This masterly edition contains all of Milton's English poems, with the exception of Paradise Lost , together with translations and texts of all his Latin, Italian and Greek poems. First published in 1968 - and substantially updated in 1996 - John Carey's edition has, with Alastair Fowler's Paradise Lost , established itself as the pre-eminent edition of Milton's poetry, both for the student and the general reader. Hailed as 'a very Bible of a Milton', the extensive notes and headnotes serve to illuminate the wealth of Milton's allusions and to synthesize the judgements and disagreements of a bewildering array of modern critics. Each headnote sets out details of composition and context which will deepen any reader's appreciation of the poetry, while also providing a concise overview of the critical and scholarly debates that continue to flame around the work of one of the greatest poets in the English language. Steeped in learning though it undoubtedly is, it is also an unfailing light to those who wish to plot their own path through the dazzling riches of Milton's imagination.
People best know John Milton, English scholar, for Paradise Lost, the epic poem of 1667 and an account of fall of humanity from grace.
Beelzebub, one fallen angel in Paradise Lost, of John Milton, lay in power next to Satan.
Belial, one fallen angel, rebelled against God in Paradise Lost of John Milton.
John Milton, polemicist, man of letters, served the civil Commonwealth under Oliver Cromwell. He wrote in blank verse at a time of religious flux and political upheaval.
Prose of John Milton reflects deep personal convictions, a passion for freedom and self-determination, and the urgent issues and political turbulence of his day. He wrote in Latin, Greek, and Italian and achieved international renown within his lifetime, and his celebrated Areopagitica (1644) in condemnation of censorship before publication among most influential and impassioned defenses of free speech and the press of history.
William Hayley in biography of 1796 called and generally regarded John Milton, the "greatest ... author," "as one of the preeminent writers in the ... language," though since his death, critical reception oscillated often on his republicanism in the centuries. Samuel Johnson praised, "with respect to design may claim the first place, and with respect to performance, the second, among the productions of the ... mind," though he, a Tory and recipient of royal patronage, described politics of Milton, an "acrimonious and surly republican."
Because of his republicanism, centuries of British partisanship subjected John Milton.
"On His Blindness" was the first poem that made me want to write. After reading it, I think I was struck by Milton dealing with both his mortality and his blindess by trying to record what he could. I think realizes that it's ultimately futile, but I admired that he was so passionate about it that he kept trying.