Against a background which included revolutionary changes in religious belief, extensive enlargement of dramatic styles and the technological innovation of printing, this collection of essays about biblical drama offers innovative approaches to text and performance, while reviewing some well-established critical issues. The Bible in the fifteenth and sixteenth centuries appears in a complex of roles in relation to the as an authority and centre of belief, a place of controversy, an emotional experience and, at times, a weapon. This collection brings into focus the new biblical learning, including the re-editing of biblical texts, as well as classical influences, and it gives a unique view of the relationship between the Bible and the drama at a critical time for both.
Contributors Stephanie Allen, David Bevington, Philip Butterworth, Sarah Carpenter, Philip Crispin, Clifford Davidson, Elisabeth Dutton, Garrett P. J. Epp, Bob Godfrey, Peter Happé, James McBain, Roberta Mullini, Katie Normington, Margaret Rogerson, Charlotte Steenbrugge, Greg Walker, and Diana Wyatt.
Dr Peter Happé is a Visiting Fellow in English at the University of Southampton.
His first degree was in English at Queens' College, Cambridge (1955); after a Certificate in Education, he gained an MA in English at Birkbeck College, London, followed by a London PhD. He has taught English at a variety of schools and colleges, and was appointed Principal of Rutland Sixth Form College and then later of Barton Peveril Sixth Form College.
He has been a Tutor and Associate Lecturer of the Open University since 1983, as well as teaching undergraduate courses at the Universities of Cambridge, Southampton, and Tours. He has supervised PhD students at both Southampton and Tours. He was a visiting professor of the University of Tours in 1994, and was later awarded the Medal of Honour of the City of Tours in 2002. In 1995-6 he held a Hartley Fellowship at the University of Southampton, and was then a Research Associate at the Open University between 1996 and 1999.
He has published extensively on medieval and early Renaissance drama.