Mixed feelings. I liked the beginning of the book, but as soon as we got to the animals it began to feel like a pinterest board. I originally got this after reading Slow Stitch because the cloth books were referenced in it, but the books don't show up till perhaps 80% through.
The other thing that bothered me was the use of the term "ethnic textiles." Whereas Slow Stitch was culturally sensitive and mentioned working with displaced women on one project, this book seemed willing to take without any reciprocation. The use of the term "ethnic" in general is weird, as both Asian & African cultures were referred to. That's a HUGE mass of cultures and in this case "ethnic" can only mean "not-white."
The author said she treats old materials with reverence, but again I didn't get that feeling. It felt more like an opportunity - the thrill of a find. I wince to think of all the quilts taken apart as it feels like the creators of such quilts and the memories and generations that used that quilt are scattered now. I appreciated that the author said she only used crumbling quilts or ones that were discarded, but I feel uneasy.
So while those issues keep me from rating the book higher, there was quite a lot of good information presented. (Just not necessarily in the way, or style I like!)