Unlike the previous two installments, this collection only contains 4 stories (instead of the usual ten.) That works very much to its favor, however, as it means that not only do we get longer stories (which means that we better understand the slayer and her Watcher's motivations in each story a lot better), but we get more complete plot lines to go with them.
Add in to that the fact that these four stories are by four of the strongest Buffy novel writers, and you had me sold from the idea alone.
Dark of the Moon by Yvonne Navarro: For the first time, we get a *real* Native American Slayer story. Not only that, but it also deals with the mystery of the Anasazi tribe (simply known amongst the tribe itself as "The People") of Mesa Verde. I remember learning about this mysterious tribe of Native Americans in grade school and listening raptly to my teacher as she explained that everyone appeared to have vanished. As I got older, I learned that this vanishing was not overnight as my 8 year old mind had assumed when I first heard of it, but I still always theorized and fictionalized certain events of how and why it may have happened. Navarro's "Buffyverse" explanation works quite well, and makes the "truth" of the story even more tragic than regular history would theorize. For the most part, this story is rather straight forward -- a girl brought to the tribe in her infancy with the potential to be a great warrior one day is later made into the Slayer through a ceremony among the shamans of her tribe; however, she is told little about the enemy she must fight and unknowingly leaves vampires in adobes, thinking they are the remains that should be returned to a family. Dark of the Moon sadly does not have the benefit of a Watcher to explain things to her, and this story illustrates in a quite brutal way how doomed a Slayer is that lacks a Watcher with solid understanding. A slightly depressing story to start with, but it packs a punch.
Ch'ing Shih by Mel Odom: The first of two Asian Slayer stories in this collection. I was shocked at how vicious the description of humans killing humans was from the very beginning of this story. While there is, naturally, a vampire causing trouble in the tale of this Chinese Slayer (named Xiaoquin), the English and American mercenaries that are pillaging China and its citizens are equally as terrible in this story, if not more so. Vampires lack souls, which makes their atrocious acts the work of base animals; humans do have souls and act just as savagely, which makes them monsters. While the plot is, as usual with a vampire enemy, very straight forward, the Slayer herself in this story fascinates me. She is a peasant in Shanghai, China, and raised in a society that not only devalues women, it sees them as completely valueless. So the Slayer (who does not believe in the tales of the Slayer that her kind martial arts master told her) picks up these girls of varying ages in Shanghai and hides them in a basement, thieving from the rich to feed them as best as she can. And that's *before* she starts beating people up merely to protect them.
Not only that, but for a portion of this story, the reader is posed an interesting question through the narrative: what happened to Slayers who did not die, but physically could no longer do the work of the Slayer? It was an interesting dilemma and one I think could have done with a longer discussion, but the pitfall of short stories is that you have to keep the plot moving in less than 100 pages. So, it raised the question, but gave a short, somewhat pithy answer.
In a short story though, we got a lot of Chinese history, and reminders that misogyny and racism are not new in any culture of the world. They've always been here, and they've always sucked.
Voodoo Lounge by Christopher Golden: TINSELTOWN!! Sorry, I love classic Hollywood, and this story was an absolute revel. In 1940, Eleanor Boudreau is the Slayer and is visiting Los Angeles for the first time ever, and she is looking for a man. A specific one, of course; she's not looking for a hookup or to make it big on the Hollywood screens, though she loves to go to the movies. She eventually finds herself in a seedy club that is an even mix of famous Hollywood stars and executives, sitting right beside demons and vampires. (I kept picturing the club Lorne owns in Angel, "Caritas," but obviously from before Lorne crossed over from Pylea.) Eleanor quickly finds herself involved in a gumshoe style mystery -- what happened to the missing Watcher she came to Hollywood to find, and what (or who) is killing non-violent demons not far from the Voodoo Lounge?
It's a fun little adventure whose one pitfall is that Golden indulges his obvious fanboy love of classic movies a little too much at times. I mean, who wouldn't freak out about meeting Clark Gable? But Eleanor meets numerous actors and actresses over the course of one night, and she thinks numerous times "This is my favourite!" even though she thought the same thing about a completely different person five minutes before. As a fangirl, I can definitely understand it (cos I have a lot of favorites), but it gets distracting in the story. And I also was greatly distracted the whole story by Eleanor dumbfoundness about meeting an unnamed actor at the beginning of the story, but Golden NEVER TELLS US WHO IT IS. I get that it's a writing ploy so that, if you know any famous actors from the period, you can put any actor's face you want to in there, but I wonder how Golden was picturing as he penned the scene. Cary Grant? Jimmy Stewart? Franchot Tone? Lionel Barrymore? Inquiring minds want to know...
The Code of the Samurai by Nancy Holder: This story was set in 1993, and given that we know Buffy was called in 1995, I wonder if this is the Slayer that directly preceded Buffy or if there were a few in between. How long did 15 year old India last as the Slayer? Given how well she fought a 300 year old samurai vampire I would think she would survive for a bit. It would seem kind of lame if she can best such an ominous foe and then killed by a baby!vamp or something.
I enjoyed this subversion of the classic story about the 47 Ronin. It's always interesting to take a traditional hero story and ask the question of, "What if they weren't really the heroes we painted them to be?" This story attempts to do that and accomplishes it quite well. It even includes a detailed explanation of seppuku, which is a tradition that Holder wrote about in a previous Buffy novel "Blooded," which was one of my favorites way back in the day. Stories about samurai beliefs and tradition are obviously very fascinating and important to Nancy Holder, and she treats it with reverence in this work, even while turning a hero story into an unwilling villain story.
All in all, this was a fun collection of short stories that had a lot more to sink one's teeth into in terms of lore and Slayer character than the previous collections had allowed. A series of fun adventures for a weekday afternoon.