Now honestly and truly, I have actually never (and since childhood) really enjoyed the Brothers Grimm's tale about twelve dancing princesses and their tattered slippers (Die zertanzten Schuhe, The Worn-Out Dancing Shoes). For one, there really is not all that much "magic" present in the tale, and the princesses in fact only admit their nocturnal escapades because they realise that their secret has finally been discovered (that the game is up so to speak). Furthermore and to and for me more importantly, I have also always found it majorly problematic that in the original Grimms' tale of Die zertanzten Schuhe, the suitors who are unable to discover the secret of the dancing shoes are executed by the king (and indeed that this well-known fact does not seem to matter one iota to the twelve princesses, who proceed to callously drug the wine of their hapless suitors so that their secrets will remain undiscovered).
Yes, I do know and reaslise that there is violence and the threat of the same in many if not even the majority of folk and fairy tales (and that the actual executions are ordered by the king), but in my opinion, the attitude of the twelve dancing princesses is really quite cold and calculating, a testament to their own vanity and desire for pleasure. On the other hand, I am equally well aware of the fact that the king depicted in Die zertanzten Schuhe has also chosen to lock his daughters in their bedchamber at night and am angered by the fact that he would even consider doing such a thing. Now perhaps the king's original act of absolute parental control could or should be considered as the actual impetus to the princesses' actions, a form of rebellion against parental (patriarchal) authority. However, and that having been said, that still cannot make me accept the fact that the princesses would knowingly send potential suitors to their likely doom, simply in order to safeguard their secret dancing.
And with the above in mind, I must admit that I actually somewhat prefer Marianna Mayer's adaptation of the Grimms' tale, although I do believe that her The Twelve Dancing Princesses is a bit text-heavy and thus more suitable for older children (as I could well imagine younger children becoming a bit distracted and losing interest or focus). I do think that Mayer has managed to successfully keep the spirit of the original tale, while removing some of its less palatable aspects. There is, fortunately, in her The Twelve Dancing Princesses no longer any mention of possible executions, and while the princesses are still rather vain and seemingly bent on pursuing their dancing pleasure, they are, in fact, also as it turns out bewitched and enchanted, no longer simply the calculating, seemingly heartless princesses of the original Grimms' tale of Die zertanzten Schuhe. And when Elise then stops Peter from drinking the potion (as told in Marianna Mayer's adaptation), she not only saves him, but also breaks the spell cast upon the princesses themselves (and indeed, in the Grimms' tale, the princesses are never enchanted or under a spell, they just do not want to give up their secret dancing pleasures and will do anything to keep their secret).
As with regard to the accompanying illustrations, I honestly do not think that I can adequately describe Kinuko Y. Craft's wonderful illustrations. They are luminous, absorbingly detailed, a perfect complement and addition to Marianna Mayer's engaging and flowing narrative. And yes, even children who do not yet read (and who might find the text of The Twelve Dancing Princesses too dense and wordy) would likely take pleasure poring over Craft's evocative, intricate pictures, which tell the story of the twelve dancing princesses almost as well and absorbingly as the author's text itself does.
Finally, Marianna Mayer's adaptation, her The Twelve Dancing Princesses really does deserve five stars from an adaptation and narrational point of departure. And yes, if her tale of the twelve dancing princesses had been a completely original fairy tale and not a retelling , not an adaptation, I would have no qualms whatsoever rating it thus (with five stars). However, The Twelve Dancing Princesses is CLEARLY a specific reimagining of the Grimms' tale of Die zertanzten Schuhe, and I simply cannot understand (or accept) the fact that Marianna Mayer has not provided any author's note, or even a short blurb acknowledging her sources (I mean, it is not as though the Brothers Grimm are unknown entities). And in my opinion, it is not only somewhat academically suspect at best for her not to have made note of the Grimms' original tale (and even a very short note of acknowledgment would have sufficed), it is also somewhat if not even majorly disrespectful of the Brothers Grimm and their legacy.