From a carcass competition in the Karoo to a shambolic murder trial in Cape Town, William Dicey’s essays freewheel across an open terrain of interests. Dicey is curious and inventive, weaving strands of essay, journalism, fiction and self-reportage into something uniquely his own.
'Mongrel' investigates a range of topics – radical environmentalism, the fault lines between farmer and farm worker, the joys and sorrows of reading – yet drifts of concern and sensibility draw the collection together. Several essays touch on how books can move, and sometimes maul, their readers.
William Dicey is the author of the critically acclaimed Borderline (2004). He has worked as a mathematics lecturer, a book designer and a farmer. He divides his time between Ceres and Cape Town.
I picked up a copy of this book on Friday and tore through it over the weekend. There's a kind of pragmatic nuance in Dicey's writing about contemporary South Africa that seems remarkably uncommon. Mongrel is full of humanity and wit and intelligence and has a strong love and enjoyment of literature at the base of it all.
The essays included are wide-ranging and consistently engaging, from the DFW-esque covering of a meat festival in Calvinia to an experiment in literary footnotes to a very personal exploration of the contentious issue of farmer/worker relations in SA.
Rarely has a book I've read seemed so capable not only of reflecting but better articulating my own experiences (which, I guess, is what a good book is supposed to do).