Nueva York capital del siglo XX. Una guía histórica de la arquitectura de Manhattan

by Kenneth Frampton

Texto e imágenes fundidos en un libro que desentraña la arquitectura neoyorquina, descubriendo lo que hay más allá de los edificios y revelando las entrañas de la ciudad. La mirada del autor atraviesa las fachadas para adentrarse en la historia política, social y cultural de la metrópolis. Los edificios se revelan como testimonios y testamentos de los diversos periodos de la historia de Nueva York. Frampton hace convivir los hechos con su contexto y los ilustra con numerosas anécdotas relacionadas con el desarrollo de la capital del siglo XX.

168 pages, Paperback

Published November 1, 2005

About the author

Kenneth Frampton is a British architect, critic, historian and the Ware Professor of Architecture at the Graduate School of Architecture, Planning, and Preservation at Columbia University, New York.

Frampton studied architecture at Guildford School of Art and the Architectural Association School of Architecture, London. Subsequently he worked in Israel, with Middlesex County Council and Douglas Stephen and Partners (1961–66), during which time he was also a visiting tutor at the Royal College of Art (1961–64), tutor at the Architectural Association (1961–63) and Technical Editor of the journal Architectural Design (AD) (1962–65).
Frampton has also taught at Princeton University (1966–71) and the Bartlett School of Architecture, London, (1980). He has been a member of the faculty at Columbia University since 1972, and that same year he became a fellow of the Institute for Architecture and Urban Studies in New York -- (whose members also included Peter Eisenman, Manfredo Tafuri and Rem Koolhaas) -- and a co-founding editor of its magazine Oppositions.
Frampton is a permanent resident of the USA.
Frampton is well known for his writing on twentieth-century architecture. His books include Modern Architecture: A Critical History (1980; revised 1985, 1992 and 2007) and Studies in Tectonic Culture (1995). Frampton achieved great prominence (and influence) in architectural education with his essay "Towards a Critical Regionalism" (1983) — though the term had already been coined by Alexander Tzonis and Liliane Lefaivre. Also, Frampton's essay was included in a book The Anti-Aesthetic. Essays on Postmodern Culture, edited by Hal Foster, though Frampton is critical of postmodernism. Frampton's own position attempts to defend a version of modernism that looks to either critical regionalism or a 'momentary' understanding of the autonomy of architectural practice in terms of its own concerns with form and tectonics which cannot be reduced to economics (whilst conversely retaining a Leftist viewpoint regarding the social responsibility of architecture).
In 2002 a collection of Frampton's writings over a period of 35 years was collated and published under the title Labour, Work and Architecture.

Reviews

[Ismael Sainz · Rating 4 out of 5]

Breve ensayo, de fácil lectura, que resume las distintas corrientes de arquitectura que han dado forma a la isla de Manhattan, señalando los ejemplos más notable de cada tema.

[Iker San Martin · Rating 5 out of 5]

Very interesting and very detailed in some aspects, but it surprised me that most of the names of figures in architecture and art were spelled incorrectly. Five out of five anyway