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犬夜叉 [Inuyasha ] #25
Inu Yasha, Band 25
Inu Yasha und seine Freunde stellen sich Naraku tapfer entgegen. Doch der Gegner ist übermächtig und keine Technik zeigt Wirkung. Miroku, der nun seine Chance sieht, Naraku endgültig zu vernichten, setzt sein Kazaana ein. Dabei wird er jedoch so schwer verletzt, dass nur noch Kikyo ihm helfen kann. Doch Mirokus Wunden gehen tief. Schafft Kikyo es, ihn vollständig zu heilen?
- GenresManga
354 pages, Paperback
Published March 3, 2016
3 people are currently reading
46 people want to read
About the author
Rumiko Takahashi
1,584 books2,142 followersRumiko Takahashi (高橋留美子) was born in Niigata, Japan. She is not only one of the richest women in Japan but also one of the top paid manga artists. She is also the most successful female comic artist in history. She has been writing manga non-stop for 31 years.
Rumiko Takahashi is one of the wealthiest women in Japan. The manga she creates (and its anime adaptations) are very popular in the United States and Europe where they have been released as both manga and anime in English translation. Her works are relatively famous worldwide, and many of her series were some of the forerunners of early English language manga to be released in the nineties. Takahashi is also the best selling female comics artist in history; well over 100 million copies of her various works have been sold.
Though she was said to occasionally doodle in the margins of her papers while attending Niigata Chūō High School, Takahashi's interest in manga did not come until later. During her college years, she enrolled in Gekiga Sonjuku, a manga school founded by Kazuo Koike, mangaka of Crying Freeman and Lone Wolf and Cub. Under his guidance Rumiko Takahashi began to publish her first doujinshi creations in 1975, such as Bye-Bye Road and Star of Futile Dust. Kozue Koike often urged his students to create well-thought out, interesting characters, and this influence would greatly impact Rumiko Takahashi's works throughout her career.
Career and major works:
Takahashi's professional career began in 1978. Her first published story was Those Selfish Aliens, a comedic science fiction story. During the same year, she published Time Warp Trouble, Shake Your Buddha, and the Golden Gods of Poverty in Shōnen Sunday, which would remain the home to most of her major works for the next twenty years. Later that year, Rumiko attempted her first full-length series, Urusei Yatsura. Though it had a rocky start due to publishing difficulties, Urusei Yatsura would become one of the most beloved anime and manga comedies in Japan.
In 1980, Rumiko Takahashi found her niche and began to publish with regularity. At this time she started her second major series, Maison Ikkoku, in Big Comic Spirits. Written for an older audience, Maison Ikkoku is often considered to be one of the all-time best romance manga. Takahashi managed to work on Maison Ikkoku on and off simultaneously with Urusei Yatsura. She concluded both series in 1987, with Urusei Yatsura ending at 34 volumes, and Maison Ikkoku being 15.
During the 1980s, Takahashi became a prolific writer of short story manga, which is surprising considering the massive lengths of most of her works. Her stories The Laughing Target, Maris the Chojo, and Fire Tripper all were adapted into original video animations (OVAs). In 1984, after the end of Urusei Yatsura and Maison Ikkoku, Takahashi took a different approach to storytelling and began the dark, macabre Mermaid Saga. This series of short segments was published sporadically until 1994, with the final story being Mermaid's Mask. Many fans contend that this work remains unfinished by Takahashi, since the final story does not end on a conclusive note.
Another short work left untouched is One-Pound Gospel, which, like Mermaid Saga, was published erratically. The last story to be drawn was published in 2001, however just recently she wrote one final chapter concluding the series
Later in 1987, Takahashi began her third major series, Ranma ½. Following the late 80s and early 90s trend of shōnen martial arts manga, Ranma ½ features a gender-bending twist. The series continued for nearly a decade until 1996, when it ended at 38 volumes. Ranma ½ is one of Rumiko Takahashi's most popular series with the Western world.
During the later half of the 1990s, Rumiko Takahashi continued with short stories and her installments of Mermaid Saga and One-Pound Gospel until beginning her fourth major work, InuYasha. While Ran
Rumiko Takahashi is one of the wealthiest women in Japan. The manga she creates (and its anime adaptations) are very popular in the United States and Europe where they have been released as both manga and anime in English translation. Her works are relatively famous worldwide, and many of her series were some of the forerunners of early English language manga to be released in the nineties. Takahashi is also the best selling female comics artist in history; well over 100 million copies of her various works have been sold.
Though she was said to occasionally doodle in the margins of her papers while attending Niigata Chūō High School, Takahashi's interest in manga did not come until later. During her college years, she enrolled in Gekiga Sonjuku, a manga school founded by Kazuo Koike, mangaka of Crying Freeman and Lone Wolf and Cub. Under his guidance Rumiko Takahashi began to publish her first doujinshi creations in 1975, such as Bye-Bye Road and Star of Futile Dust. Kozue Koike often urged his students to create well-thought out, interesting characters, and this influence would greatly impact Rumiko Takahashi's works throughout her career.
Career and major works:
Takahashi's professional career began in 1978. Her first published story was Those Selfish Aliens, a comedic science fiction story. During the same year, she published Time Warp Trouble, Shake Your Buddha, and the Golden Gods of Poverty in Shōnen Sunday, which would remain the home to most of her major works for the next twenty years. Later that year, Rumiko attempted her first full-length series, Urusei Yatsura. Though it had a rocky start due to publishing difficulties, Urusei Yatsura would become one of the most beloved anime and manga comedies in Japan.
In 1980, Rumiko Takahashi found her niche and began to publish with regularity. At this time she started her second major series, Maison Ikkoku, in Big Comic Spirits. Written for an older audience, Maison Ikkoku is often considered to be one of the all-time best romance manga. Takahashi managed to work on Maison Ikkoku on and off simultaneously with Urusei Yatsura. She concluded both series in 1987, with Urusei Yatsura ending at 34 volumes, and Maison Ikkoku being 15.
During the 1980s, Takahashi became a prolific writer of short story manga, which is surprising considering the massive lengths of most of her works. Her stories The Laughing Target, Maris the Chojo, and Fire Tripper all were adapted into original video animations (OVAs). In 1984, after the end of Urusei Yatsura and Maison Ikkoku, Takahashi took a different approach to storytelling and began the dark, macabre Mermaid Saga. This series of short segments was published sporadically until 1994, with the final story being Mermaid's Mask. Many fans contend that this work remains unfinished by Takahashi, since the final story does not end on a conclusive note.
Another short work left untouched is One-Pound Gospel, which, like Mermaid Saga, was published erratically. The last story to be drawn was published in 2001, however just recently she wrote one final chapter concluding the series
Later in 1987, Takahashi began her third major series, Ranma ½. Following the late 80s and early 90s trend of shōnen martial arts manga, Ranma ½ features a gender-bending twist. The series continued for nearly a decade until 1996, when it ended at 38 volumes. Ranma ½ is one of Rumiko Takahashi's most popular series with the Western world.
During the later half of the 1990s, Rumiko Takahashi continued with short stories and her installments of Mermaid Saga and One-Pound Gospel until beginning her fourth major work, InuYasha. While Ran
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Displaying 1 - 9 of 9 reviews
August 6, 2021
Inuyasha 25
Naraku Tramposo
Luego, NOOOOOO
Este volumen tiene varios eventos importantes, incluido uno muy triste, ya perfilándose hacia el final, aunque también aparece un personaje nuevo en la ultima pagina
4.5
SPOILERS
Naraku Tramposo
Luego, NOOOOOO
Este volumen tiene varios eventos importantes, incluido uno muy triste, ya perfilándose hacia el final, aunque también aparece un personaje nuevo en la ultima pagina
4.5
SPOILERS
June 27, 2025
La muerte de Kikyo siempre me va a doler.
This entire review has been hidden because of spoilers.
November 13, 2025
Volume particolarmente intenso, in cui a farla da padrone è la figura di Kikyo - l'obiettivo era quello di purificare sia la sfera che Naraku (usando prima il frammento di Kohaku che si era liberato di tutte le tracce di energia maligna, e poi quelli di Koga), ma sarà costretta a soccombere.
In questo volume, quel merda di Naraku si divertirà a mettere alla prova Kikyo, Inuyasha e Kagome, cercando di contaminare l'animo di tutti e tre, in particolare quelle delle due donne, con emozioni negative. E se Kagome si ritroverà a dover ammettere il suo astio nei confronti della miko - dopotutto Kikyo e Inuyasha condividono un passato decisamente importante e non bisogna dimenticare che, senza le macchinazioni di Naraku, i due avrebbero potuto costruirsi una vita insieme -, nemmeno Kikyo se la passa troppo bene, visto che rabbia e invidia le fanno compagnia fin dal momento della sua rinascita. Ma, alla fine, Kikyo affiderà a Kagome il compito di purificare la sfera e mettere la parola fine alla minaccia rappresentata da Naraku.
La scomparsa di Kikyo è, ovviamente, un duro colpo anche per Inuyasha, d'altra parte lei è stata la prima donna che abbia mai amato e il suo arrivo, nel bel mezzo dello scontro con Naraku, ha permesso alla donna di spirare non tra le braccia della creatura più odiata, ma tra quelle della persona che ha amato di più.
E così alla fine di questa volume, ci troviamo con Kikyo scomparsa definitivamente, con Koga che ha perso i suoi frammenti della sfera, con Miroku conciato abbastanza male, e con Kohaku che si è unito al gruppo di Sesshomaru.
Arrivati a questo punto della storia, è interessante notare la crescita di Inuyasha, ormai non solo mosso dal desiderio di vendicarsi di Naraku, ma anche sinceramente affezionato ai suoi compagni di viaggio (Koga incluso), desideroso di proteggerli. E decisamente meno incline a voler mazzulare di botte qualsiasi poverino gli si pari davanti. Non male, direi.
In questo volume, quel merda di Naraku si divertirà a mettere alla prova Kikyo, Inuyasha e Kagome, cercando di contaminare l'animo di tutti e tre, in particolare quelle delle due donne, con emozioni negative. E se Kagome si ritroverà a dover ammettere il suo astio nei confronti della miko - dopotutto Kikyo e Inuyasha condividono un passato decisamente importante e non bisogna dimenticare che, senza le macchinazioni di Naraku, i due avrebbero potuto costruirsi una vita insieme -, nemmeno Kikyo se la passa troppo bene, visto che rabbia e invidia le fanno compagnia fin dal momento della sua rinascita. Ma, alla fine, Kikyo affiderà a Kagome il compito di purificare la sfera e mettere la parola fine alla minaccia rappresentata da Naraku.
La scomparsa di Kikyo è, ovviamente, un duro colpo anche per Inuyasha, d'altra parte lei è stata la prima donna che abbia mai amato e il suo arrivo, nel bel mezzo dello scontro con Naraku, ha permesso alla donna di spirare non tra le braccia della creatura più odiata, ma tra quelle della persona che ha amato di più.
E così alla fine di questa volume, ci troviamo con Kikyo scomparsa definitivamente, con Koga che ha perso i suoi frammenti della sfera, con Miroku conciato abbastanza male, e con Kohaku che si è unito al gruppo di Sesshomaru.
Arrivati a questo punto della storia, è interessante notare la crescita di Inuyasha, ormai non solo mosso dal desiderio di vendicarsi di Naraku, ma anche sinceramente affezionato ai suoi compagni di viaggio (Koga incluso), desideroso di proteggerli. E decisamente meno incline a voler mazzulare di botte qualsiasi poverino gli si pari davanti. Non male, direi.
May 29, 2021
Que intenso ese beso... Kykyo no terminaba de agradar pero meh
November 19, 2025
Uno dei volumi più commoventi di Inuyasha, non dico altro.
November 29, 2025
Come sempre anche questo volume l'ho trovato bellissimo, avvincente e anche divertente a volte.
January 10, 2026
Sicuramente, finora, il migliore della serie ❤️🔥
July 4, 2022
También aumentan los conflictos de nuestros protagonistas; el monje miroku les oculta la gravedad de su agujero negro ya que cada vez va creciendo más y más y si no consiguen acabar con naraku a tiempo nertimara ciendo absorbido como lo fue su padre antes que el.
Sango solo busca recuperar la livertad del cuerpo y el alma de su hermano.
Kagome, kikyo e inuyasha están en lo que parece ser un eterno triángulo amoroso con momentos cada vez más incómodos que los anteriores y kagome cada día debe probarse así misma y ser la única que puede salvar a kikyo y destruir su estabilidad emocional mientras inuyasha espera sentado con kikyo en brazos.
Para acabarla naraku toma a kikyo la hiere estavez sin remedio (al fin ) y muere en brazos de inuyasha mientras kagome mira como se besan por última vez. ( ja a ella nunca la a besado que poca).
Sango solo busca recuperar la livertad del cuerpo y el alma de su hermano.
Kagome, kikyo e inuyasha están en lo que parece ser un eterno triángulo amoroso con momentos cada vez más incómodos que los anteriores y kagome cada día debe probarse así misma y ser la única que puede salvar a kikyo y destruir su estabilidad emocional mientras inuyasha espera sentado con kikyo en brazos.
Para acabarla naraku toma a kikyo la hiere estavez sin remedio (al fin ) y muere en brazos de inuyasha mientras kagome mira como se besan por última vez. ( ja a ella nunca la a besado que poca).
This entire review has been hidden because of spoilers.
March 5, 2016
The manga stops at the most exciting scene? Come on! Now I have to wait a month for the next volume. That's no bloody good!
Displaying 1 - 9 of 9 reviews