Though this likely deserves 1 star (or none), I try to reserve 1 star-reviews for dangerously bad books, offensively flawed books, and the occasional John Piper book, though, thankfully, it has been several years since I've read any of his offerings. So 2 stars, because Mr. Goldin isn't Piper or Platt, and he probably genuinely liked Star Trek, and of course one must make allowances for the '70s. That surely sounds patronizing, and I certainly don't mean it in the same way 2000s Doctor Who makers patronizingly speak of making allowances for "Classic Who." I mean it in the sense that these '70s ST authors likely genuinely enjoyed ST (not counting Joe Haldeman, of course) but hadn't seen episodes for years, who knows how infrequently reruns were shown, they had no vhs episodes to review nor DVD or Blu-Ray seasons to enjoy, so they were likely doing their best under circumstances there but for the grace of God go we today. (Head pat, head pat.)
I have been carrying these around for decades and started reading them in the 2020s; oddly fitting, as, like the years of this decade, these pre-Pocket books (an admittedly anachronistic and unfair appellation) continually vie with each other to be the worst of the series, as these years are competing with each other to be the worst of the decade if not all-time.
What makes this one so bad, you ask? Is it the trying-to-be-quaint but wholly-inexcusable-regardless-of-"the times" racism? the radical shift in tone and subject after 40-some pages? the incessant MST3K-like bad movie narration that tells and tells and tells but never shows, including the thoughts and motivations of mindless, yea, non-existent creations? the total garbage ending that has no respect for the characters, the conflict, the values of the series, or the audience? Yep. And more.
It starts off with a decent premise: a somewhat forgotten/neglected colony world that should have more respect and attention from the Federation, if for no other reason than it was founded by a hero of the early days of space exploration, gets further snubbing from the Federation until tragedy strikes and Captain Kirk's humanity awakens. This awakening occurs shortly after his libido has lead him to try to seduce the young daughter of the aforementioned hero while he is busy dying in Sickbay. Kirk's humanity helps him realize it is the Enterprise's duty to rescue the 600-some doomed colonists as soon as possible, especially since no other ship is near enough to do anything in time, as one expects. While the book proceeds to get a tad too heavy-handed with the technical aspects of how a ship designed for 430 people could cope (or not) with 600 more people, the premise sets up the audience for a fairly intriguing, different kind of story.
And then Mr. Goldin changes his mind completely and turns the book into a sub-junior-high-quality pastiche (the technical term is "pile of refuse," but I'm trying to be generous) of fantasy tropes for about one hundred pages. We get to watch our brave bridge crew watch other beings do things for over half the book. I've just made it sound much more active and interesting than it really is, sorry about that. Seriously, the characters move around in a herd like your least favorite fifth grade museum field trip for most of the book, doing nought but commenting on what they see. I think it was supposed to be fun and/or funny, but I have difficulty imagining even the poor, misguided souls of the '70s (what with their wide ties and disco ducks), desperate as they were for more Star Trek, found this story fun or funny.
Fortunately, it eventually ends, but the less said about the ending the better, as intimated above. It's not like a good resolution for the initial premise would have been difficult to achieve, considering the developments in the pastiche section, which makes the ending as given especially infuriating.
It's not a good Star Trek story, no. It's a stretch even to call it a bad Star Trek story, as that would require calling this a Star Trek story. It could have been one, possibly a good one, even if more of a technical, infrastructure-driven story about rescuing a colony and coping with double the passenger capacity with a skeleton crew. If you must read all the old ST books, read it. If not, you can easily skip this one.