"Freeze, freeze, thou bitter sky,
That dost not bite so nigh
As benefits forgot:
Though thou the waters warp,
Thy sting is not so sharp
As friend remember'd not"
Sitwell is one of those first half of 20th-century novelists whose works are hard to get in print presently. He seemed to have been a literary starling of some note in his times. He along with his brother and sister formed the trio of "Sitwells" a rival camp to the more famous "Bloomsbury" group. I suppose they did salvage some pride facing the formidable artillery of the Bloomsburys enough to get mentioned prominently in the critical reviews of the period. So at first glance, one would expect a certain literary gravitas from his work, and my view is that he does not disappoint.
The novel starts out in rambling, slow-burn fashion. I doubt it gets much faster through the later chapters, but one gets attuned to its pace and tenor. It is very heavy on analysis, a good 50-60% of the time, he's commenting on the things that happened with subtle wit. Now, a less capable writer would have turned it into an overindulgent, vapid hash, but Sitwell keeps it lively with surprising observations, apt aphorisms and certain propensity to point out the absurd to the reader. I do so much like his turning to military euphemisms to describe the petty intrigues of a clique of elderly women in the seaside retirement haven where the story takes place.
The second half of the book, I would say is a long meditation on old age and death. A deep portrait of the humiliations and general bitterness of old age. Sitwell's art is most evident in that he has managed to be both insightful and humorous about it. I do think it takes some mental hardening before one can observe and depict what is perhaps the hardest stage of human life not only with perspicacity but also with levity.
It is also a novel about how time passes at different rates at different places. Also, it is Victoriana, in some ways like the "French Lieutenants Women" a few decades later; it tries to look back to a distinct and peculiar era, of people trapped in sensibilities and the guiding philosophy of that age. Without spoilers, I will just say that it has a somewhat unexpected, explosive ending. It ends in a very cinematic fashion, which contrasts sharply with the placid pacing of the rest of the novel. One can almost visualize the text cards, indicating the afterstory of the characters as credits start rolling.
He also adorns the beginning of each chapter with an unattributed verse quote that adds colour to the narrative, like the one above. I had some interesting time finding out the sources.
I do think this is so undeserving of the obscurity into which it seems to have fallen. Mine own copy seems to have passed through innumerable hands and is almost in tatters; it seems to have been minted before the second world war. If you do manage to locate a copy, it still remains an artfully crafted, and satisfying read.