alla fine, il ritmo della narrazione si sta facendo più serrato e il mio livello di interesse si sta alzando sempre di più, volume dopo volume 😎

[fx _manz · Rating 5 out of 5]

Realmente todo se puso muy intenso al final

[Katza Verduzco · Rating 4 out of 5]

Este tomo se sentía más en el crecimiento de fuerza y abilidades que a obtenido nuestro sexi Koga con el paso del tiempo, aún continua su rivalidad con inuyasha pero ahora es más por fastidiarlo que por las misma kagome ya que desde capítulos anteriores a disminuido su interés por nuestra joven masoquista.

Y con forme abansa la historia los eventos se vuelven cada ves más caóticos.