Sobre el estilo. Tres ensayos inéditos

by Erwin Panofsky

Los tres ensayos que aquí se presentan suman al atractivo de ser inéditos el hecho de abordar un tema poco frecuente en la obra de Panofsky: el estilo. «Qué es el Barroco» indaga en la relación de un estilo con su época. «Estilo y medio en la imagen cinematográfica» emprende un recorrido por la historia del cine para revelar las posibilidades expresivas de un medio que debe su existencia a una invención tecnológica. El último de los ensayos lleva por divertido título «Los antecedentes ideológicos del radiador del Rolls-Royce» y analiza las constantes intemporales que el carácter de un pueblo ?el británico? impone a su arte. Los ensayos sobre el Barroco y el cine fueron escritos en 1934. El artículo sobre el Rolls-Royce es de 1962. La originalidad y profundidad con la que Panofsky trata estos temas tiene como contrapunto una exposición nada artificiosa y sumamente reveladora de su talento y calidad humana. Los tres ensayos se completan con una introducción de Irving Lavin, sucesor de Panofsky en su cátedra de Princeton, y una memoria biográfica a cargo de William Heckscher, discípulo, amigo íntimo y compañero de emigración de Panofsky.

Genres: Art, Nonfiction, History, Art History

256 pages, Paperback

First published January 1, 1995

About the author

Erwin Panofsky was a German art historian, whose academic career was pursued almost entirely in the U.S. after the rise of the Nazi regime. In 1935, while teaching concurrently at New York University and Princeton University (something he continued to do his entire career), he was invited to join the faculty of the newly formed Institute for Advanced Study at Princeton. From 1947 to 1948 Panofsky was the Charles Eliot Norton professor at Harvard University.

Panofsky's work remains highly influential in the modern academic study of iconography. Many of his works remain in print, including Studies in Iconology: Humanist Themes in the Art of the Renaissance (1939), and his eponymous 1943 study of Albrecht Dürer. His work has greatly influenced the theory of taste developed by French sociologist Pierre Bourdieu, in books such as The Rules of Art or Distinction. In particular, Bourdieu first adapted his notion of habitus from Panofsky's Gothic Architecture and Scholasticism.

Reviews

[Cerys · Rating 5 out of 5]

Only read the essay 'what is baroque?' might read the others later but it was really good and the ending was a bit mad considering panofsky's saying that the Renaissance didn't truly end until the industrial revolution and the rise of the machine which he predicts will be the decline of humanity and that it may potentially put an end to generations to come - which like it defo could. also interesting to talk about the true sense of humour and the invention of the caricature. who knew the baroque would actually be intensely interesting. Also saying that the true Renaissance is the whole period where man became more interesting than god, and it is now over because antihuman and artificial forces are now becoming more interesting than man and nature is a HOT TAKE. i didn't like panofsky before this essay but this essay genuinely is one of the most interesting texts i've ever read.

[Rafel Socias · Rating 5 out of 5]

El llibre aplega tres articles d'Erwin Panofsky sobre l'estil. Molt interessant, sobretot quan explica les influències de l'art anglès des de la conquesta normanda a partir del frontal dels Rolls Royce. Original i entretingut.

[lisaggi · Rating 4 out of 5]

Molto interessante l'inclusione di 3 argomenti così diversi all'interno del libro e molto interessante come, dall'arte inglese e dai giardini si arrivi alla Rolls Royce. Consigliato agli esperti ed agli appassionati d'arte e di discipline artistiche.