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犬夜叉 [Inuyasha ] #30
Inu Yasha, Band 30
Der Endkampf beginnt: Inu Yasha und seine Freunde sehen sich nun Naraku persönlich gegenübergestellt und der ist dank des Juwels der vier Seelen so stark wie nie zuvor... Doch schafft Inu Yasha es, seinen übermächtigen Gegner zu bezwingen und den stark geschwächten Miroku zu retten? Im letzten Band der epischen Saga um den Juwel der vier Seelen kommt es zum finalen Showdown!
- GenresManga
354 pages, Paperback
Published August 3, 2016
2 people are currently reading
43 people want to read
About the author
Rumiko Takahashi
1,585 books2,142 followersRumiko Takahashi (高橋留美子) was born in Niigata, Japan. She is not only one of the richest women in Japan but also one of the top paid manga artists. She is also the most successful female comic artist in history. She has been writing manga non-stop for 31 years.
Rumiko Takahashi is one of the wealthiest women in Japan. The manga she creates (and its anime adaptations) are very popular in the United States and Europe where they have been released as both manga and anime in English translation. Her works are relatively famous worldwide, and many of her series were some of the forerunners of early English language manga to be released in the nineties. Takahashi is also the best selling female comics artist in history; well over 100 million copies of her various works have been sold.
Though she was said to occasionally doodle in the margins of her papers while attending Niigata Chūō High School, Takahashi's interest in manga did not come until later. During her college years, she enrolled in Gekiga Sonjuku, a manga school founded by Kazuo Koike, mangaka of Crying Freeman and Lone Wolf and Cub. Under his guidance Rumiko Takahashi began to publish her first doujinshi creations in 1975, such as Bye-Bye Road and Star of Futile Dust. Kozue Koike often urged his students to create well-thought out, interesting characters, and this influence would greatly impact Rumiko Takahashi's works throughout her career.
Career and major works:
Takahashi's professional career began in 1978. Her first published story was Those Selfish Aliens, a comedic science fiction story. During the same year, she published Time Warp Trouble, Shake Your Buddha, and the Golden Gods of Poverty in Shōnen Sunday, which would remain the home to most of her major works for the next twenty years. Later that year, Rumiko attempted her first full-length series, Urusei Yatsura. Though it had a rocky start due to publishing difficulties, Urusei Yatsura would become one of the most beloved anime and manga comedies in Japan.
In 1980, Rumiko Takahashi found her niche and began to publish with regularity. At this time she started her second major series, Maison Ikkoku, in Big Comic Spirits. Written for an older audience, Maison Ikkoku is often considered to be one of the all-time best romance manga. Takahashi managed to work on Maison Ikkoku on and off simultaneously with Urusei Yatsura. She concluded both series in 1987, with Urusei Yatsura ending at 34 volumes, and Maison Ikkoku being 15.
During the 1980s, Takahashi became a prolific writer of short story manga, which is surprising considering the massive lengths of most of her works. Her stories The Laughing Target, Maris the Chojo, and Fire Tripper all were adapted into original video animations (OVAs). In 1984, after the end of Urusei Yatsura and Maison Ikkoku, Takahashi took a different approach to storytelling and began the dark, macabre Mermaid Saga. This series of short segments was published sporadically until 1994, with the final story being Mermaid's Mask. Many fans contend that this work remains unfinished by Takahashi, since the final story does not end on a conclusive note.
Another short work left untouched is One-Pound Gospel, which, like Mermaid Saga, was published erratically. The last story to be drawn was published in 2001, however just recently she wrote one final chapter concluding the series
Later in 1987, Takahashi began her third major series, Ranma ½. Following the late 80s and early 90s trend of shōnen martial arts manga, Ranma ½ features a gender-bending twist. The series continued for nearly a decade until 1996, when it ended at 38 volumes. Ranma ½ is one of Rumiko Takahashi's most popular series with the Western world.
During the later half of the 1990s, Rumiko Takahashi continued with short stories and her installments of Mermaid Saga and One-Pound Gospel until beginning her fourth major work, InuYasha. While Ran
Rumiko Takahashi is one of the wealthiest women in Japan. The manga she creates (and its anime adaptations) are very popular in the United States and Europe where they have been released as both manga and anime in English translation. Her works are relatively famous worldwide, and many of her series were some of the forerunners of early English language manga to be released in the nineties. Takahashi is also the best selling female comics artist in history; well over 100 million copies of her various works have been sold.
Though she was said to occasionally doodle in the margins of her papers while attending Niigata Chūō High School, Takahashi's interest in manga did not come until later. During her college years, she enrolled in Gekiga Sonjuku, a manga school founded by Kazuo Koike, mangaka of Crying Freeman and Lone Wolf and Cub. Under his guidance Rumiko Takahashi began to publish her first doujinshi creations in 1975, such as Bye-Bye Road and Star of Futile Dust. Kozue Koike often urged his students to create well-thought out, interesting characters, and this influence would greatly impact Rumiko Takahashi's works throughout her career.
Career and major works:
Takahashi's professional career began in 1978. Her first published story was Those Selfish Aliens, a comedic science fiction story. During the same year, she published Time Warp Trouble, Shake Your Buddha, and the Golden Gods of Poverty in Shōnen Sunday, which would remain the home to most of her major works for the next twenty years. Later that year, Rumiko attempted her first full-length series, Urusei Yatsura. Though it had a rocky start due to publishing difficulties, Urusei Yatsura would become one of the most beloved anime and manga comedies in Japan.
In 1980, Rumiko Takahashi found her niche and began to publish with regularity. At this time she started her second major series, Maison Ikkoku, in Big Comic Spirits. Written for an older audience, Maison Ikkoku is often considered to be one of the all-time best romance manga. Takahashi managed to work on Maison Ikkoku on and off simultaneously with Urusei Yatsura. She concluded both series in 1987, with Urusei Yatsura ending at 34 volumes, and Maison Ikkoku being 15.
During the 1980s, Takahashi became a prolific writer of short story manga, which is surprising considering the massive lengths of most of her works. Her stories The Laughing Target, Maris the Chojo, and Fire Tripper all were adapted into original video animations (OVAs). In 1984, after the end of Urusei Yatsura and Maison Ikkoku, Takahashi took a different approach to storytelling and began the dark, macabre Mermaid Saga. This series of short segments was published sporadically until 1994, with the final story being Mermaid's Mask. Many fans contend that this work remains unfinished by Takahashi, since the final story does not end on a conclusive note.
Another short work left untouched is One-Pound Gospel, which, like Mermaid Saga, was published erratically. The last story to be drawn was published in 2001, however just recently she wrote one final chapter concluding the series
Later in 1987, Takahashi began her third major series, Ranma ½. Following the late 80s and early 90s trend of shōnen martial arts manga, Ranma ½ features a gender-bending twist. The series continued for nearly a decade until 1996, when it ended at 38 volumes. Ranma ½ is one of Rumiko Takahashi's most popular series with the Western world.
During the later half of the 1990s, Rumiko Takahashi continued with short stories and her installments of Mermaid Saga and One-Pound Gospel until beginning her fourth major work, InuYasha. While Ran
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Displaying 1 - 5 of 5 reviews
August 13, 2021
Y llego el final
Me gusto mucho, por que requirio que cada miembro del equipo contribuyera en la pelea final con Naraku.
Y lo de Kagome y la Shikon-no-tama. Y los 3 años.
5 stars
En cuanto al manga en su totalidad, me gusto mucho, si es algo largo, pero la historia fluye, y toda la mitologia de los Yokai, y el diseño de monstros, y las espadas de Inuyasha
4.5
Me gusto mucho, por que requirio que cada miembro del equipo contribuyera en la pelea final con Naraku.
Y lo de Kagome y la Shikon-no-tama. Y los 3 años.
5 stars
En cuanto al manga en su totalidad, me gusto mucho, si es algo largo, pero la historia fluye, y toda la mitologia de los Yokai, y el diseño de monstros, y las espadas de Inuyasha
4.5
June 30, 2025
Inuyasha es una historia a la que le tengo mucho aprecio porque crecí con los personajes, el anime fácilmente lo he visto más de 15 veces y nunca me canso de volver a el. Es una historia en donde experimentarás todos los sentimientos y es imposible no encariñarse con los personajes incluso los no tan buenos. Si quieren leer/ver un anime/manga Inuyasha es y será mi primera recomendación.
June 17, 2021
Y con esto acabo inuyasha... esta serie de manga me acompañó un buen tiempito. Nunca me llegue a aburrir leyendo los mangas siempre me hacían reír y me quedaba picada, amé todas la apariciones de mi esposo Shessomaru bb creo que la forma en que se cerro el Manga estuvo muy bien, el detalle del deseo de Naraku estuvo bueno.
Amé inuyasha y nada más por Shessomaru me voy a ver el spin off de sus hijas. Aunque también la historia cierra muy bien en el Manga pero bueno lo que uno hace por explotar una serie 😴
Amé inuyasha y nada más por Shessomaru me voy a ver el spin off de sus hijas. Aunque también la historia cierra muy bien en el Manga pero bueno lo que uno hace por explotar una serie 😴
July 5, 2022
Esta serie de anime la vi cuando estaba en secundaria y hasta la fecha es de mis favoritas, es de los anime más largos que e visto y sin embargo no me canso. Ciertamente en el manga hay muy pocos capítulos de relleno sin embargo en la serie hay un montonal y la verdad no me disgusta por que a pesar de no aportar nada importante a la trama principal, no me dejaban un mal sabor de boca, en estos capítulos siempre me divertía y me reía como loca, de lo graciosos y buenos que estaban.
Ahora llegamos al final de nuestra increíble historia, llena de amor, traición, amistad, aventura y fantasía.
Ahora la perla está completa y se encuentra contaminada por energía maligna, todos devén dar lo mejor de sí para poder acabar con naraku. Sin embargo nada es tan fácil, ya que naraku los pone al limite. Kagome consigue darle un golpe letal y aun en su agonía se trata a kagome llevándola al bacio con ella mostrándolo otra realidad, de la cual no habría podido escapar de no ser por el deseo correcto y por inuyasha.
El final es de lo más bonito me encanta después de tanto drama si tiene un buen final feliz para todos.
Ahora llegamos al final de nuestra increíble historia, llena de amor, traición, amistad, aventura y fantasía.
Ahora la perla está completa y se encuentra contaminada por energía maligna, todos devén dar lo mejor de sí para poder acabar con naraku. Sin embargo nada es tan fácil, ya que naraku los pone al limite. Kagome consigue darle un golpe letal y aun en su agonía se trata a kagome llevándola al bacio con ella mostrándolo otra realidad, de la cual no habría podido escapar de no ser por el deseo correcto y por inuyasha.
El final es de lo más bonito me encanta después de tanto drama si tiene un buen final feliz para todos.
This entire review has been hidden because of spoilers.
Displaying 1 - 5 of 5 reviews