Kirin Narayan’s imagination was captured the very first time that, as a girl visiting the Himalayas, she heard Kangra women join their voices together in song. Returning as an anthropologist, she became fascinated by how they spoke of singing as a form of enrichment, bringing feelings of accomplishment, companionship, happiness, and even good health—all benefits of the “everyday creativity” she explores in this book. Part ethnography, part musical discovery, part poetry, part memoir, and part unforgettable portraits of creative individuals, this unique work brings this remote region in North India alive in sight and sound while celebrating the incredible powers of music in our lives.
With rare and captivating eloquence, Narayan portrays Kangra songs about difficulties on the lives of goddesses and female saints as a path to well-being. Like the intricate geometries of mandalu patterns drawn in courtyards or the subtle balance of flavors in a meal, well-crafted songs offer a variety of deeply meaningful as a way of making something of value, as a means of establishing a community of shared pleasure and skill, as a path through hardships and limitations, and as an arena of renewed possibility. Everyday Creativity makes big the small world of Kangra song and opens up new ways of thinking about what creativity is to us and why we are so compelled to engage it.
Kirin Narayan was born in India to an American mother and Indian father, and moved to the United States to attend college. As a graduate student, she studied cultural anthropology and folklore at the University of California—Berkeley, writing a dissertation on storytelling as a form of religious teaching through an ethnography of a Hindu holy man in Western India who often communicated teachings through vivid folk narratives. The book that resulted, Storytellers, Saints and Scoundrels: Folk Narrative in Hindu Religious Teaching (1989), won the first Victor Turner Prize for Ethnographic Writing from the American Anthropological Association and was co-winner of the Elsie Clews Prize for Folklore from the American Folklore Society. She then wrote a novel, Love, Stars and All That (1994) that was included in the Barnes and Nobles Discover Great New Writers program. In the course of researching women’s oral traditions in Kangra, Northwest Himalayas, she collaborated with Urmila Devi Sood to bring together a book of tales in the local dialect with discussions of their meaning and ethnographic context in Mondays on the Dark Night of the Moon: Himalayan Foothill Folktales (1997). An interest in family stories and diasporic experience inspired her to write My Family and Other Saints<?i> (2007), a memoir about spiritual quests. Her most recent book is Alive in the Writing: Crafting Ethnography in the Company of Chekhov (2012).
Kirin Narayan has received support from the National Endowment for the Humanities, the American Institute of Indian Studies, the School of American Research, the John Simon Guggenheim Memorial Foundation, the Social Science Research Council, the University of Wisconsin Institute for Research in the Humanities, and the University of Wisconsin Graduate School. She received a Chancellor’s Distinguished Teaching Award from the University of Wisconsin in 2011. Since 2001, she has served as an editor for the Series in Contemporary Ethnography at the University of Pennsylvania Press. She currently serves on the Committee of Selection for the John Simon Guggenheim Memorial Foundation.
Overall this was a pretty interesting book. I found the beginning to be a little slow and the whole book had some redundant elements to it, but it was funny, heartwarming and I’m happy to have read it.