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犬夜叉 [Inuyasha ] #29
Inu Yasha, Band 29
Kohaku trägt den letzten Splitter des Juwels der vier Seelen in sich, der mittlerweile jedoch so stark mit böser Energie verunreinigt ist, dass Kohaku das Bewusstsein verliert. Durch eine List schafft es Magatsuhi von dem Körper des Jungen Besitz zu ergreifen und stellt sich Inu Yasha und seinen Freunden entgegen. Schafft Inu Yasha es, Magatsuhi zu besiegen und Kohaku wohlbehalten zurückzubringen?
- GenresManga
354 pages, Paperback
Published July 1, 2016
About the author
Rumiko Takahashi
1,589 books2,199 followersRumiko Takahashi (高橋留美子) was born in Niigata, Japan. She is not only one of the richest women in Japan but also one of the top paid manga artists. She is also the most successful female comic artist in history. She has been writing manga non-stop for 31 years.
Rumiko Takahashi is one of the wealthiest women in Japan. The manga she creates (and its anime adaptations) are very popular in the United States and Europe where they have been released as both manga and anime in English translation. Her works are relatively famous worldwide, and many of her series were some of the forerunners of early English language manga to be released in the nineties. Takahashi is also the best selling female comics artist in history; well over 100 million copies of her various works have been sold.
Though she was said to occasionally doodle in the margins of her papers while attending Niigata Chūō High School, Takahashi's interest in manga did not come until later. During her college years, she enrolled in Gekiga Sonjuku, a manga school founded by Kazuo Koike, mangaka of Crying Freeman and Lone Wolf and Cub. Under his guidance Rumiko Takahashi began to publish her first doujinshi creations in 1975, such as Bye-Bye Road and Star of Futile Dust. Kozue Koike often urged his students to create well-thought out, interesting characters, and this influence would greatly impact Rumiko Takahashi's works throughout her career.
Career and major works:
Takahashi's professional career began in 1978. Her first published story was Those Selfish Aliens, a comedic science fiction story. During the same year, she published Time Warp Trouble, Shake Your Buddha, and the Golden Gods of Poverty in Shōnen Sunday, which would remain the home to most of her major works for the next twenty years. Later that year, Rumiko attempted her first full-length series, Urusei Yatsura. Though it had a rocky start due to publishing difficulties, Urusei Yatsura would become one of the most beloved anime and manga comedies in Japan.
In 1980, Rumiko Takahashi found her niche and began to publish with regularity. At this time she started her second major series, Maison Ikkoku, in Big Comic Spirits. Written for an older audience, Maison Ikkoku is often considered to be one of the all-time best romance manga. Takahashi managed to work on Maison Ikkoku on and off simultaneously with Urusei Yatsura. She concluded both series in 1987, with Urusei Yatsura ending at 34 volumes, and Maison Ikkoku being 15.
During the 1980s, Takahashi became a prolific writer of short story manga, which is surprising considering the massive lengths of most of her works. Her stories The Laughing Target, Maris the Chojo, and Fire Tripper all were adapted into original video animations (OVAs). In 1984, after the end of Urusei Yatsura and Maison Ikkoku, Takahashi took a different approach to storytelling and began the dark, macabre Mermaid Saga. This series of short segments was published sporadically until 1994, with the final story being Mermaid's Mask. Many fans contend that this work remains unfinished by Takahashi, since the final story does not end on a conclusive note.
Another short work left untouched is One-Pound Gospel, which, like Mermaid Saga, was published erratically. The last story to be drawn was published in 2001, however just recently she wrote one final chapter concluding the series
Later in 1987, Takahashi began her third major series, Ranma ½. Following the late 80s and early 90s trend of shōnen martial arts manga, Ranma ½ features a gender-bending twist. The series continued for nearly a decade until 1996, when it ended at 38 volumes. Ranma ½ is one of Rumiko Takahashi's most popular series with the Western world.
During the later half of the 1990s, Rumiko Takahashi continued with short stories and her installments of Mermaid Saga and One-Pound Gospel until beginning her fourth major work, InuYasha. While Ran
Rumiko Takahashi is one of the wealthiest women in Japan. The manga she creates (and its anime adaptations) are very popular in the United States and Europe where they have been released as both manga and anime in English translation. Her works are relatively famous worldwide, and many of her series were some of the forerunners of early English language manga to be released in the nineties. Takahashi is also the best selling female comics artist in history; well over 100 million copies of her various works have been sold.
Though she was said to occasionally doodle in the margins of her papers while attending Niigata Chūō High School, Takahashi's interest in manga did not come until later. During her college years, she enrolled in Gekiga Sonjuku, a manga school founded by Kazuo Koike, mangaka of Crying Freeman and Lone Wolf and Cub. Under his guidance Rumiko Takahashi began to publish her first doujinshi creations in 1975, such as Bye-Bye Road and Star of Futile Dust. Kozue Koike often urged his students to create well-thought out, interesting characters, and this influence would greatly impact Rumiko Takahashi's works throughout her career.
Career and major works:
Takahashi's professional career began in 1978. Her first published story was Those Selfish Aliens, a comedic science fiction story. During the same year, she published Time Warp Trouble, Shake Your Buddha, and the Golden Gods of Poverty in Shōnen Sunday, which would remain the home to most of her major works for the next twenty years. Later that year, Rumiko attempted her first full-length series, Urusei Yatsura. Though it had a rocky start due to publishing difficulties, Urusei Yatsura would become one of the most beloved anime and manga comedies in Japan.
In 1980, Rumiko Takahashi found her niche and began to publish with regularity. At this time she started her second major series, Maison Ikkoku, in Big Comic Spirits. Written for an older audience, Maison Ikkoku is often considered to be one of the all-time best romance manga. Takahashi managed to work on Maison Ikkoku on and off simultaneously with Urusei Yatsura. She concluded both series in 1987, with Urusei Yatsura ending at 34 volumes, and Maison Ikkoku being 15.
During the 1980s, Takahashi became a prolific writer of short story manga, which is surprising considering the massive lengths of most of her works. Her stories The Laughing Target, Maris the Chojo, and Fire Tripper all were adapted into original video animations (OVAs). In 1984, after the end of Urusei Yatsura and Maison Ikkoku, Takahashi took a different approach to storytelling and began the dark, macabre Mermaid Saga. This series of short segments was published sporadically until 1994, with the final story being Mermaid's Mask. Many fans contend that this work remains unfinished by Takahashi, since the final story does not end on a conclusive note.
Another short work left untouched is One-Pound Gospel, which, like Mermaid Saga, was published erratically. The last story to be drawn was published in 2001, however just recently she wrote one final chapter concluding the series
Later in 1987, Takahashi began her third major series, Ranma ½. Following the late 80s and early 90s trend of shōnen martial arts manga, Ranma ½ features a gender-bending twist. The series continued for nearly a decade until 1996, when it ended at 38 volumes. Ranma ½ is one of Rumiko Takahashi's most popular series with the Western world.
During the later half of the 1990s, Rumiko Takahashi continued with short stories and her installments of Mermaid Saga and One-Pound Gospel until beginning her fourth major work, InuYasha. While Ran
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Displaying 1 - 5 of 5 reviews
August 13, 2021
Termina la pelea con Magatsuhi, y de ahi directo a la pelea final con Naraku, y que tiene su complicaciones.
Buen volumen , emocionante.
4 star
Buen volumen , emocionante.
4 star
August 6, 2026
3.5 per Kohaku.
Per il resto, ormai queste sono le battute finali e non c'è più nulla di particolarmente profondo o toccante da dire o da fare. Solo lo spettacolare battaglione finale da shonen classico. Che però con i disegni perfetti della reginetta Takahashi è un vero portento, almeno su questo non ci pioverà mai.
Bella l'intervista finale di Rumiko sulla figura di Naraku.
(Nota a caldo: "perché siccome la storia è nata tutta da lì non ho mai pensato di togliere Naraku per un boss superiore, doveva concludersi con lui"... e meno male, eh! Con 10 volumi da metà serie stiracchiati fino all'inverosimile tra bande dei sette e Moryomaru vari per un po' avevo messo di sperarci. Erano proprio altri tempi... e comunque tecnicamente Magatsuhi lo batte.)
E mentre Star Comics posticipa l'ultimo volume della Wide Edition per altri 2 mesi, a questo punto prima del gran finale potrei anche recuperare la serie animata...
Per il resto, ormai queste sono le battute finali e non c'è più nulla di particolarmente profondo o toccante da dire o da fare. Solo lo spettacolare battaglione finale da shonen classico. Che però con i disegni perfetti della reginetta Takahashi è un vero portento, almeno su questo non ci pioverà mai.
Bella l'intervista finale di Rumiko sulla figura di Naraku.
(Nota a caldo: "perché siccome la storia è nata tutta da lì non ho mai pensato di togliere Naraku per un boss superiore, doveva concludersi con lui"... e meno male, eh! Con 10 volumi da metà serie stiracchiati fino all'inverosimile tra bande dei sette e Moryomaru vari per un po' avevo messo di sperarci. Erano proprio altri tempi... e comunque tecnicamente Magatsuhi lo batte.)
E mentre Star Comics posticipa l'ultimo volume della Wide Edition per altri 2 mesi, a questo punto prima del gran finale potrei anche recuperare la serie animata...
June 16, 2021
Me lo terminé súper rápido! Todo esta muy interesante
July 31, 2026
Come sempre bello. appassionante e avvincente ma soprattutto romantico peccato che sia il penultimo volume.
July 5, 2022
Ahora naraku vuelve a manipular a kohaku y sango junto con los demás devén enfrentarlo sin hacerle daño, seshomaru interviene salvando a kohaku mientras Naraku trata de secuestrar a kagome.
Con cada enemigo nuestros amigos se ponen cada ves más a prueba de sus habilidades y de si mismos, con cada obstáculo se vuelven más fuertes y cada día están más preparados para la batalla final contra Naraku.
Cada personaje a tenido úna evolución bastante considerable en actitud, poder y personalidad y a llegado el momento de que todos unan sus fuerzas.
Con cada enemigo nuestros amigos se ponen cada ves más a prueba de sus habilidades y de si mismos, con cada obstáculo se vuelven más fuertes y cada día están más preparados para la batalla final contra Naraku.
Cada personaje a tenido úna evolución bastante considerable en actitud, poder y personalidad y a llegado el momento de que todos unan sus fuerzas.
This entire review has been hidden because of spoilers.
Displaying 1 - 5 of 5 reviews