I want to emphasize that, although I have A LOT of complaints, I did enjoy this book. It’s fun, stupid and the action flows very well.
That being said there’s a lot of times I was laughing at the book rather than with it.
The story is a simple one. A board member of the ICA gets into personal financial trouble and gets into contact with a rival agency that bails him out if he helps them kill Agent 47. This of course fails spectacularly and sends 47 on a globe trotting adventure to find out who and why sold out the ICA.
And as you can already see, there’s an issue. There is zero mystery or intrigue in this book. It often feels like scenes are setup in reverse order. 47 sets off to find the mole, but the mole has already been introduced, explained, and expanded upon, but the book plays it like it hasn’t done this. It still tries to be mysterious. Another scene, 47’s target is advised to not go to a location he frequents. He takes that advice and stays home. Next chapter 47 goes to that location and spends a chapter searching for his target that the book has already established isn’t there. Reverse these chapters, give us some mystery. One of the other targets, Marla is introduced as this mysterious counter agent to 47. That would be the case if she wasn’t completely spoiled to the reader. 47 encounters her, wonders who she is, then rather than the book going down a long investigative path as to who the mysterious woman is, the next chapter lays out her entire life’s story to the reader,thereby ruining any mystique 47 she has.
On top of those chapters mentioned above feeling out of order there’s a jarring chapter where the book cuts away from the main story and tells a short tale about a group of Dinka refugee trying to flee into Chad only to be killed by slavers and their children kidnapped. These characters won’t return until the very end of the book for little less than shock value. I won’t go into detail but I will leave you with a bit of writing advice I learned: “If you can use anything else but rape, don’t use rape.”
That is another colossal hurtle with this book. There is a lot of seemingly random cruelty. Sometimes it appears to be purely to shock the reader rather than flavor a scene or character. For example, during a gunfight, 47 targets a man’s testicles for no other reason than he could. There’s an entire scene where 47 encounters an “orphanage.” You never want to see orphanage in quotes, do you? Turns out it’s a brothel that caters to pedophiles and one of 47’s targets frequents it. It feels like it was done purely to make the target more evil. Like Dietz couldn’t come up with anything else other than “just make him a pedophile!”
47 is just wrong in this book. He doesn’t behave like his source material. Game 47 is cold, robotic and professional to a fault. Book 47 is clumsy, cruel, crude and at times, extremely stupid. For example, once he catches up to Marla, his plan is to slip a tracker onto her so she can lead him back to her employer. 47 could have done this a number of ways, one including an homage to the games where he slips a tracker onto her car after he discovers it. No. 47’s plan is to break into her houseboat, confront her directly and blowing his cover, nearly get beaten by her, subdue her and force her to strip naked (why?) and then set her house on fire revealing LATER that he slipped the tracker into her purse and basically just hoped she would grab her purse as she escaped. It’s nonsense. Why was she stripped naked? Was this just to entice readers?
There’s another scene where 47 flips off Diana and says “screw you.” That’s so out of character I was certain a rival agent was impersonating 47.
There’s long scenes that demonstrate how particular 47 is when coming home. This is to showcase how paranoid and careful he is. He spot welds a tiny wire on his door and if it’s broken, someone was or is in his room. He methodically clears his room before he rests, keeps his silverballer pistol in the shower, and another one on top of the toilet. He doesn’t sleep on his bed, as he believes that’s the first thing that will be shot if someone breaks in (I guess missing the bald guy laying next to it.) and when he goes to restaurants (ALL THE FUCKING TIME) he sits with his back to the wall, near an exit.
The book establishes that he is extremely careful. UNTIL he gets into action. Every. Single. Job. 47 fucks up in strange and avoidable ways. For example, in the big African job. He has to break into a church. He sits outside with a sniper rifle, kills a guard in the bell tower, then without even checking the surrounding area he leaps the fence and is caught not once but twice as he tries to break in. Once he has she shoots one target then tries to open dialogue with the other where he says “it’s nothing personal” which gives the target time to pull a gun and nearly shoot 47. Another one, he sees a tourist and decides it would make for a good disguise. He doesn’t knock out or sedate that tourist, he simply copies his look down to every detail. Then later, as he is casually strolling by the mansion of his target, Marla notices two completely identical people walking by and thinks “huh..” and has a sniper shoot one. It could easy have been 47 and even he gets frustrated on how careless he was.
Then there is Dietz’s writing. Oh my god. The absolute madness that is the prose of this book. Dietz is VERY obsessed with certain particulars that either slow down the book or make it look like he’s trying to show off. For example here is one line; “she looked scared, because she was!” That is horrendous writing. Dietz will add exclamation marks wherever he feels, there’s no rules here.
Any chapter that focuses on 47, except for possibly one, will go into excruciating detail about the restaurants he goes to and what he eats. Sometimes mere sentences apart where it’ll go into detail about where he goes for breakfast then onto dinner. Dietz is OBSESSED with “mom and pop” stores which the book loves to call them incessantly. That and Denny’s, I guess. I don’t know why he chose to do this. I started laughing out loud and my wife even became interested when it became a small meme between us about where 47 is going to eat next because it happens ALL. THE. TIME.
Anytime 47 uses an object, it just can’t be “he looked through the binoculars” or “he spoke into the walkie-talkie.” Dietz will go on at length calling the object by name and model number. “47 picked up the NIKON MONARCH 5 10x42 binoculars” yes, he even includes the magnification number. And once that name is established HE DOESNT SHORTEN IT. It will always be referred to as Nikon Monarch 5 10x42 binoculars, any other time it’s referred to. And it’s not just binos. It’s walkis-talkies, vehicles, weapons, suits, televisions, tools, aircraft, and a straight razor. Even a goddamn straight razor.
Then there’s his weird fixation on calling objects and places what they are called in their local language. Anytime 47 is outside of America, Dietz will jump back and forth between calling objects by the language the book is written in and the language of the setting. This can be interesting if done once or twice…but he keeps doing it… even for small things like a mound. Where he will call the mound by its local name then put (mound) right next to it. Over and over again.
And it isn’t even always correct.
For example. The main antagonist group and rival agency is French, and is called “Puissance Treize“ or Power of Thirteen. This isn’t correct as it should be “La puissance de treize.”
Despite all of this, I still had fun with it. Albeit, it was at the book’s expense most of the time. This book is considered canon so, for better or worse, this is part of 47’s story.