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Pamela Or Virtue Rewarded: In A Series Of Familiar Letters From A Beautiful Young Damsel To Her Parents, Volume 1

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

332 pages, Hardcover

First published January 1, 1901

22 people want to read

About the author

Samuel Richardson

1,678 books207 followers
Pamela (1740) and Clarissa Harlowe (1748) of English writer Samuel Richardson helped to legitimize the novel as a literary form in English.

An established printer and publisher for most of his life, Richardson wrote his first novel at the age of 51. He is best known for his major 18th-century epistolary novel Sir Charles Grandison (1753).

https://en.wikipedia.org/wiki/Samuel_...

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Displaying 1 - 3 of 3 reviews
Profile Image for Paul Adkin.
Author 10 books22 followers
October 12, 2015
Reading Pamela is a very intense experience: at times profoundly boring, for the work (or this Volume 1 at least) is resolutely repetitious. The same situation, and the same arguments are thrust at us over and over again, with only the most subtle variations on the theme. However, this repetition could also be likened to a baroque fugue or canon. The same theme is worked and reworked, each scene folding into the others, over and over again until a most complex tapestry of obsession is woven indeed.
The interest in Pamela is the obsessive search for identity embedded within it.
An identity that Pamela searches for, like we all do, through her own narrative. But the narrative also involves her Master, and I think it is precisely the discovery of her writings about him that contributes to his own tremendous obsession with Pamela.
If Pamela had not been the chronicler of his primary infatuation for her, that obsession would probably have waned. But through Pamela's letters and journals, the Master is also thrown into a journey of discovering his own identity, described through Pamela's narration. His relationship with Pamela becomes an infatuation not to possess Pamela but to redirect the course of the narrative she develops about "him".
And this is interesting because it brings up a profound question about the role of literature itself.
To what extent is one's experience with literature about one's self-discovery through the works we read?
Profile Image for Marta.
34 reviews
March 4, 2020
No le pongo una estrella porque se intuye la fantasía pero perfectamente podría hacerlo si no fuese por las últimas 40 páginas.
Profile Image for maisie grace.
57 reviews
January 26, 2024
icl i hate this why does she marry mr b at the end? unacceptable and depressing. at least i cld write an essay on it
This entire review has been hidden because of spoilers.
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